Muutke küpsiste eelistusi

E-raamat: Caring for the Whole Musician: Awareness and Mindfulness: CMS Emerging Fields in Music [Taylor & Francis e-raamat]

  • Formaat: 112 pages, 15 Tables, black and white; 4 Halftones, black and white; 4 Illustrations, black and white
  • Sari: CMS Emerging Fields in Music
  • Ilmumisaeg: 10-May-2023
  • Kirjastus: Routledge
  • ISBN-13: 9781003002956
  • Taylor & Francis e-raamat
  • Hind: 70,16 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 100,22 €
  • Säästad 30%
  • Formaat: 112 pages, 15 Tables, black and white; 4 Halftones, black and white; 4 Illustrations, black and white
  • Sari: CMS Emerging Fields in Music
  • Ilmumisaeg: 10-May-2023
  • Kirjastus: Routledge
  • ISBN-13: 9781003002956
"Caring for the Whole Musician brings together insights from two expert musicians and educators to consider the relationship between mental and physical health and artistic practice for musicians. Offering a holistic perspective that encompasses the whole being - body, mind, and heart - this book provides emerging musicians with tools, practices, and mindsets to address key challenges throughout their journey. The first section, Awareness, addresses wellness and embodiment in music, exploring how our bodies are constructed, and how the use of our bodies as instruments affects function. Using approaches including body mapping and the Alexander Technique, this section helps readers discover adverse habits that interfere with natural movement, and nurture awareness of the body. The second section, Mindfulness, explores how meditative practice can be incorporated into every stage of concert preparation, and embedded within the daily life of the musician. Offering mindfulness exercises related to each stage of the music-making process, these chapters provide strategies for readers to enhance their well-being and focus. Centered in the understanding of the musician as a whole being, this book provides an essential guide to how practices of awareness and mindfulness can allow musicians to better care for themselves and flourish in their artistic careers"--

Caring for the Whole Musician brings together insights from two expert musicians and educators to consider the relationship between mental and physical health and artistic practice for musicians.



Caring for the Whole Musician brings together insights from two expert musicians and educators to consider the relationship between mental and physical health and artistic practice for musicians. Offering a holistic perspective that encompasses the whole being – body, mind, and heart – this book provides emerging musicians with tools, practices, and mindsets to address key challenges throughout their journey.

The first section, Awareness, addresses wellness and embodiment in music, exploring how our bodies are constructed, and how the use of our bodies as instruments affects function. Using approaches including body mapping and the Alexander Technique, this section helps readers discover adverse habits that interfere with natural movement, and nurture awareness of the body. The second section, Mindfulness, explores how meditative practice can be incorporated into every stage of concert preparation, and embedded within the daily life of the musician. Offering mindfulness exercises related to each stage of the music-making process, these chapters provide strategies for readers to enhance their well-being and focus.

Centered in the understanding of the musician as a whole being, this book provides an essential guide to how practices of awareness and mindfulness can allow musicians to better care for themselves and flourish in their artistic careers.

Series Editor's Introduction x
List of Figures
xii
List of Tables
xiii
Acknowledgments xiv
Foreword xvii
PART I Awareness
1(66)
Larry Lee Hensel
1 The Well of Awareness
3(9)
Introduction
3(1)
Experiential Learning 1 Awareness of Breathing
4(1)
Alexander Technique: A Very Good Place to Start
4(1)
Brief Description of the Alexander Technique
5(1)
Take Care of Yourself First
5(1)
Experiential Learning 2 "Take It in What Sense Thou Wilt"
6(1)
The Well of Awareness
7(2)
Experiential Learning to Increase Awareness
9(1)
Experiential Learning 3 Brushing Your Teeth
9(3)
2 Know Thyself
12(12)
Body Mapping - on the Road!
12(1)
Defining Spine and Head
13(2)
What Is a Neck?
15(2)
Experiential Learning 4 Tension and Release
17(1)
Experiential Learnings: The Atlanto-Occipital Joint (Top Joint)
18(1)
The Arm
19(5)
3 Alexander Technique Principles
24(24)
Use Affects Function
24(3)
Experiential Learning 7 Entering the Practice Room
27(1)
Habits
27(2)
Experiential Learning 8 Drinking a Hot/Warm Liquid
29(2)
Experiential Learning 9 Write Down Your Thoughts
31(1)
Inhibition -- the Pause
31(2)
Experiential Learning, 10 Reaction to Musical Stimulus
33(3)
Experiential Learning 11 Listening to Others Speak
36(1)
My Unreliable Self
36(3)
Direction
39(1)
Experiential Learning, 12 Neck Tension
40(1)
Experiential Learning 13 The Arms
41(2)
Experiential Learning 14 Go Forth With ...
43(1)
The Goal. (Or ... Applause. Is That All There Is?)
43(5)
4 The Well Never Runs Dry
48(19)
Whole Body/Whole Being
48(3)
Space: The Final Frontier
51(1)
Time, or ... Ala recherche du temps perdu (In Search of Lost Time)
52(1)
Use Affects Function
53(4)
Conception of Time
57(1)
Musings
58(6)
Recommended Materials
64(3)
PART II Mindfulness
67(39)
Alexander Kahn
5 The Musician and the Monk
69(7)
Mindfulness -- an Introduction
70(1)
Making the Case for Mindfulness -- the Diagnosis
71(1)
Making the Case for Mindfulness -- the Cure
72(4)
6 Pregame Strategies
76(13)
Experiential Learning One Walking Meditation
76(2)
Experiential Learning Two Treating the Music Room as Sacred Space
78(2)
Experiential Learning Three Mindful Breathing
80(2)
Experiential Learning Four Mindfulness of the Body
82(1)
Experiential Learning Five Open Awareness Meditation
83(2)
Experiential Learning Six Setting Intentions
85(1)
Experiential Learning Seven Give Metta
86(3)
7 Mid-Game Strategies
89(11)
Experiential Learning Eight Finding Flow in Performance Through Present Moment Awareness
89(2)
Experiential Learning Nine Mindful Self-Talk in the Practice Room
91(2)
Experiential Learning Ten Mindful Communication in the Rehearsal Setting
93(2)
Experiential Learning Eleven The Sacred Pause or STOP
95(1)
Experiential Learning Twelve Mindful Listening
96(4)
8 Postgame Strategies and Final Thoughts
100(6)
Experiential Learning Thirteen Forgiveness and Acceptance
101(1)
Experiential Learning Fourteen Expressing Gratitude and Soaking in the Good
102(1)
Experiential Learning Fifteen See Beyond the Self
103(1)
Final Thoughts
104(2)
Index 106
Larry Lee Hensel is Emeritus Professor of Music at the University of Wyoming, USA, where he was Head of the Vocal Arts Area, Director of Opera Theatre, and Opera in a Gym (an educational operatic touring ensemble for elementary school audiences). A Certifi ed Teacher of the Alexander Technique since 2007, he has conducted workshops in Alexander Technique and Body Mapping for music departments in universities across the United States and was a Guest Artist at the Puppetry Center in Atlanta, Georgia. He holds a D.M.A. and an M.M. in Vocal Performance and Literature from the Eastman School of Music.

Alexander Kahn is Professor of Music at Sonoma State University, USA, where he directs the Sonoma State Symphony Orchestra and teaches courses on conducting, music appreciation, and music history. In addition to his educational activities, he has worked with professional and festival orchestras across the United States and throughout Europe. Currently he serves as Assistant Conductor for the Santa Rosa Symphony, as well as Music Director of the Vintners Chamber Orchestra, a professional chamber orchestra that performs at wineries throughout Sonoma and Napa counties.