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E-raamat: Avid Handbook: Advanced Techniques, Strategies, and Survival Information for Avid Editing Systems 5th edition [Taylor & Francis e-raamat]

  • Formaat: 378 pages
  • Ilmumisaeg: 08-Sep-2008
  • Kirjastus: Focal Press
  • ISBN-13: 9780080928135
  • Taylor & Francis e-raamat
  • Hind: 249,27 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 356,10 €
  • Säästad 30%
  • Formaat: 378 pages
  • Ilmumisaeg: 08-Sep-2008
  • Kirjastus: Focal Press
  • ISBN-13: 9780080928135
Brimming with workflow efficiencies for the experienced editor, The Avid Handbook teaches you the hows and whys of operating the system in order to reach streamlined, creative end solutions. The book emphasizes time-saving techniques, shortcuts, and workflow procedures- the true keys to getting a job done.

The book has also been updated to include new information on HD formats and workflows, color-correction and grading capability enhancements, MXF media standardization, and much more.

Also new to this edition are an 8 page 4-color insert, adding depth to the color-correction lessons, as well as running sidebars throughout the book, calling out time-saving tips and techniques.


* New information on High-Definition tools and production workflows, allowing you to complete your HD projects in the most efficient manner
* New details on product updates and innovations such as HD, color-grading and capabilities, file-based video formats, and file-based instead of tape-based output
* The new edition features sidebars throughout that call out time-saving tips and techniques, as well as a new 8 page 4-color insert for more effective display with the color correction lessons

Brimming with workflow efficiencies for the experienced editor, The Avid Handbook teaches you the hows and whys of operating the system in order to reach streamlined, creative end solutions. The book emphasizes time-saving techniques, shortcuts, and workflow procedures- the true keys to getting a job done.

The book has also been updated to include new information on HD formats and workflows, color-correction and grading capability enhancements, MXF media standardization, and much more.

Also new to this edition are an 8 page 4-color insert, adding depth to the color-correction lessons, as well as running sidebars throughout the book, calling out time-saving tips and techniques.
Dedication iii
Preface xi
Assembling the Timeline
1(28)
Building the Story Framework
1(1)
Source-to-Record Editing
1(15)
Editing from the Bin
16(7)
Cutting Down Your Sequence
23(3)
Navigating the Timeline
26(3)
Zen and the Art of Trim
29(24)
Thinking Nonlinearly
30(2)
Trimming Fundamentals
32(4)
Methods of Trimming
36(8)
Types of Trim
44(5)
Trimming in Filler
49(1)
Trimming Outside of Trim
50(1)
Conclusion
51(2)
Intermediate Techniques
53(18)
Multiple Methods to Solve One Problem
54(1)
Using the Keyboard
54(3)
Navigating Nonlinearly
57(3)
Audio Monitoring
60(1)
Organizing Your Material
61(4)
Customizing Your Interface Environment
65(3)
Backing Up
68(2)
Nontimecoded Material
70(1)
Conclusion
70(1)
Avid Administration
71(30)
Room Design
71(2)
Electrical Power
73(2)
Ergonomics
75(1)
Media Storage and Management
75(6)
The Importance of Empty Space
81(1)
Consolidate
82(5)
Using the Operating System for Copying
87(1)
Deciding What to Delete
88(1)
Using Creation Date
88(1)
Using Custom Columns
89(1)
Basic Media Deletion Using Media Relatives
89(2)
Lock Items in Bin
91(1)
Changing the Media's Project Association
92(2)
Relinking
94(4)
Backing Up and Archiving
98(2)
Use Common Sense
100(1)
Standard-Definition Video Fundamentals
101(30)
Signal Fundamentals
102(6)
Composite Video
108(6)
Component Video
114(3)
Video Frame Structure
117(4)
Introduction to Digital Video
121(1)
Digital Component Video
121(10)
The Wild World of High Definition
131(14)
A Brief History of High Definition
131(2)
1080-Line High Definition
133(7)
720-Line High Definition
140(2)
Working with High Definition in Avid
142(3)
Importing and Exporting
145(28)
Import and Export Basics
146(6)
Fields and Still Graphics
152(5)
Configuring the Import Setting
157(4)
Exporting
161(5)
Importing and Exporting Motion Video
166(2)
Using OMFI for ProTools
168(2)
Adobe After Effects
170(1)
Conclusion
171(2)
Introduction to Effects
173(44)
ACPL-Based Effects
174(1)
Types of Effects
174(2)
Effect Design
176(1)
Rendering
176(3)
Keyframes
179(1)
Advanced Keyframe Model
179(12)
Timewarps
191(5)
Timewarp Freeze Frames
196(2)
Saving Effect Templates
198(1)
Add Edits
198(1)
Nesting
199(4)
Chroma Keying
203(9)
3D Effects
212(1)
Paint and AniMatte®
213(1)
AVX
213(1)
Titles
214(2)
Conclusion
216(1)
Conforming and Finishing
217(44)
Choosing the Finishing Resolution: Standard Definition
217(1)
Choosing the Finishing Resolution: High Definition
218(1)
Delivery Requirements to Online
219(5)
The Online Project
224(6)
Necessary Equipment for Online Suites
230(1)
Onlining and Offlining on the Same Machine
231(5)
Preparing to Recapture
236(8)
Batch Capturing
244(4)
Integrating the Audio Mix
248(1)
Linking to Other Sequences
249(1)
Conforming to High Definition
250(9)
Conforming Mixed-Format Sequences
259(2)
Color Correction
261(26)
Before You Correct
261(3)
The Color-Correction Interface
264(6)
Color-Correction Workflow
270(6)
Color Correcting with Curves
276(4)
Playing within Color Correction
280(1)
Color Correcting with Avid Symphony
281(5)
Conclusion
286(1)
Troubleshooting
287(24)
Basic Troubleshooting Philosophy
287(1)
RTFM
288(1)
Techniques for Isolating Hardware from Software
289(1)
Software Problems
290(2)
Audio Problems
292(2)
The Importance of Connections
294(8)
Standard Computer Woes
302(1)
Media Management
303(3)
Version Numbers
306(2)
Electrostatic Discharge
308(1)
Calling Avid Customer Support
308(3)
Nonlinear Video Assistants
311(10)
Capturing
312(1)
Drives
313(1)
Media Management
314(1)
Basic Maintenance
315(1)
Backing Up
315(1)
Output
315(1)
Recapturing
316(1)
Blacking Tape
317(4)
Appendix Preparing for Linear Online
321(24)
Preparing Sound
324(1)
Using the Offline Cut in Online
324(1)
Dubbing with Timecode
325(2)
Tape Names in EDLs
327(1)
EDL Manager
327(1)
Getting Ready
328(1)
Formatting Floppies and RT-11
329(2)
Be Prepared
331(1)
EDL Templates
331(1)
What Is an EDL?
332(1)
Translating Effects
333(1)
Multiple Layers of Graphics and Video
334(1)
Simplify the EDL
335(1)
Sound Levels
336(1)
Settings
337(6)
Conclusion
343(2)
Index 345
Senior Product Designer for editors with Avid Technology, Inc., and has been editing on Media Composer since 1992. For the last several years Greg has traveled the world speaking at major conferences and seminars keeping Avid users and instructors up-to-date on areas such as advanced editing techniques, online process, color correction, and effects design. Prior to joining the product design team he was the Principal Instructor for Avid's Training Services Group, focusing on finishing and effects. Bayes is the Product Manager for Final Cut Pro at Apple. For 8 years he was the Principal Product Designer for Media Composer, Symphony and DS Nitris at Avid Technology. Steve has specified the design of Avid products based on his years of editing, instructing and interviewing Avid users. He is the author of the book The Avid Handbook: Basic and Intermediate Techniques for the Media Composer which will have a 4th edition in December 2003. Steve also spent two years as Senior Instructor for Avid Educational Services, teaching Avid students and instructors in the U.S., Europe and Asia. He has also written and developed several advanced Avid classes including the Master Editor Workshop. Previously, Steve was Senior Editor at several production companies in Boston, Massachusetts and edited in the New England market for ten years.