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E-raamat: Finding Democracy in Music [Taylor & Francis e-raamat]

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  • Formaat: 222 pages, 2 Line drawings, black and white; 12 Halftones, black and white; 14 Illustrations, black and white
  • Sari: Musical Cultures of the Twentieth Century
  • Ilmumisaeg: 03-Nov-2020
  • Kirjastus: Routledge
  • ISBN-13: 9780367486938
  • Taylor & Francis e-raamat
  • Hind: 189,26 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 270,37 €
  • Säästad 30%
  • Formaat: 222 pages, 2 Line drawings, black and white; 12 Halftones, black and white; 14 Illustrations, black and white
  • Sari: Musical Cultures of the Twentieth Century
  • Ilmumisaeg: 03-Nov-2020
  • Kirjastus: Routledge
  • ISBN-13: 9780367486938

For a century and more, the idea of democracy has fuelled musicians’ imaginations. Seeking to go beyond music’s proven capacity to contribute to specific political causes, musicians have explored how aspects of their practice embody democratic principles. This may involve adopting particular approaches to compositional material, performance practice, relationships to audiences, or modes of dissemination and distribution.

Finding Democracy in Music is the first study to offer a wide-ranging investigation of ways in which democracy may thus be found in music. A guiding theme of the volume is that this takes place in a plurality of ways, depending upon the perspective taken to music’s manifold relationships, and the idea of democracy being entertained. Contributing authors explore various genres including orchestral composition, jazz, the post-war avant-garde, online performance, and contemporary popular music, as well as employing a wide array of theoretical, archival, and ethnographic methodologies. Particular attention is given to the contested nature of democracy as a category, and the gaps that frequently arise between utopian aspiration and reality. In so doing, the volume interrogates a key way in which music helps to articulate and shape our social lives and our politics.

List of music examples and figures
vii
List of contributors
viii
Acknowledgements xii
Introduction: looking for democracy in music and elsewhere 1(18)
Robert Adlington
Esteban Buch
1 `Unsociable sociability': orchestras, conflict and democratic politics in Finland after 1917
19(18)
Tina K. Ramnarine
2 Dismantling borders, assembling hierarchies: Percy Grainger and the idea of democracy
37(21)
Ryan Weber
3 How democratic is jazz?
58(22)
Benjamin Givan
4 Curating difference: Elliott Carter and democracy
80(21)
Robert Adlington
5 Getting exercised: ensemble relations in Christian Wolff's Exercises
101(24)
Emily Payne
Philip Thomas
6 Defining audible democracy: new music in post-dictatorship Argentina
125(19)
Violeta Nigro Giunta
7 Network music and digital utopianism: the rise and fall of the Res Rocket Surfer project, 1994--2003
144(20)
Christopher Haworth
8 As the band hit full throttle: live event, mediatization and collective identification in popular music concert films
164(17)
Alessandro Bratus
9 Reinventing audiences: imagining radical musical democracies
181(23)
Georgina Born
Index 204
Robert Adlington holds the Queens Anniversary Prize Chair in Contemporary Music at the University of Huddersfield. He is the author of books on Harrison Birtwistle, Louis Andriessen, and avant-garde music in 1960s Amsterdam, and has edited volumes on avant-garde music and the sixties, music and communism, and (in the present book series) New Music Theatre in Europe (Routledge, 2019).

Esteban Buch is Professor of Music History at the École des Hautes Études en Sciences Sociales (EHESS) in Paris. His latest books include Trauermarsch. LOrchestre de Paris dans lArgentine de la dictature (Seuil, 2016) and, as a co-editor, Composing for the State: Music in Twentieth Century Dictatorships (Routledge, 2016).