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E-raamat: Guitar Cultures [Taylor & Francis e-raamat]

Edited by (Griffith University, Queensland, Australia), Edited by
  • Formaat: 224 pages
  • Ilmumisaeg: 01-Nov-2001
  • Kirjastus: Berg Publishers
  • ISBN-13: 9781003085522
  • Taylor & Francis e-raamat
  • Hind: 189,26 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 270,37 €
  • Säästad 30%
  • Formaat: 224 pages
  • Ilmumisaeg: 01-Nov-2001
  • Kirjastus: Berg Publishers
  • ISBN-13: 9781003085522
The guitar is one of the most evocative instruments in the world. It features in music as diverse as heavy metal, blues, indie and flamenco, as well as Indian classical music, village music making in Papua New Guinea and carnival in Brazil. This cross-cultural popularity makes it a unique starting point for understanding social interaction and cultural identity. Guitar music can be sexy, soothing, melancholy or manic, but it nearly always brings people together and creates a common ground even if this common ground is often the site of intense social, cultural, economic and political negotiation and contest.This book explores how people use guitars and guitar music in various nations across the world as a musical and symbolic basis for creating identities. In a world where place and space are challenged by the pace of globalization, the guitar provides images, sounds and styles that help define new cultural territories. Guitars play a crucial part in shaping the commercial music industry, educational music programmes, and local community atmosphere. Live or recorded, guitar music and performance, collecting and manufacture sustains a network of varied social exchanges that constitute a distinct cultural milieu.Representing the first sustained analysis of what the guitar means to artists and audiences world-wide, this book demonstrates that this seemingly simple material artefact resonates with meaning as well as music.


The guitar is one of the most evocative instruments in the world. It features in music as diverse as heavy metal, blues, indie and flamenco, as well as Indian classical music, village music making in Papua New Guinea and carnival in Brazil. This cross-cultural popularity makes it a unique starting point for understanding social interaction and cultural identity. Guitar music can be sexy, soothing, melancholy or manic, but it nearly always brings people together and creates a common ground even if this common ground is often the site of intense social, cultural, economic and political negotiation and contest.This book explores how people use guitars and guitar music in various nations across the world as a musical and symbolic basis for creating identities. In a world where place and space are challenged by the pace of globalization, the guitar provides images, sounds and styles that help define new cultural territories. Guitars play a crucial part in shaping the commercial music industry, educational music programmes, and local community atmosphere. Live or recorded, guitar music and performance, collecting and manufacture sustains a network of varied social exchanges that constitute a distinct cultural milieu.Representing the first sustained analysis of what the guitar means to artists and audiences world-wide, this book demonstrates that this seemingly simple material artefact resonates with meaning as well as music.

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Also available in paperback, 9781859734346 GBP17.99 (November, 2001)
Acknowledgements vii Notes on Contributors ix Introduction: Guitars, Cultures, People and Places 1(10) Kevin Dawe Andy Bennett The Guitar in the Blues Music of the Deep South 11(16) David Evans Unplugged: Blues Guitarists and the Myth of Acousticity 27(18) Peter Narvaez `Plug in and Play!: UK `Indie-Guitar Culture 45(18) Andy Bennett Handmade in Spain: The Culture of Guitar Making 63(26) Kevin Dawe Moira Dawe The Guitar as Artifact and Icon: Identity Formation in the Babyboom Generation 89(28) John Ryan Richard A. Peterson Into the Arena: Edward Van Halen and the Cultural Contradictions of the Guitar Hero 117(18) Steve Waksman The Guitar Cultures of Papua New Guinea: Regional, Social and Stylistic Diversity 135(22) Denis Crowdy Hybridity and Segregation in the Guitar Cultures of Brazil 157(22) Suzel Ana Reily Rock to Raga: The Many Lives of the Indian Guitar 179(30) Martin Clayton Index 209
Andy Bennett Lecturer in Sociology,University of Surrey Kevin Dawe Lecturer, School of Music, University of Leeds