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E-raamat: Photography and September 11th: Spectacle, Memory, Trauma [Taylor & Francis e-raamat]

  • Formaat: 196 pages
  • Ilmumisaeg: 26-Mar-2015
  • Kirjastus: Bloomsbury Academic
  • ISBN-13: 9781003103738
  • Taylor & Francis e-raamat
  • Hind: 189,26 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 270,37 €
  • Säästad 30%
  • Formaat: 196 pages
  • Ilmumisaeg: 26-Mar-2015
  • Kirjastus: Bloomsbury Academic
  • ISBN-13: 9781003103738
It is all but impossible to think of September 11th 2001 and not, at the same time, recall an image. The overwhelmingly visual coverage in the world's media pictured a spectacle of terror, from images of the collapsing towers, to injured victims and fatigued firefighters. In the days, weeks and months that followed, this vast collection of images continued to circulate relentlessly. This book investigates the psychological impact of those images on a stunned American audience.

Drawing on trauma theory, this book asks whether the prolonged exposure of audience to images was cathartic or damaging. It explores how first the collective memory of the event was established in the American psyche and then argues that through repetitive use of the most powerful pictures, the culture industry created a dangerously simple 9/11 metanarrative. At the same time, people began to reclaim and use photography to process their own feelings, most significantly in 'communities' of photographic memorial websites. Such exercises were widely perceived as democratic and an aid to recovery. This book interrogates that assumption, providing a new understanding of how audiences see and process news photography in times of crisis.

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A ground-breaking study of the photographic representation of 9/11 in terms of psychoanalysis, trauma, discourses of power, spectacle and collective memory.
List of Illustrations
viii
Acknowledgements x
Preface: I was there xi
Introduction 1(14)
1 Spectacle and collective memory
15(32)
2 Forever seared: The trauma of photographic seeing
47(22)
3 Buildings made flesh: Notions of the uncanny and the real
69(22)
4 Reclaiming the imagery that haunted us: Recovery, community and remembrance
91(22)
5 The compulsion to repeat: Photography as a dead end
113(26)
Conclusion: Beyond words 139(7)
Notes 146(25)
References 171(6)
Index 177
Jennifer Good is Senior Lecturer in History and Theory of Photojournalism and Documentary Photography at London College of Communication, University of the Arts, London, UK.