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E-raamat: Composing for the Screen [Taylor & Francis e-raamat]

Edited by (Kent State University, USA)
  • Formaat: 212 pages, 1 Line drawings, black and white; 27 Halftones, black and white; 28 Illustrations, black and white
  • Sari: PERFORM
  • Ilmumisaeg: 20-Jul-2022
  • Kirjastus: Routledge
  • ISBN-13: 9781003174219
  • Taylor & Francis e-raamat
  • Hind: 189,26 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 270,37 €
  • Säästad 30%
  • Formaat: 212 pages, 1 Line drawings, black and white; 27 Halftones, black and white; 28 Illustrations, black and white
  • Sari: PERFORM
  • Ilmumisaeg: 20-Jul-2022
  • Kirjastus: Routledge
  • ISBN-13: 9781003174219
This book is a collection of essays written by and interviews with working composers for film and television, and video games, exploring the business side of composing, addressing the lack of understanding about career development and business responsibilities as they relate to composers.

Over 30 industry professionals, composers, directors, educators and business agents at all levels dispel myths about the industry and provide practical advice on topics such as how to break into the field; how to develop, nurture, and navigate business relationships; and how to do creative work under pressure. Readers will also learn about the entrepreneurial expectations in relation to marketing, strategies for contending with the emotional highs and lows of composing, and money management whilst pursuing a career in composing.

Written for undergraduates and graduates studying composing, sound production, and filmmaking, as well as aspiring composers for film, TV, and games, this book provides readers with a wealth of first-hand information that will help them create their own opportunities and pursue a career in film and television.
Foreword ix
Acknowledgments xii
Introduction xiii
Chapter 1 Getting Started
1(40)
Productive Networking: Cultivating Strong and Healthy Professional Relationships
3(9)
Trinity Velez-Justo
The Day-To-Day Life Of A New Composer Dreams, Reality, and Training A Q&A with Green Seo
12(7)
A Look Back At An Early Career Start Making the Most of Every Opportunity, Then and Now A Q&A with Sean Beeson
19(7)
Workflow - And Why It Matters To Composers Understanding Where You Fit In The Big Picture
26(8)
Ian Anderson
Tim Fritz
Scott Hallgren
How To Work With The Picture Editor The Relationship and Process of Editing A Q&A with Tracy Nichole Cring
34(7)
Chapter 2 Sticking it Out
41(41)
You Can Work From Anywhere Doing Indie Game Music Work -- From Chicago A Q&A with Megan Carnes
43(8)
Your First Major Project Finishing Your First Feature and Beyond A Q&A with Carlos Garcia
51(7)
Self Promotion For Composers A PR Professional Tells You How to Put Your Best YOU Forward
58(8)
Thomas Mikusz
The Business Of Music (For Picture) Educating Yourself about the Value of Your Work A Q&A with Anna Kelberg-Kim, Msq
66(8)
Finding Your Happy Place Telling Musical Stories through Any Medium A Q&A with Claire Batchelor
74(8)
Chapter 3 Finding Success
82(42)
A Director's Perspective Why We Love Original Music So Much A Q&A with Rick Page
84(8)
The Value Of Mentorships And Partnerships A Busy TV Composer Talks about Her Journey A Q&A with Rebecca Kneubuhl
92(7)
Why To Join A Performance Rights Organization An Important Move for Sustaining Your Career
99(9)
Erin Collins
Other Roles For The Modern Composer Advertising Work, Engineering, and Insights on Success A Q&A with Jake Fader
108(8)
Everyone Should Be Heard Additional Composing and the Composer Diversity Collective A Q&A with Sandro Morales Santoro
116(8)
Chapter 4 Getting Ahead
124(41)
Finding Your Own Way From Theme Parks to Theaters A Q&A with Rob Pottorf
126(8)
A Career In Game Music An Industry Veteran Becomes a Leader A Q&A with Will Roget
134(7)
What Does A Music Editor Do? The Music Editor As Composer As Music Editor A Q&A with Shie Rozow
141(9)
The Reality Of Reality Tv The Challenges and Rewards at the Top A Q&A with Mark T. Williams
150(7)
What An Agent Is Looking For Beating the Composer Catch-22 A Q&A with Ari Wise
157(8)
Chapter 5 Starting Again
165(42)
Other Roles On The Soundtrack Ways a Composer Can Sonically Expand in the Industry A Q&A with Duncan Watt
167(8)
Teaching - A Powerful Way To Branch Out Success in Multiple Arenas Helps Students and You A Q&A with Hummie Mann
175(9)
Stages (Of A Career) Success Can Be Many Things over Time
184(7)
Mark Watters
Education, Revolution, And The Meaning Of A Modern Musical Formation How Music Traditions, Educational Reality, and the Internet Are Colliding
191(8)
Mark Nowakowski
Moving Into Producing And Directing How a Composer in Iran Makes This Work A Q&A with H.R. Nikoofar
199(8)
Index 207
Scott W. Hallgren has an extensive list of works as a composer and musician for film, television, and games, including multiple Emmy-nominated, Telly, Golden CINE, and film festival award winners. He currently is an Assistant Professor of Digital Media Production at Kent State University.