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E-raamat: Routledge Companion to Creativities in Music Education [Taylor & Francis e-raamat]

Edited by (University of Cambridge, UK.), Edited by
  • Formaat: 602 pages, 15 Tables, black and white; 40 Line drawings, black and white; 15 Halftones, black and white; 55 Illustrations, black and white
  • Sari: Routledge Music Companions
  • Ilmumisaeg: 30-Dec-2022
  • Kirjastus: Routledge
  • ISBN-13: 9781003248194
  • Taylor & Francis e-raamat
  • Hind: 249,27 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 356,10 €
  • Säästad 30%
  • Formaat: 602 pages, 15 Tables, black and white; 40 Line drawings, black and white; 15 Halftones, black and white; 55 Illustrations, black and white
  • Sari: Routledge Music Companions
  • Ilmumisaeg: 30-Dec-2022
  • Kirjastus: Routledge
  • ISBN-13: 9781003248194

Viewing the plurality of creativity in music as being of paramount importance to the field of music education, The Routledge Companion to Creativities in Music Education provides a wide-ranging survey of practice and research perspectives.

Bringing together philosophical and applied foundations, this volume draws together an array of international contributors, including leading and emerging scholars, to illuminate the multiple forms creativity can take in the music classroom, and how new insights from research can inform pedagogical approaches.

In over 50 chapters, it addresses theory, practice, research, change initiatives, community, and broadening perspectives. A vital resource for music education researchers, practitioners, and students, this volume helps advance the discourse on creativities in music education.



Viewing the plurality of creativity in music as being of paramount importance to the field of music education, The Routledge Companion to Creativities in Music Education provides a wide-ranging survey of research and research to practice perspectives.

List of figures
xii
List of tables
xiv
List of contributors
xv
Acknowledgments xxvii
Preface xxviii
PART 1 Theory and Theorizing: Generating Good Vibrations
1(90)
1 Tuning Up: Creativities Illuminate Our Discourse
3(10)
Clint Handles
Pamela Burnard
2 On Creativities and Traditions: A Confucian Perspective with Insights for Music Education
13(9)
Leonard Tan
Mengchen Lu
3 Cyberfeminism and "Creativities": Artivism for Music Teaching and Learning
22(11)
Marissa Silverman
4 Interpretation and Listening in the Domain of Music and Sound Creativities
33(12)
Rebecca Rinsema
5 Re-Thinking Planning for a Creative Music Curriculum
45(16)
Victoria Kinsella
Martin Fautley
6 Playing with Freedom: A Reimagining of Play and Imagination in Vocal Music Education
61(10)
Kexin Xu
7 Information Literacy as a Factor for Musical Creativity Enhancement: Challenges and Prospects for Music Education
71(9)
Charilaos Lavranos
Charles Patterson
8 Multiple Creativities as a Natural Progression of the Origins of the Universe: A Justification for Music Education from Spirituality
80(11)
Clint Handles
PART 2 Foundational Creativities: Early Childhood Musics
91(42)
9 Teacher-as-Improvisational Artist: Weaving the Web of Inclusive Praxis in Early Childhood and Elementary Music
93(13)
Karen Salvador
Erika J. Knapp
10 Video Clubs as Catalysts for Developing Music Educators' Creative Music Making Practices
106(11)
Donna Gallo
11 Where Does That Go? Responding to Disruption in Higher Education through Technology and Creativities amidst the COVID-19 Pandemic
117(16)
Malachi Apudo-Achola
PART 3 New Possibilities for New Creativities: Inspiring/Catalyzing Curriculum Change
133(128)
12 Beyond the Surface of Culturally Responsive Pedagogies: Hip-Hop, Creativity, and Affirming the Voices of Students of Color
135(14)
Judy Lewis
13 Sparking and Sustaining the Songwriting Process
149(14)
Adam Patrick Bell
Juan Cacho
Ismail Ok Asha
14 Beyond `Careers': Composing Musical Lives through Metamusical Creativity
163(12)
Lloyd Mcarton
15 Teaching and Learning Creativity as Content: A Tool-Dependent Process
175(10)
Niklas Rudback
Cecilia Wallerstedt
16 Music Educators' Perspectives on Songwriting
185(6)
Lauren Ryals
17 Songwriting Class as a Place for Healing
191(7)
John Kratus
18 Group Creativities: Mapping the Creative Process of Mobile Music Creation
198(8)
Jason Chi Wai Chen
19 Children's Traditional Playground Musicking, Creativity, and Media Culture
206(11)
Martina Vasil
20 The DAW Revolution
217(11)
Matthew Clauhs
Brian Dozoretz
21 Through the Lens of Collaborative Creativity: Examining Compositional Processes in a GarageBand Activity Based on Group Assignment
228(13)
Samuel Holmes
22 Pursuing Diversity and Inclusivity through Hip-Hop Music Genres: Insights for Mainstream Music Curricula
241(20)
Pamela Burnard
Pete Dale
Simon Glenister
Jim Reiss
Raphael Travis
Elliot Gann
Alinka Greasley
PART 4 Playing the Changes: Attuning to Diverse Creativities in Practice
261(66)
23 The Pendulum Swings Tired: Dewey's Passivity, Activity, and Creativity in a Progressive Secondary Music Classroom
263(15)
Brad Fuller
James Humberstone
24 The Transformation of the Kenyan Higher Music Education Space
278(10)
Emily Achieng' Akuno
25 Creating Spaces for Songwriters, Collaborators, and Musicians in Higher Education
288(11)
Jonathan Kladder
Radio Cremata
26 Activist Pluralism as Intercultural Creativity in Conservatory Education
299(16)
James Humberstone
Caitlin Sandiford
27 A Case for Adopting a Collaborative Pedagogical Model in the Large Ensemble Music Classroom to Open the Door for Diverse Creativities
315(12)
Lauren Yacht
PART 5 Creativities Authored with/in the Wider Community
327(100)
28 Online Music Learning: Which Creativities Matter?
329(12)
Michele Biasutti
29 The Quarantine Ukulele Live Streams: The Creativities of an Online Music Community during a Global Health Crisis
341(11)
Emmett O'Leary
30 Activating and Developing Free Improvisational Creativities in Higher Education: Contesting Authority, Exploring Creativities, Stimulating Dialogue
352(11)
Chris Atton
Matthew Cowan
Harry Docherty
Kaelin Farnish
Zack Moir
Euan Pattie
31 Collaborative Compositional Creativity: Composers' Perspectives on Student and Teacher Input
363(13)
Tessandra Wendzich
Bernard W. Andrews
32 Taking a Leaf from "Giant Steps": A Small Step Towards Future Readiness
376(13)
Eddy Chong
33 Creativities in Music and Creativities through Music: Symbiotic Weaknesses in Greek-Cypriot Primary Education
389(15)
Stavros Makris
Graham Welch
Evangelos Himonides
34 Contexts and Conceptualizations of Care in Music Education
404(12)
Karin Hendricks
35 #Creativityeveryday -- Instagram as a Creative Tool
416(11)
Himasha Gunasekara
Cheryl Brown
Stuart Wise
PART 6 Re-Thinking, Re-Searching, Re-Visioning Creativities in Performance
427(98)
36 Making Silence Matter: Rethinking Performance Creativity as a Catalysing Space for Sounding Oneself in Music Education
429(12)
Pamela Burnard
Nick Sorensen
37 Ubimus Strategies for Colocated and Remote Educational Activities: Harmonic Walk and Live Patching
441(16)
Da Mian Keller
Marcella Mandanici
Marcello Messina
38 Embodied Music Pedagogy and Musical Creativities in Action
457(16)
Dylan Van Der Schyff
39 Gratitude during Times of Uncertainty: Connections to Creativities in Music Education
473(7)
Christian Hernhard
40 Musical Creativities, Spirituality, and Playing Drum Kit in Black Light Bastards
480(12)
Gareth Dylan Smith
41 Voicing Plural Creative Experiences without a Voice
492(13)
Thomas Moors
Evangelos Himonides
42 In Between Transdisciplinary Dialogue and Participatory Creativity: Group Improvisation in Secondary School
505(12)
Carlos Lage-Gomez
Roberto Cremades-Andreu
43 Understanding the Terrain in Creativities Research: Mapping an International Symposium in Music Education
517(8)
Asher Carlson
Jazmin Ghent
Brian Panetta
Charles Patterson
Clint Randles
PART 7 Widening Perspectives: New Departures and New Positionings
525(68)
44 Instrumental Music Education: Intra-action and Relationality for Creative Pedagogies in the Instrumental/Vocal Music Studio
527(12)
Leon De Bruin
45 Project-Based Learning and Student's Individual Creativity in Music Teacher Education: Learning, Teaching, and Performing Popular Music in Virtual Spaces
539(15)
Jonathan Kladder
46 Students as the Educator: A Student-centric Model for Curriculum Development
554(14)
Jonathan Mcelroy
47 Creativity Development, Service-Learning, and Spirituality in Music Education
568(13)
Alexander Koops
48 Reconfiguring the Future of Music Education through Pluralism, Openness and Authorship of New Creativities
581(12)
Pamela Burnard
Clint Randles
Index 593
Clint Randles is Associate Professor of Music Education at the University of South Florida School of Music, where he teaches and conducts research on contemporary musicianship, music production, recording arts, songwriting, and creativity conceptions.

Pamela Burnard is Professor of Arts, Creativities and Educations at the Faculty of Education, University of Cambridge. She is an international expert in creativities research and practice.