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"This book investigates how Zimbabwean literary texts subvert state-sponsored amnesia when it comes to the many forms of past and ongoing political violence in Zimbabwe. Zimbabwean Literature provides an important space for confronting the past and reflecting on how violence continues into the present day. This violent past was forgotten either through the promise of violence against those who sought to remember, or by depicting the violence as a necessary tool of a never-ending decolonisation process, or by appealing to the logic of letting bygones be bygones. For instance, by claiming that the five years of the Gukurahundi genocide were 'a moment of madness', Robert Mugabe set a climate of state-sponsored amnesia which has persisted through subsequent acts of state violence and into the Mnangagwa era. Drawing on key works by Shimmer Chinodya, Alexander Kanengoni, Yvonne Vera, Novuyo Rosa Tshuma, Brian Chikwava, Chenjerai Hove, Panashe Chigumadzi, and NoViolet Bulawayo, this book investigates how fictional works challenge this state-sponsored amnesia, both in relation to Gukurahundi and other past and ongoing forms of violence. Bringing together iconic literary texts from 1980 to 2022, the book draws a common thread through the texts' connected histories and highlights their role in de-silencing the past. Situated at the interface of memory studies and literary criticism, this book will be of interest to researchers across the fields of African literature, politics, development, and history"-- Provided by publisher.

This book investigates how Zimbabwean literary texts subvert state-sponsored amnesia when it comes to the many forms of past and ongoing political violence in Zimbabwe.

Zimbabwean Literature provides an important space for confronting the past and reflecting on how violence continues into the present day. This violent past was forgotten either through the promise of violence against those who sought to remember, or by depicting the violence as a necessary tool of a never-ending decolonisation process, or by appealing to the logic of letting bygones be bygones. For instance, by claiming that the five years of the Gukurahundi genocide were ‘a moment of madness’, Robert Mugabe set a climate of state-sponsored amnesia which has persisted through subsequent acts of state violence and into the Mnangagwa era. Drawing on key works by Shimmer Chinodya, Alexander Kanengoni, Yvonne Vera, Novuyo Rosa Tshuma, Brian Chikwava, Chenjerai Hove, Panashe Chigumadzi, and NoViolet Bulawayo, this book investigates how fictional works challenge this state-sponsored amnesia, in relation both to Gukurahundi and other past and ongoing forms of violence. Bringing together iconic literary texts from 1980 to 2022, the book draws a common thread through the texts’ connected histories and highlights their role in de-silencing the past.

Situated at the interface of memory studies and literary criticism, this book will be of interest to researchers across the fields of African literature, politics, development, and history.



This book investigates how Zimbabwean literary texts subvert state-sponsored amnesia when it comes to the many forms of past and ongoing political violence in Zimbabwe. Situated at the interface of memory studies and literary criticism, this book will interest researchers of African literature, politics, development, and history.

1. Violent (Re)Births, Armed Peace and the Politics of Memory in
Zimababwe
2. Destabilising the War Metanarrative in Shimmer Chinodyas
Harvest Of Thorns and Alexander Kanengonis Echoing Silences
3. Narrating
Gukurahundi Trauma: A violent independence in the House of Stone
4. A Decade
of Crisis, a Decade of Violence: The children Of Harare North and We Need New
Names
5. The Forgotten Doubles of NoViolet Bulawayos Glory
6. Re-Memorying
Nehanda in Chenjerai Hoves Bones and Panashe Chigumadzis These Bones Will
Rise Again
7. Conclusion: The future of the past in Zimbabwean politics and
literature
Tanaka Chidora is a Humboldt Fellow (20212023), a lecturer in the Department of Literary Studies at the University of Malawi and a research fellow in the Deparment of English, University of the Free State, South Africa. He is the Co-Chief Editor of Matatu: Journal for African Literary and Cultural Studies. Chidora is the author of Because Sadness is Beautiful? (2019), a collection of poems published to critical acclaim in Zimbabwe. The manuscript of his forthcoming novel, Born Location, was longlisted for the Island Prize as Carrying a Country on Your Forehead in 2023.