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E-raamat: Apollonian Clockwork: On Stravinsky [Taylor & Francis e-raamat]

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I think my music deserves to be considered as a whole, Igor Stravinsky remarked at the end of a long and restless career, and that is exactly what the authors of The Apollonian Clockwork do. In 1982, convinced that there is no essential difference between early and late Stravinsky, Louis Andriessen and Elmer Schönberger were the first to write a monograph on the composer which radically breaks with the habit of dividing his works into Russian, neoclassical and serial. In an essay which continually shifts in its approach, style and perspective, the authors elaborate on their insight that a single, immutable compositional attitude underlies the whole of Stravinskys oeuvre. By this token the book not only offers an analysis of the composers protean work and artistry but takes example by it as well.
Translator's Note xi
Preface xiii
I.
The New Renewed
3(4)
1966---Requiem Canticles
7(4)
America on Sunday
11(6)
Ars Imitatio Artis
17(5)
No Copyright Problem Here
22(6)
1919---La Marseillaise
28(8)
A Motto
36(3)
Ordeals of the Memory
39(6)
Forma Formans
45(5)
Zoonology
50(5)
1947---Orpheus
55(10)
II.
Purcell, Pergolesi, and the Others
65(3)
Concocted Reality
68(3)
The Inverted Metaphor
71(4)
The Utopian Unison
75(6)
Poetique musicale
81(16)
On Influence
97(5)
1952---Cantata
102(13)
Philosophie der neuen Musik
115(5)
1955---Greeting Prelude
120(3)
New York: Robert Craft and Vera Stravinsky
123(10)
1943---Ode
133(6)
III.
Monsieur, le pauvre Satie
139(3)
Ragtime
142(3)
1921---Les cinq doigts
145(5)
1917---Les Noces (Svadebka)
150(10)
On Montage Technique
160(5)
A Kind of Brecht
165(4)
1918---L'Histoire du soldat
169(5)
On Authenticating and on Making Current
174(4)
Ostinato Basses
178(4)
A Visit to Lake Geneva
182(16)
Id est: Hermetic Music
198(6)
IV.
Stravinsky
204(5)
1957---Agon
209(7)
The World, a Comedy
216(5)
`... πech (`... I sing my song')
221(4)
The Metamorphosis of Misha
225(3)
Octotony
228(8)
The Firebird as Magpie
236(7)
1912---Le Roi des etoiles (Zvezdoliki)
243(5)
The Tradition of the New
248(2)
Spirit in the Bottle of Cologne
250(2)
A Photomontage
252(5)
V.
1951---The Rake's Progress
257(20)
List of Sources 277(10)
Index 287
Louis Andriessen (1939) is widely regarded as a central figure in the international new music scene. Performers of his work include the two Dutch groups named after his works De Volharding and Hoketus, the Asko/Schoenberg Ensemble, London Sinfonietta, Ensemble Modern and Bang On A Can All Stars. Amongst his many works for music theater are collaborations with Peter Greenaway (Rosa, Writing to Vermeer) and Hal Hartley. Elmer Schönberger (1950) is a musicologist, composer and writer. From 1976 to 2004 he was head music critic for the Dutch weekly Vrij Nederland. His most recent book was about musical essays named Het Gebroken Oor (2005), his most recent composition Dressing Old Words new (2005) and his most recent theater play Naar Moskou, Moskou (2005).