Features the latest critical interventions in the study of Stephen King’s works Crucial debate about the tense relationship between King and critical theorists Targeted at both general fans of King’s output and literary critics Readers of all stripes will find something to appreciate in this collection, which illuminates how King’s horror literature as a media form has shifted in relation to cultural understandings over time. Many chapters touch upon how surrounding texts, such as film/TV adaptations, have played into these mediations throughout King’s storied career. For the first-time reader of King, this volume offers a doorway into his works: an array of exciting critical frameworks with which to make sense of King’s fictional universe. For literary critics, this volume argues that King’s corpus remains a site for robust intellectual inquiry. And for all of us, the book provides an occasion—one that is long overdue—to rethink King’s relationship to critical theory as well as his legacy as a major American author. While it may prove impossible to reconcile King and the academy, we might nonetheless explore the evolution of their inescapable bond in hopes of negotiating a greater understanding between them.
Stephen King and His Critics, Michael Blouin, I. Why Theorize?
1.
Reading King Through the Years: Theoretical Permutations, Tony Magistrale,
2.
Can't someone else do it? An (Attempted) A-theoretical Reading of Needful
Things, Patrick McAleer,
3. Stephen King and the Trouble with
Poststructuralism, Michael Blouin, II. Making Meaning,
4. Reading Stephen
King Religiously: Scary Stories and the Teaching of Religion, Douglas Cowan,
5. Stephen King's and Peter Staub's Mythmaking: Jack Sawyer as an American
Hero, Daniel Compora,
6. The Gospel (Paraphrase): King and Christian
Epigraphs, Rebecca Frost,
7. Excursus on Suffering, Meaning, and Metaphysics
in Stephen King's Revival, Jacob Held, III. Adapting Stephen King,
8.
Cinematic Skeleton Crew: Adapting Stephen King in the Mid-1980s, Joseph
Maddrey and Carl H. Sederholm,
9. Towards Infection: Viral Adaptations of
King, Matthew Holtmeier and Chelsea Wessels, IV. New Critical Interventions,
10. Is Zelda dead yet?: Disability, Mortality, and Narratives of
Appropriation in Pet Sematary, Melissa Raines,
11. For you the sun never came
back out: Theorizing Trauma in It and Gerald's Game, Laura Mulcahy,
12.
Choosing to See: Gardening It within The Upside Down without a Cord, Michael
Perry,
13. the tongueless voice of the temple whispered: Delirious Voices in
Rose Madder, Theresa Mae Thompson,
14. A Lovecraftian Critique of the Art of
Stephen King, Greg Littmann,
15. A Certain Rough Justice: Stephen King,
Digital Activism, and Donald Trump - Philip Simpson,
16. Dead Is Better: Pet
Sematary and Animal Studies, Sarah D. Nilsen,
17. Author Functions: Stephen
King's Writers, effrey Andrew Weinstock, Index.
Michael J. Blouin, PhD is a professor of English and Humanities at Milligan University. His recent publications include Democracy and the American Gothic (2024), Stephen King and American Politics(2021) and Stephen King and American History (2020). Blouins primary research interests are horror, popular culture, and critical theory.
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