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E-raamat: Visions of Savage Paradise: Albert Eckhout, Court Painter in Colonial Dutch Brazil [Taylor & Francis e-raamat]

  • Formaat: 288 pages, 17 colour black and white illustrations
  • Ilmumisaeg: 14-Nov-2006
  • Kirjastus: Pallas Publications
  • ISBN-13: 9781003709169
  • Taylor & Francis e-raamat
  • Hind: 124,64 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 178,05 €
  • Säästad 30%
  • Formaat: 288 pages, 17 colour black and white illustrations
  • Ilmumisaeg: 14-Nov-2006
  • Kirjastus: Pallas Publications
  • ISBN-13: 9781003709169
Visions of Savage Paradise is the first major book-length study of the Dutch artist Albert Eckhout to be published since 1938. This book, which draws extensively on the author's doctoral dissertation, examines the fascinating works of art produced by Eckhout while he was court painter in Dutch Brazil to the German count Johan Maurits van Nassau-Siegen.Johan Maurits, who was colonial governor from 1637-1644 of the Dutch West India Company's Brazilian colony, supported the study and representation of natural history as part of a program to document the different peoples and natural resources present in the colony. As part of this project, Eckhout created life-size paintings of Amerindians, Africans, and peoples of mixed racial background for display in Vrijburg, the governor's palace. He also made still-life paintings and hundreds of chalk sketches and oil studies on paper of the savagepeoples, plants, and animals of his new Brazilian home.In this study, the author provides a careful analysis of these works of art, framing them with a discussion of contemporary artistic practices in the Dutch Republic. Nonetheless, the primary focus of this book is the function of these works within their original colonial context. As the author makes clear, the creation, use, and display of the Brazilian paintings and drawings by Albert Eckhout strengthened Johan Maurits's position as a colonial and cultural leader.This work will not only be of interest to students and scholars of seventeenth-century Dutch art, but it will also be an important resource for those interested in visual anthropology and the history of the WIC.
Acknowledgments 9(2)
Introduction 11(16)
Albert Eckhout (ca. 1607--1665/6)
27(20)
Portrait and Still-life Painter at Johan Maurits's Brazilian Court
`To Reproduce Nature Itself as Perfectly as Possible'
47(26)
The Brazilian Natural History Drawings of Albert Eckhout
Cannibalizing America
73(22)
From the Ethnographic Impulse to the Ethnographic Portrait
Between the Savage and the Civilized
95(36)
Eckhout's Brasilianen and Tapuyas
Black, Brown, and Yellow
131(40)
Eckhout's Paintings of Africans, Mestizos, and Mulattos
Eckhout's Paintings
171(30)
Location and Interpretation
Conclusion 201(7)
Colour Plates 208(18)
Appendix A Chronological Overview of Albert Eckhout's Life 226(2)
Appendix B Works of Art by Albert Eckhout 228(3)
Notes 231(35)
Bibliography 266(13)
Index of Names 279(3)
General Index 282(4)
List of Illustrations 286


Rebecca Parker Brienen is an Assistant Professor of Art History at the University of Miami. She has received fellowships from the Fulbright Foundation and the Kress Foundation. Her publications on early modern visual culture include articles and catalog essays on the German naturalist-illustrator Georg Macgraf and the Dutch artists Frans Post and Albert Eckhout. In addition to a new project on images of slavery in the Caribbean in the 18th century, she is currently editing a collection of essays on images of the Conquest of Mexico.