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E-raamat: Companion to the Action Film [Wiley Online]

Edited by
  • Formaat: 512 pages
  • Ilmumisaeg: 15-Mar-2019
  • Kirjastus: Wiley-Blackwell
  • ISBN-10: 1119100747
  • ISBN-13: 9781119100744
  • Wiley Online
  • Hind: 206,17 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Formaat: 512 pages
  • Ilmumisaeg: 15-Mar-2019
  • Kirjastus: Wiley-Blackwell
  • ISBN-10: 1119100747
  • ISBN-13: 9781119100744
With 24 incisive, cutting-edge contributions from esteemed scholars and critics, A Companion to the Action Film provides an authoritative and in-depth guide to this internationally popular and wide-ranging genre. As the first major anthology on the action film in more than a decade, the volume offers insights into the genre's historical development, explores its production techniques and visual poetics, and provides reflections on the numerous social, cultural, and political issues it embodies.

A Companion to the Action Film offers original research and critical analysis that examines the iconic characteristics of the genre, its visual aesthetics, and its narrative traits. It considers the impact of major directors and stars on the genre's evolution, puts the action film in dialogue with various technologies and other forms of media, such as graphic novels and television, and maps out new avenues of critical study for the future. This important resource:

Offers a definitive guide to the action film

Contains insightful contributions from a wide range of international film experts and scholars

Reviews the evolution of the genre from the silent era to today's age of digital blockbusters

Offers nuanced commentary and analysis of sociocultural issues such as race, nationality, and gender in action films

James Kendrick is Professor of Film & Digital Media at Baylor University.

An authoritative guide to the action-packed film genre

With 24 incisive, cutting-edge contributions from esteemed scholars and critics, A Companion to the Action Filmprovides an authoritative and in-depth guide to this internationally popular and wide-ranging genre. As the first major anthology on the action film in more than a decade, the volume offers insights into the genre’s historical development, explores its production techniques and visual poetics, and provides reflections on the numerous social, cultural, and political issues it has and continues to embody.

A Companion to the Action Film offers original research and critical analysis that examines the iconic characteristics of the genre, its visual aesthetics, and its narrative traits; considers the impact of major directors and stars on the genre’s evolution; puts the action film in dialogue with various technologies and other forms of media such as graphic novels and television; and maps out new avenues of critical study for the future. This important resource: 

  • Offers a definitive guide to the action film
  • Contains insightful contributions from a wide range of international film experts and scholars
  • Reviews the evolution of the genre from the silent era to today’s age of digital blockbusters
  • Offers nuanced commentary and analysis of socio-cultural issues such as race, nationality, and gender in action films

Written for scholars, teachers and students in film studies, film theory, film history, genre studies, and popular culture, A Companion to the Action Film is an essential guide to one of international cinema’s most important, popular, and influential genres.

About the Editor viii
Notes on Contributors ix
Acknowledgments xiii
Introduction: The Action Film: "Over familiar and understudied" 1(8)
James Kendrick
Part I History 9(88)
1 Origins of the Action Film: Types, Tropes, and Techniques in Early Film History
11(24)
Kyle Barrowman
2 A Genre of Its Own: From Westerns, to Vigilantes, to Pure Action
35(20)
James Kendrick
3 The New Dominance: Action-Fantasy Hybrids and the New Superhero in 2000s Action Cinema
55(19)
Lisa Purse
4 Around the World in Action
74(23)
Mark Gallagher
Part II Form and Aesthetics 97(110)
5 The Perpetual Motion Aesthetic of Action Cinema
99(19)
Nick Jones
6 Asian Action Cinema and Its Influence on Hollywood
118(22)
Barna William Donovan
7 Comedy in Action
140(25)
Cynthia M. King
8 The Composite Body: Action Stars and Embodiment in the Digital Age
165(22)
Drew Ayers
9 Translating the Panel: Remediating a Comics Aesthetic in Contemporary Action Cinema
187(20)
Joshua Wucher
Part III Auteurs: Directors, Stars, Choreographers 207(100)
10 Akira Kurosawa, Sam Peckinpah, and the Action Concept of Eastern Westerns
209(18)
Stephen Teo
11 The Martial Arts Supremacy: Action Film and Fight Choreography
227(14)
Paul Bowman
12 All Guts and No Glory: Stuntwork and Stunt Performers in Hollywood History
241(15)
Lauren Steimer
13 Hollywood's Hard Bodies: The Stars Who Made the Action Films Famous
256(14)
Susan Jeffords
14 The Strange Case of Carlos Ray Norris: Reactionary Masculinity and Its Imaginary Discontents
270(19)
Tony Williams
15 New Action Realism: Claustrophobia, Immediacy, and Mediation in the Films of Kathryn Bigelow, Paul Greengrass, and Michael Mann
289(18)
Vincent M. Gable
Part IV Social and Cultural Issues 307(166)
16 Postmodernism in Action Movies
309(16)
Micheal McAlexander
17 The 1980s Action Film and the Politics of Urban Expulsions
325(20)
Jon Kraszewski
18 Infinite Crisis: Intertextuality and Watchmen
345(19)
Matt Yockey
19 Blowing Up the War Film: Powerlessness and the Crisis of the Action-Image in The Hurt Locker and Inglourious Basterds
364(17)
Paul Gormley
20 X-Men/Action Men: Performing Masculinities in Superhero and Science-Fiction Cinema
381(17)
Yvonne Tasker
21 Unlikely Action Heroine: Melissa McCarthy Challenges Bodily Ideals in Modern Action Film
398(19)
Jeffrey A. Brown
22 "I Am Become Death": Managing Massacres and Constructing the Female Teen Leader in The 100
417(22)
Rikke Schubart
23 A Digital Nature: Lucy Takes Technology for a Ride
439(17)
Lorrie Palmer
24 "I Feel the Need, the Need for Speed": Prosthetics, Agency Panic, and the High-Tech Action Film
456(17)
Steffen Hantke
Index 473
JAMES KENDRICK is Professor of Film & Digital Media at Baylor University. He is the author of several books on cinema, including Darkness in the Bliss-Out: A Reconsideration of the Films of Steven Spielberg (2014); Film Violence: History, Ideology, Genre (2009); and Hollywood Bloodshed: Violence in 1980s American Cinema (2009).