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E-raamat: Opera From the Greek: Studies in the Poetics of Appropriation [Taylor & Francis e-raamat]

  • Formaat: 226 pages
  • Ilmumisaeg: 28-Aug-2007
  • Kirjastus: Routledge
  • ISBN-13: 9781315090320
  • Taylor & Francis e-raamat
  • Hind: 193,88 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 276,97 €
  • Säästad 30%
  • Formaat: 226 pages
  • Ilmumisaeg: 28-Aug-2007
  • Kirjastus: Routledge
  • ISBN-13: 9781315090320
Michael Ewans explores how classical Greek tragedy and epic poetry have been appropriated in opera, through eight selected case studies. These range from Monteverdi's Il ritorno d'Ulisse in patria, drawn from Homer's Odyssey, to Mark-Antony Turnage's Greek, based on Sophocles's Oedipus the King. Choices have been based on an understanding that the relationship between each of the operas and their Greek source texts raise significant issues, involving an examination of the process by which the librettist creates a new text for the opera, and the crucial insights into the nature of the drama that are bestowed by the composer's musical setting. Ewans examines the issues through a comparative analysis of significant divergences of plot, character and dramatic strategy between source text, libretto and opera.
Preface ix
Introduction
1(8)
The inspiration of Greek tragedy and epic
1(1)
Greek tragedy: form and content
2(2)
`Apolline' or `Dionysian' opera?
4(1)
The poetics of appropriation
5(4)
Il Ritorno d'Ulisse in Patria
9(22)
Gods and mortals in the Odyssey
9(3)
The theodicy of II ritorno d'Ulisse in patria
12(4)
Penelope
16(7)
Ulisse
23(3)
The test of the bow
26(3)
II ritorno d'Ulisse in patria: some implications
29(2)
Iphigenie en Tauride
31(24)
Introduction
31(1)
Euripides' Iphigeneia
32(3)
Iphigeneia among the Taurians in eighteenth-century France
35(1)
Other eighteenth-century Iphigeneias
36(1)
De la Touche's play and Guillard's libretto
37(2)
Iphigenie and Oreste
39(2)
Gluck's musical aesthetic in Iphigenie
41(3)
Chorus
44(2)
Recognition
46(5)
Denouement
51(4)
Medee
55(26)
Euripides: Medea
55(5)
Seneca
60(2)
The French tradition
62(4)
Hoffman's libretto
66(4)
Medee's fureur
70(11)
Elektra
81(24)
Sophocles' Electra
82(3)
Hofmannsthal's Elektra
85(1)
Dionysian poetics
86(2)
Hofmannsthal and Sophocles
88(4)
The new ending
92(4)
Strauss's Elektra: style and strategy
96(9)
Oedipe
105(24)
Oedipus the King
106(3)
Oedipus at Colonus
109(2)
Destiny in Oedipe
111(1)
The Prelude
112(2)
The birth of Oedipe
114(1)
Oedipe at Corinthe
115(1)
The murder of Laios
116(1)
Oedipe and the Sphinx
117(2)
Oedipe, King of Thebes
119(4)
Oedipe at Colonus
123(6)
King Priam
129(24)
`Epic Opera'
129(3)
Tippett's new musical idiom
132(2)
King Priam and the Iliad
134(2)
Choice and moira in the Iliad
136(2)
Fate and Choice in King Priam
138(5)
Priam and Achilles
143(2)
Time and Timelessness
145(2)
The death of Priam
147(6)
The Bassarids
153(30)
Euripides: Bacchae
153(3)
The Bassarids: moral judgments
156(4)
Libretto: style
160(2)
Adaptations from Euripides
162(3)
Libretto: form
165(2)
Costume
167(3)
Music: form (i)
170(2)
Music: content
172(8)
Music: form (ii)
180(3)
Greek
183(18)
Oedipus the Eastender
183(6)
Words and Music
189(3)
The music and the drama
192(5)
Eddy's Choice
197(4)
Endnote
201(2)
Bibliography
203(10)
Primary Sources
203(2)
Recommended Recordings
205(1)
Secondary Literature
205(8)
Index 213


Michael Ewans is Associate Professor of Music and Drama at The University of Newcastle, Australia. He is also a Fellow of the Australian Academy of the Humanities.