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E-raamat: Basic Cinematography: A Creative Guide to Visual Storytelling [Taylor & Francis e-raamat]

(Digital filmmaker, Multimedia producer, Northern Arizona University, USA)
  • Formaat: 281 pages
  • Ilmumisaeg: 28-Feb-2019
  • Kirjastus: Routledge
  • ISBN-13: 9781351182126
  • Taylor & Francis e-raamat
  • Hind: 184,65 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 263,78 €
  • Säästad 30%
  • Formaat: 281 pages
  • Ilmumisaeg: 28-Feb-2019
  • Kirjastus: Routledge
  • ISBN-13: 9781351182126
The cinematographer must translate the ideas and emotions contained in a script into something that can be physically seen and felt onscreen, helping the director to fulfil the vision of the film. The shots may look good, but they will not serve the story until the composition, lenses, and lighting express, enhance, and reveal the underlying emotions and subtext of the story. By making physical the ideas and emotions of the story, the cinematographer supports blocking as a visual form of the story through these tools.

Rather than delve into technical training, Basic Cinematography helps to train the eye and heart of cinematographers as visual storytellers, providing them with a strong foundation for their work, so that theyre ready with creative ideas and choices on set in order to make compelling images that support the story.

The book includes tools, tables, and worksheets on how to enhance students and experienced filmmakers with strong visual storytelling possibilities, including such features as:











Dramatic script analysis that will help unlock blocking, composition, and lighting ideas that reveal the visual story





Ten tools of composition





Psychological impact of lenses, shot sizes, and camera movement





Six elements of lighting for visual storytelling





What to look for beneath the "hood" of cameras, including using camera log, RAW, and LUTs





Dramatic analysis chart and scene composition chart to help plan your shoots





Case studies from such visually cinematic shows and documentaries as Netflixs Godless, Jessica Jones, The Crown, and Chefs Table, as well as examples from classroom exercises





Features insights from the DP of Jessica Jones, Manuel Billeter, and the DP of Chefs Table, Adam Bricker.
Foreword vii
Manuel Billeter
Acknowledgments ix
Introduction the Foundation of Visual Storytelling xiii
Chapter 1 Visual Storytelling Through Blocking
1(50)
Section 1 Think like a director
2(6)
Section 2 Visual storytelling through the blocking of subtext
8(6)
Section 3 Hitchcock's key rules of filmmaking
14(6)
Section 4 Body language and blocking in Girl with a Pearl Earing
20(6)
Section 5 Discovering dramatic action through script analysis in Ozu's Tokyo Twilight
26(5)
Section 6 Visualizing subtext through blocking and body language in Ozu's Tokyo Twilight
31(9)
Section 7 Body language and subtext in documentary
40(11)
Chapter 2 Visual Storytelling Through Lenses and Composition
51(68)
Section 1 Ten tools of composition
53(30)
1 Shot size and lenses
56(5)
2 Camera height and angle
61(2)
3 Camera motion
63(3)
4 Focal depth of field
66(4)
5 Light and dark
70(1)
6 Line and linear perspective
71(2)
7 Layers
73(1)
8 Weight
74(2)
9 Color
76(2)
10 Texture
78(5)
Section 2 Shooting for the edit
83(12)
1 Coverage
83(1)
2 Eye lines
83(1)
3 Point of view and cutaways
84(1)
4 180 degree rule
84(2)
5 Jump cuts
86(2)
6 Kuleshov effect
88(7)
Section 3 Case study in lenses and composition from Jessica Jones with DP Manuel Billeter
95(3)
Section 4: Case study in lenses and composition from Chef's Table with DP Adam Bricker
98(4)
Section 5 Case study in lenses and composition from Ozu's Tokyo Twilight class reinterpretation
102(17)
Chapter 3 Visual Storytelling Through Lighting
119(72)
Section 1 The psychology of lighting
120(24)
1 Foundation
120(2)
2 Light placement terminology
122(1)
3 Six elements of lighting
123(1)
1 Quality
123(3)
2 Intensity
126(2)
3 Direction
128(1)
4 Texture
129(7)
5 Contrast
136(5)
6 Color temperature
141(3)
Section 2 Some basic tools of exposure
144(12)
1 The zone system
144(4)
2 Histogram
148(2)
3 Waveform
150(2)
4 Aperture and ISO
152(2)
5 ND filters
154(1)
6 Shutter angle and frame rates
154(1)
7 Lighting modifiers
155(1)
Section 3 Indoor day and outdoor day setup examples from "Fragments"
156(6)
Section 4 Outdoor night case study from Jessica Jones with DP Manuel Billeter
162(4)
Section 5 Indoor night case study from Ozu's Tokyo Twilight class project reinterpretation
166(10)
Section 6 Documentary lighting case study from Chef's Table with DP Adam Bricker
176(15)
Chapter 4 Visual Storytelling with Camera Log, Raw, and Luts
191(30)
Section 1 An overview of a dozen key camera features
193(12)
Section 2 Shooting in log
205(6)
Section 3 Shooting in RAW
211(5)
Section 4 Shooting with LUTs
216(5)
Chapter 5 Workflow Tools for the Beginning Cinematographer
221(39)
Section 1 Preproduction for cinematographers
221(14)
Section 2 Production for cinematographers
235(1)
Section 3 Postproduction for cinematographers
236(24)
Conclusion 260(17)
Index 277
Kurt Lancaster is the head of Creative Media and Film at Northern Arizona University and has written several books on filmmaking, including DSLR Cinema (3rd edition), Production House Cinema, and Cinema Raw. His documentaries have screened at national and international film festivals and his award-winning students have gone on to start their own production house businesses, work as freelancers, as well as securing other positions within the industry. His filmmaking clients include the Grand Canyon National Park, Timpanogos Caves National Monument for the National Park Service; the American Community School in Amman, Jordan; Ha:san Preparatory and Leadership School in Tucson, Arizona for the National Institute of Health; Altez Ecofarm at Hasta Gard in Stockholm, Sweden; Louis LAmour Enterprises, Inc; and the Institute of Tribal Environmental Professionals at NAU.