This concert in five parts for violin and strings has a curious and rather controversial history. Excluded from the Vivaldi’s catalogue on account of doubts raised by its musical language and by its preservation in two different manuscripts that carr...Loe edasi...
Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roge...Loe edasi...
Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roge...Loe edasi...
Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roge...Loe edasi...
Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roge...Loe edasi...
Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roge...Loe edasi...
Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roge...Loe edasi...
Among the many new works by Vivaldi discovered in recent years are not merely works completely unknown previously, but also ones that had already been noticed but for a variety of reasons were set aside. This is the case with the violin concerto RV 8...Loe edasi...
In this showpiece with alienated Mozart motifs, Raskatov plays with as much humour and with as, for example, in his Tchaikovsky paraphrase The Seasons Digest. The work bears the ambiguous subtitle not a not-turno. Dedicated to Gidon Kremer, the 5...Loe edasi...
