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E-raamat: Chant and Notation in South Italy and Rome before 1300 [Taylor & Francis e-raamat]

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The fifteen studies assembled here grew out of research on south-Italian ordinary chants and tropes for the multi-volume series Beneventanum Troporum Corpus II, edited by John Boe in collaboration with Alejandro Planchart. In the present essays, clerical and ordinary chants and tropes of the Mass (especially when derived from paraliturgical hymns and poems), certain aspects of chant notation and particular facets of the old Beneventan and the old Roman chant repertories are examined in relation to the three main cultic centres of the Italian south - Benevento, Montecassino and Rome - and as they relate to their European context, namely Frankish and Norman chant and the varieties of chant sung in Italy north of Rome. The volume includes one previously unpublished study, on the Roman introit Salus Populi.
Introduction vii
Acknowledgements xix
I A new source for Old Beneventan chant: the Santa Sophia Maundy in MS Ottoboni lat. 145
Acta Musicologica
52. Basle, 1980
133
II Old Beneventan chant at Montecassino: Gloriosus confessor Domini Benedictus
Acta Musicologica
55. Basle, 1983
73(162)
III The neumes and Pater noster chant of Montecassino codex 426
Monastica
1. Montecassino, 1982
235
IV The Frankish Pater Noster chant: tradition and anaphoral context
Chant and its Peripheries: Essays in Honour of Terence Bailey, eds B. Gillingham and P. Merkley. Ottawa: The Institute of Mediaeval Music, 1998
203
V Gloria A and the Roman Easter Vigil ordinary
Musica Disciplina
36. Middleton, WI, 1982
37(29)
VI The Beneventan apostrophus in South Italian notation, A.D. 1000-1100
Early Music History
3. Cambridge, 1983
66
VII The `lost' palimpsest kyries in the Vatican manuscript Urbinas latinus 602
Journal of the Plainsong & Mediaeval Music Society
8. Cambridge, 1985, pp. 1-24
50(491)
VIII Hymns and poems at mass in eleventh-century Southern Italy (other than sequences)
Atti del XIV Congresso della Societa Internationale di Musicologia (Bologna, Ferrara, Parma, 27 August-1 September, 1987), eds A. Pompilio et al. Turin: EDT, 1990
541
IX Italian and Roman verses for Kyrie leyson in the MSS Cologny-Geneve, Bibliotheca Bodmeriana 74 and Vaticanus latinus 5319
La tradiyione dei tropi liturgici. Atti dei convegni sui tropi liturgici, Parigi, 1985-Perugia, 1987, organizzati dal Corpus Troporum, sotto l'egida dell `European Science Foundation, eds C. Leonardi and E. Menesto. Spoleto: Centro Italiano di Studi sull' Alto Medioevo, 1987
384(132)
X Review of Thomas Forrest Kelly, The Beneventan Chant
Notes, Quarterly Journal of the Music Library Association
49. Middleton, WI, 1992
516
XI Chant notation in eleventh-century Roman manuscripts
Essays on Medieval Music in Honor of David G. Hughes, (Isham Library Papers 4). Cambridge, Mass.: Harvard University Department of Music, 1995
57
G.M. Boone
XII Music notation in Archivio San Pietro C 105 and in the Farfa breviary, Chigi C.VI.177
Early Music History
18. Cambridge, 1999
45
XIII The Roman introit Salus populi
Essay read at a conference in honor of Alejandro Enrique Planchart at the University of California in Santa Barbara (27 April 2002), and in part incorporated within `Old Roman Votive-Mass Chants in Florence, Biblioteca Riccardiana, MSS 299 and 300 and Vatican City, Biblioteca Apostotica Vaticana, Archivio San Pietro F11: A Source Study', in Western Plainchant in the First Millennium: Studies in the Medieval Liturgy and its Music, eds S. Gallagher, et al. Aldershot: Ashgate, 2003, pp. 282-92
9(157)
XIV The Roman Missa sponsalicia
Plainsong and Medieval Music
11. Cambridge, 2002
166(1)
XV Deus Israel and Roman introits
Plainsong and Medieval Music
14. Cambridge, 2005
167
Addenda and corrigenda
4(1)
Index of manuscripts 4(1)
Index of places and churches 4
John Boe is Professor Emeritus of Musicology at the University of Arizona, USA