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E-raamat: Color Correction for Video: Using Desktop Tools to Perfect Your Image 2nd edition [Taylor & Francis e-raamat]

, (Editor/Producer, provideocoalition.com, USA)
  • Formaat: 294 pages
  • Sari: DV Expert Series
  • Ilmumisaeg: 27-Oct-2008
  • Kirjastus: Focal Press
  • ISBN-13: 9780080928104
Teised raamatud teemal:
  • Taylor & Francis e-raamat
  • Hind: 216,96 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 309,94 €
  • Säästad 30%
  • Formaat: 294 pages
  • Sari: DV Expert Series
  • Ilmumisaeg: 27-Oct-2008
  • Kirjastus: Focal Press
  • ISBN-13: 9780080928104
Teised raamatud teemal:
Use color to improve your storytelling, deliver critical emotional cues, and add impact to you videos. This book shows you how to analyze color correction problems and solve them- whatever NLE or plugin you use.

Experienced editors and colorists in their own right, the authors also include the wisdom of top colorists, directors of photography, and color scientists to deliver this insightful and authoritative presentation of the theory and practice of color correction.

The book provides technical insight into how to effectively color correct your video, also delving into how color can impact storytelling and deliver critical emotional cues. The new edition also includes 2 new "Quickstart Tutorials", a new chapter on how color impacts storytelling, information on the impact HD has had on the correcting process, and updated application specifications. The companion DVD features new and more robust tutorial media.




* Application agnostic, step-by-step instruction for an array of color correcting concepts and solutions
* Effectively use color to improve your storytelling, deliver critical emotional cues, and add overall impact to your media
* Companion DVD contains tutorial media for hands-on exercises


Use color to improve your storytelling, deliver critical emotional cues, and add impact to you videos. This book shows you how to analyze color correction problems and solve them- whatever NLE or plugin you use.

Experienced editors and colorists in their own right, the authors also include the wisdom of top colorists, directors of photography, and color scientists to deliver this insightful and authoritative presentation of the theory and practice of color correction.

The book provides technical insight into how to effectively color correct your video, also delving into how color can impact storytelling and deliver critical emotional cues. The new edition also includes 2 new "Quickstart Tutorials", a new chapter on how color impacts storytelling, information on the impact HD has had on the correcting process, and updated application specifications. The companion DVD features new and more robust tutorial media.


Acknowledgments ix
Introduction xi
Getting Started with Color Correction
1(32)
Quick Start
1(1)
The Goals of Color Correction
1(1)
Spreading the Tonal Range
2(12)
Balancing the Colors
14(16)
Conclusion
30(3)
Analyze This---Your Monitor
33(18)
Monitor Environment
34(3)
The Eyes Have It
37(4)
Setting Up Your Computer Monitors
41(1)
Calibrating Your Video Monitors
42(6)
Alternative Methods for Video Monitor Calibration
48(3)
Using Scopes as Creative Tools
51(44)
Choosing Your Scope
51(5)
Waveform Monitor
56(2)
Chip Chart and Waveform Monitor
58(11)
Proper Levels for Each Tonal Range
69(10)
A Wave of Waveforms
79(4)
Vectorscope
83(9)
A Diamond in the Rough
92(2)
Summary
94(1)
Other Methods to Analyze Footage
95(16)
Info Palettes and Other Numeric RGB Readouts
95(8)
Histograms
103(8)
Colorists' Tools---Primary Color Correction
111(36)
Tonality Rules! (Or Colors Drool)
111(1)
Hammer and Saw of Color Correction
112(2)
Basic Black
114(1)
Throw Caution to the Wind
115(1)
Back to Black
116(1)
Value of 100IRE
117(1)
How to Get to 100
118(1)
Math Class
119(1)
Gamma Quadrant
120(1)
In or Out
120(2)
Tool Time
122(1)
Level Playing Field
123(4)
Hue and Hue Offset
127(5)
Luma Ranges
132(4)
Curves
136(1)
The Basics of Curves
137(6)
Precision Control When You Need It Most
143(4)
Secondary Color Correction
147(16)
Vector-Based Secondaries
150(6)
Secondary Limitations
156(1)
Vignettes or Spot Color Corrections
157(4)
Unqualified Use of Secondaries
161(1)
Summary
162(1)
Tutorials
163(26)
In the Dark---Improperly Exposed Video
163(6)
Bright and Flat
169(4)
Casting for Colors
173(6)
On the Fence
179(3)
That's Blue---And I'm Not Lion
182(5)
Summary
187(2)
Advanced Color Correction Tutorials
189(32)
Matching Colors at the Art Institute
189(5)
Rosy Cheeks
194(4)
Day for Night
198(6)
Creating Looks
204(1)
The Importance of Story
205(2)
Creating Story Looks
207(8)
Other Cool Looks
215(2)
Apple Color's Color FX Room
217(3)
More Experiments
220(1)
The History and Role of the Colorist
221(16)
Video-to-Video Color Correction
222(1)
Telecine Color Correction
223(3)
From Color Corrector to Colorist
226(3)
Datacine and Dl
229(4)
Diplomacy and Client Skills
233(1)
The Future
234(3)
Vision and Color Theory
237(24)
The Science of Color
237(1)
It's All in Your Head
237(1)
Source Light
238(1)
Modifiers
239(1)
Detectors
240(1)
How Eyes Work
240(3)
The Two Kinds of Vision
243(1)
Perception
243(1)
Color Dynamics
243(3)
Viewing Environment
246(2)
Adaptive White Points and Chromatic Adaptation
248(1)
Surround Types
249(1)
Additive and Subtractive Color
250(1)
Color Spaces
251(1)
Space versus Gamut---What's the Difference?
251(1)
Stimulus-Specific Color Space
252(1)
Device-Dependent Color Space
253(1)
Video Color Spaces
253(3)
Bit Depth
256(1)
Beyond the 8-Bit Standard
257(2)
Subsampling
259(2)
Built-in Software and Plug-in Capabilities
261(12)
Adobe Premiere and After Effects
261(4)
Avid
265(1)
Color
266(1)
Color Finesse
267(2)
Final Cut Pro
269(1)
Plug-Ins
270(1)
GenArts
271(2)
Bibliography 273(2)
Index 275
Steve Hullfish produces and edits trailers, TV spots, promos and DVDs through his company, Verascope Pictures, which serves high-end clients: Universal Studios, NBC Television, HIT Entertainment, Jim Henson Entertainment, VeggieTales and others. His 22 years of producing and editing TV shows and spots have garnered many national awards, including a national Emmy as part of the editing team of the Oprah Winfrey Show. He has co-written three other books including Color Correction for Digital Video, Avid XpressPro On the Spot, and The Avid XpressPro Editing Workshop. He has also written for DV magazine. Jaime Fowler is the director and creator of Film CampTM (www.filmcamp.com), a controversial learning program where supervised student editors complete low-budget independent feature films. He has been a film and video editor for over 20 years. As a freelance editor, he edited trailers/promotionals for Warner Brothers, Tri-Star, and Lightstorm. He has completed documentaries for director James Cameron, including Under Pressure: The Making of the Abyss, The Making of T2, and edited several seasons of Jeopardy! for Merv Griffin/Sony. The editor for seven Emmy-winning television programs and one of the developers of Avid's Emmy-winning MulticamÔ, Jaime is a well-experienced editor who has served as an editing consultant for over 30 national sitcoms, several major motion pictures, and the Sundance Filmmakers Lab.