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E-raamat: Companion to British and Irish Cinema [Wiley Online]

Edited by (Royal Holloway, University of London)
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A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas

British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies.

Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. 

A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.

About the Editor viii
Notes on Contributors ix
Introduction 1(4)
John Hill
Part I Histories: Issues and Debates 5(136)
1 British Silent Cinema
7(22)
Jon Burrows
2 Cinema in Ireland from the 1890s to the 1930s
29(20)
Kevin Rockett
3 British Cinema in the 1930s
49(18)
Lawrence Napper
4 British Cinema and the Second World War
67(17)
James Chapman
5 The 1950s and 1960s
84(22)
Melanie Williams
6 Irish Cinema's First Wave: Histories and Legacies of the 1970s and the 1980s
106(21)
Maeve Connolly
7 History, Heritage and the National Past in British Cinema of the 1980s and 1990s
127(14)
Geoff Eley
Part II Critical Approaches: Debating Film Texts 141(134)
8 Filming with Words: British Cinema, Literature and Adaptation
143(15)
Christine Geraghty
9 British Film Genres
158(19)
Peter Hutchings
10 British Cinema and Authorship
177(24)
Sheldon Hall
11 Acting and Stardom
201(16)
Jim Leach
12 British and Irish Film Music
217(17)
K.J. Donnelly
13 Irish Cinema and International Screen Culture
234(26)
Martin McLoone
14 Vernacular Visions: Ireland and Accented Cinema
260(15)
Luke Gibbons
Part III Critical Approaches: Debating Film Contexts 275(72)
15 British Film Industry and Policy: Issues and Debates
277(21)
Duncan Petrie
16 British Cinema and Technology
298(15)
Sarah Street
17 Irish Film: Industry and Policy
313(19)
Roderick Flynn
18 British Cinema and Television
332(15)
David Rolinson
Part IV Representation and Identity 347(114)
19 Gender, Sexuality, and British Cinema
349(23)
Niall Richardson
20 Space, Place, and Architecture in British Films: The Case of Last Resort (2000)
372(14)
Paul Newland
21 Gender, Sexuality, and Irish Film
386(21)
Debbie Ging
22 Space and Place in Irish Cinema
407(16)
Conn Holohan
23 The Proletariat and British Cinema
423(20)
Paul Dave
24 Race and Ethnicity in British Cinema
443(18)
Santa Malik
Part V Redefining 'British' and 'Irish' Cinemas 461(104)
25 The Englishness of British Cinema: Beyond the Valley of the Corn Dollies
463(27)
Julian Petley
26 Trainspotter's Delight: Issues and Themes in Scottish Film Criticism
490(20)
Jonathan Murray
27 The Cinema Has Two Tongues: The Cinema Cultures of Wales
510(22)
Daryl Perrin
28 Screening Irish-America
532(13)
Ruth Barton
29 Transnational Strategies in British Cinema: The Example of Slumdog Millionaire
545(20)
James F. English
Index 565
John Hill is Professor of Media, Royal Holloway, University of London, UK. He is the author of Sex, Class and Realism: British Cinema 1956–63, British Cinema in the 1980s, Cinema and Northern Ireland: Film, Culture and Politics, and Ken Loach: The Politics of Film and Television as well as being the co-author of Cinema and Ireland.