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E-raamat: Companion to the Gangster Film [Wiley Online]

  • Formaat: 552 pages
  • Ilmumisaeg: 16-Nov-2018
  • Kirjastus: Wiley-Blackwell
  • ISBN-10: 1119041759
  • ISBN-13: 9781119041757
Teised raamatud teemal:
  • Wiley Online
  • Hind: 227,32 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Formaat: 552 pages
  • Ilmumisaeg: 16-Nov-2018
  • Kirjastus: Wiley-Blackwell
  • ISBN-10: 1119041759
  • ISBN-13: 9781119041757
Teised raamatud teemal:
A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While one of America's most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre's popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe.

The book considers common themes such as production histories and reception, gender, race and sexuality, mafia mythologies, and politics. In addition, the Companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre:

Reveals how the gangster film engages in complex and contradictory themes Examines the changing face of the gangster film in America

Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America, and the Caribbean

Discusses the wide variety of gangster types to appear in European cinema Contains a review of a wide range of international gangster films

George S. Larke-Wals is Assistant Professor in the Department of Media Arts at the University of North Texas. Her current scholarly projects are focused on documentary history and theory as well as the gangster genre in international cinema. She has published articles on authorship and performativity in documentary as well as various contributions and a book on the representation of the Mafia in Hollywood cinema.

A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia

A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe. 

The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form.  This important guide to the gangster film genre:

  • Reveals how the gangster film engages in complex and contradictory themes
  • Examines the changing face of the gangster film in America
  • Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean
  • Discusses the wide variety of gangster types to appear in European cinema
  • Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia

Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre.

Notes on Contributors viii
Acknowledgments xvi
Introduction 1(20)
George S. Larke-Walsh
Part I The Americas 21(188)
1 Mary Pickford Meets the Mafia
23(18)
Amy E. Borden
2 Tough Talk: Early Sound and the Development of American Gangster Film Vernacular, 1928-1930
41(17)
Ron Wilson
3 How Good Boys Go Bad: The Changing Face of the Gangster Film in America
58(18)
John E. Petty
4 Making of a Mobster: From Myth to the Crystallization of the Mafia Archetype in 1950s and 1960s Italian and Italian American Film
76(21)
Ryan Calabretta-Sajder
5 Moral Ambiguities: The Frenchness of New Hollywood Gangster Families
97(16)
Isolde Vanhee
6 The Assassin's Economics of Killing: Money, Honor, and the Market of Murder
113(16)
Fran Mason
7 The 1990s Hollywood Gangster: Generic Reflections and Deflections
129(17)
Karine Hildenbrand
8 "Based On A True Story": Public Enemies and the Biographical Gangster Film
146(20)
Stephen Gaunson
9 The Gangster in Hispanic American Cinema
166(16)
Philip Swanson
10 The Jamaican Gangster Film: Badman, Rude Bwoys, and Dons
182(27)
Imruh Bakari
Part II Europe 209(144)
11 When Criticism Meets Gangster Films: The Spiv Cycle as Oppositional Aesthetics in Postwar Britain
211(17)
Ana Rodriguez Granell
12 The Patriarchal Figure in the 1950s French Gangster Film: Legendary Men from a Recent Past
228(16)
Thomas Pillard
Translated by Myriam Chihab
13 Mafia, Mobility, and Capitalism in Italy Circa 1960
244(18)
Luca Peretti
14 Gangsters in Turkish Cinema
262(21)
Hulya Onal
15 Sun-Drenched Corruption: Organized Crime, Global Capitalism, and the Mediterranean Coast in Recent Spanish Cinema
283(19)
Vicente Rodriguez Ortega
16 The Russia They Have Lost: The Russian Gangster as Nostalgic Hero
302(17)
Lioudmila Fedorova
17 A Hint of Lavender: The Gay Gangster in British Crime Cinema
319(15)
Paul Elliott
18 The Modern British Gangster Film
334(19)
Tom Ryall
Part III Asia 353(165)
19 Death and Duty: The On-Screen Yakuza
355(22)
Elayne Chaplin
20 Yakuza no Onnatachi: Women in Japanese Gangster Cinema
377(18)
Laura Treglia
21 Futile Liberation: Post-Martial-Law Taiwanese Gangster Films
395(18)
Dominique Liao
22 Ruling the Men's Den: Crime, Outrage, and Indian Women Gang Leaders
413(17)
Sony Jalarajan Raj
Rohini Sreekumar
Nithin Kalorth
23 Tsui Hark's Film Workshop: Political Cues in the Gangster Film 1986-1989
430(16)
James Fenwick
24 The Godfather Legacy: Homage and Allusion in Transnational Cinema
446(17)
George S. Larke-Walsh
25 Gangsta Gangsta: Hong Kong Triad Films, 1986-2015
463(17)
Valerie Soe
26 Politics, Social Order, and Hierarchies in Post-Millennium Hong Kong Cinema
480(17)
Kelvin Ke Jinde
27 Jung Doo-hong and the Gangster Body: Kkangpae in Contemporary South Korean Cinema
497(21)
Se Young Kim
Index 518
GEORGE S. LARKE-WALSH is Assistant Professor in the Department of Media Arts at the University of North Texas. Her current scholarly projects are focused on documentary history and theory as well as the gangster genre in international cinema. She has published articles on authorship and performativity in documentary as well as various contributions and a book on the representation of the Mafia in Hollywood cinema.