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E-raamat: Companion to Medieval Art - Romanesque and Gothi c in Northern Europe Second Edition: Romanesque and Gothic in Northern Europe 2nd Edition [Wiley Online]

Edited by (University of California at Riverside)
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A fully updated and comprehensive companion to Romanesque and Gothic art history

This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives.

Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more.

  • Newly revised edition of a highly successful companion, including 11 new articles
  • Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting
  • Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors 

A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.

Notes on Contributors ix
Series Editor's Preface xvii
Preface to the First Edition xix
Preface to the Second Edition xxiii
1 Introduction: A Sense of Loss: An Overview of the Historiography of Romanesque and Gothic Art 1(44)
Conrad Rudolph
2 Artifex and Opifex - The Medieval Artist 45(26)
Beate Fricke
3 Vision 71(24)
Cynthia Hahn
4 Materials, Materia, "Materiality" 95(24)
Aden Kumler
5 Reception of Images by Medieval Viewers 119(28)
Madeline Harrison Caviness
6 Narrative, Narratology, and Meaning 147(24)
Suzanne Lewis
7 Formalism 171(24)
Linda Seidel
8 Gender and Medieval Art 195(26)
Brigitte Kurmann-Schwarz
9 Gregory the Great and Image Theory in Northern Europe During the Twelfth and Thirteenth Centuries 221(24)
Herbert L. Kessler
10 Iconography 245(22)
Shirin Fozi
11 Art and Exegesis 267(20)
Christopher G. Hughes
12 Whodunnit? Patronage, the Canon, and the Problematics of Agency in Romanesque and Gothic Art 287(22)
Jill Caskey
13 Collecting (and Display) 309(22)
Pierre Alain Mariaux
14 The Concept of Spolia 331(26)
Dale Kinney
15 The Monstrous 357(26)
Thomas E.A. Dale
16 Making Sense of Marginalized Images in Manuscripts and Religious Architecture 383(24)
Laura Kendrick
17 Definitions and Explanations of the Romanesque Style in Architecture from the 1960s to the Present Day 407(10)
Eric Fernie
18 Romanesque Sculpture in Northern Europe 417(22)
Colum Hourihane
19 Modern Origins of Romanesque Sculpture 439(24)
Robert A. Maxwell
20 The Historiography of Romanesque Manuscript Illumination 463(26)
Adam S. Cohen
21 The Study of Gothic Architecture 489(24)
Stephen Murray
22 France, Germany, and the Historiography of Gothic Sculpture 513(34)
Jacqueline E. Jung
23 Gothic Manuscript Illustration: The Case of France 547(22)
Anne D. Hedeman
24 "'Specially English': Gothic Illumination c.1190 to the Early Fourteenth Century" 569(32)
Kathryn A. Smith
25 From Institutional to Private and from Latin to the Vernacular: German Manuscript Illumination in the Thirteenth Century 601(26)
Michael Curschmann
26 Glazing Medieval Buildings 627(30)
Elizabeth Carson Pastan
27 Toward a Historiography of the Sumptuous Arts 657(24)
Brigitte Buettner
28 Reliquaries 681(24)
Cynthia Hahn
29 East Meets West: The Art and Architecture of the Crusader States 705(24)
Jaroslav Folda
30 Gothic in the Latin East 729(30)
Michalis Olympios
31 Art and Liturgy in the Middle Ages 759(18)
Eric Palazzo
32 Architectural Layout: Design, Structure, and Construction in Northern Europe 777(24)
Marie-Therese Zenner
33 Sculptural Programs 801(22)
Bruno Boerner
34 The Art and Architecture of Female Monasticism 823(34)
Jeffrey F. Hamburger
35 Cistercian Architecture 857(24)
Peter Fergusson
36 Art and Pilgrimage: Mapping the Way 881(26)
Paula Gerson
37 "The Scattered Limbs of the Giant": Recollecting Medieval Architectural Revivals 907(26)
Tina Waldeier Bizzarro
38 Medieval Art Collections 933(24)
Janet T. Marquardt
39 The Modern Medieval Museum 957(20)
Michelle P. Brown
Index 977
Conrad Rudolph is Distinguished Professor of Art History at the University of California, Riverside. He is an elected Fellow of the Medieval Academy of America and a former Guggenheim and Getty Fellow.