Muutke küpsiste eelistusi

E-raamat: Companion to Renaissance and Baroque Art [Wiley Online]

Edited by (Texas Christian University, USA), Edited by (Queens College, CUNY, USA)
  • Wiley Online
  • Hind: 66,56 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
"Through the masterpieces produced by artists ranging from Michelangelo and Leonardo to Rembrandt, Rubens, and Vermeer, Europe's Renaissance and Baroque period grew into one of the most creative times in world history. A Companion to Renaissance and Baroque Art presents a comprehensive collection of interdisciplinary essays that address major aspects of European visual arts produced from approximately 1300 to 1700, a period of artistic flourishing that many consider the beginning of modern history. Theseessays, however, transcend the traditional period labels of "Renaissance" and "Baroque" by addressing works from Duccio and Chaucer to Velazquez and Newton as a single continuum, inclusive in terms of both disciplinary and geographical boundaries, as an era best characterized as "early modern.""--

A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history.

  • Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700
  • Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse
  • Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality
  • Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater
  • Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries
  • Includes illustrations as well as links to images not included in the book
Contributors viii
Preface xv
Acknowledgments xvii
Introduction 1(20)
Babette Bohn
James M. Saslow
Part 1 The Context: Social-Historical Factors in Artistic Production
21(128)
1 A Taxonomy of Art Patronage in Renaissance Italy
23(21)
Sheryl E. Reiss
2 Judaism and the Arts in Early Modern Europe: Jewish and Christian Encounters
44(21)
Shelley Perlove
3 Religion, Politics, and Art in Late Medieval and Renaissance Italy
65(20)
Julia I. Miller
4 Europe's Global Vision
85(21)
Larry Silver
5 Italian Art and the North: Exchanges, Critical Reception, and Identity, 1400-1700
106(21)
Amy Golahny
6 The Desiring Eye: Gender, Sexuality, and the Visual Arts
127(22)
James M. Saslow
Part 2 The Artist: Creative Process and Social Status
149(102)
7 The Artist as Genius
151(17)
William E. Wallace
8 Drawing in Renaissance Italy
168(21)
Mary Vaccaro
9 Self-Portraiture 1400-1700
189(21)
H. Perry Chapman
10 Recasting the Role of the Italian Sculptor: Sculptors, Patrons, Materials, and Principles for the New Early Modern Age
210(19)
Elinor M. Richter
11 From Oxymoron to Virile Paintbrush: Women Artists in Early Modern Europe
229(22)
Babette Bohn
Part 3 The Object: Art as Material Culture
251(108)
12 The Birth of Mass Media: Printmaking in Early Modern Europe
253(22)
Alison G. Stewart
13 The Material Culture of Family Life in Italy and Beyond
275(20)
Jacqueline Marie Musacchio
14 Tapestry: Luxurious Art, Collaborative Industry
295(21)
Koenraad Brosens
15 The New Sciences and the Visual Arts
316(20)
Eileen Reeves
16 Seeing Through Renaissance and Baroque Paintings: Case Studies
336(23)
Claire Barry
Part 4 The Message: Subjects and Meanings
359(146)
17 Iconography in Renaissance and Baroque Art
361(20)
Mark Zucker
18 Renaissance Landscapes: Discovering the World and Human Nature
381(21)
Lawrence O. Goedde
19 The Nude Figure in Renaissance Art
402(20)
Thomas Martin
20 Genre Painting in Seventeenth-Century Europe
422(20)
Wayne Franits
21 The Meaning of the European Painted Portrait, 1400-1650
442(21)
Joanna Woods-Marsden
22 All the World's a Stage: The Theater Conceit in Early Modern Italy
463(21)
Inge Jackson Reist
23 Intensity and Orthodoxy in Iberian and Hispanic Art of the Tridentine Era, 1550-1700
484(21)
Marcus B. Burke
Part 5 The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse
505(97)
24 Historians of Northern European Art: From Johann Neudorfer and Karel van Mander to the Rembrandt Research Project
507(18)
Jeffrey Chipps Smith
25 Artistic Biography in Italy: Vasari to Malvasia
525(16)
David Cast
26 With a Critical Eye: Painting and Theory in France, 1600-43 The Case of Simon Vouet and Nicolas Poussin
541(20)
Joseph C. Forte
27 The Italian Piazza: From Gothic Footnote to Baroque Theater
561(21)
Niall Atkinson
28 Building in Theory and Practice: Writing about Architecture in the Renaissance
582(20)
Carolyn Yerkes
Index 602
Babette Bohn is Professor of Art History at Texas Christian University. Her publications include two books on Italian prints, Agostino Carracci (1995) and Italian Masters of the Sixteenth Century (1996), and two on the drawings of Ludovico Carracci (2004) and Guido Reni (2008).

James M. Saslow is Professor of Art History, Theatre, and Renaissance Studies at Queens College and the Graduate Center, City University of New York. His most recent book, Pictures and Passions: A History of Homosexuality in the Visual Arts (1999), received two awards from the Lambda Literary Foundation.