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E-raamat: Compositional Process in Elliott Carters String Quartets: A Study in Sketches [Taylor & Francis e-raamat]

(Emory University, USA)
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Compositional Process in Elliott Carter’s String Quartets is an interdisciplinary study examining the evolution and compositional process in Elliott Carter’s five string quartets. Offering a systematic and logical way of unpacking concepts and processes in these quartets that would otherwise remain opaque, the book’s narrative reveals new aspects of understanding these works and draws novel conclusions on their collective meaning and Carter’s place as the leading American modernist.

Each of Carter’s five string quartets is driven by a new idea that Carter was exploring during a particular period, which allows for each quartet to be examined under a unique lens and a deeper understanding of his oeuvre at large. Drawing on key ideas from a variety of subjects including performance studies, philosophy, music cognition, musical meaning and semantics, literary criticism, and critical theory, this is an informative volume for scholars and researchers in the areas of music theory and musicology.

Analyses are supplemented with sketch study, correspondence, text manuscripts, and other archival sources from the Paul Sacher Stiftung, the Library of Congress, and the New York Public Library.

List of figures
ix
List of examples
xi
Acknowledgments xvi
Introduction 1(6)
1 Elliott Carter's First String Quartet: in search of Proustian time
7(54)
Introduction
7(3)
Time dimension
10(7)
Memory, continuity, and circularity
17(8)
Simultaneity
25(18)
Transformation of characters
43(10)
Conclusion
53(8)
2 Elliott Carter's Second String Quartet: formation of a new harmonic language and character-continuities
61(57)
Introduction
61(1)
Formation of a new harmonic language
62(27)
Formation of character-continuities
89(23)
Conclusion
112(6)
3 Elliott Carter's Third String Quartet: separation in time and space
118(36)
Introduction
118(2)
Form and spatialization
120(11)
Unifying the oppositions: harmony
131(17)
Conclusion
148(6)
4 Connecting the dots: compositional process in Elliott Carter's Fourth String Quartet
154(39)
Introduction
154(1)
Rhythmic process
155(9)
Harmonic process
164(9)
Formal design, articulation, dynamics, and character
173(8)
Synthesis
181(6)
Conclusion
187(6)
5 A synthesis: Elliott Carter's Fifth String Quartet
193(32)
Simplified harmony
194(7)
Melody and repertoire of intervals
201(2)
Characters at play
203(10)
Form: opposition within cooperation
213(7)
Conclusion
220(5)
Appendices
225(12)
Appendix A String Quartet no. 1: Thematic Outline, Fantasia
227(1)
Appendix B String Quartet no. 1: Transcription of Main Themes, Fantasia
228(2)
Appendix C String Quartet no. 1: Thematic Outline, Variations
230(1)
Appendix D String Quartet no. 1: Notated Transcription of Main Themes, Variations
231(2)
Appendix E Elliott Carter's numbering system of chords
233(4)
Bibliography 237(10)
Index 247
Laura Emmery is Assistant Professor of Music Theory at Emory University. Her research focuses on 20th-/21st-century music and post-tonal theory, with an interdisciplinary approach that draws on philosophy, literary criticism, critical theory, and performance studies. Having spent over two years at the Paul Sacher Stiftung conducting a critical study of the original sources, her analysis of Elliott Carters music incorporates sketch study in tracking the composers evolution and process. Her work on Carter has been published in The Musical Quarterly, Contemporary Music Review, Tempo, Twentieth-Century Music, Sonus, Mitteilungen der Paul Sacher, and Form and Process in Music, 1300-2014: An Analytical Sampler. Laura Emmery holds a PhD in Music Theory from the University of California at Santa Barbara and an MM in Theoretical Studies from the New England Conservatory of Music.