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E-raamat: Concept of Monument in Achaemenid Empire [Taylor & Francis e-raamat]

  • Formaat: 218 pages, 22 Line drawings, black and white; 58 Halftones, black and white
  • Ilmumisaeg: 13-Dec-2018
  • Kirjastus: Routledge
  • ISBN-13: 9781315165639
  • Taylor & Francis e-raamat
  • Hind: 161,57 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 230,81 €
  • Säästad 30%
  • Formaat: 218 pages, 22 Line drawings, black and white; 58 Halftones, black and white
  • Ilmumisaeg: 13-Dec-2018
  • Kirjastus: Routledge
  • ISBN-13: 9781315165639

The aim of this book is to explore the significance of the concept of ‘monument’ in the context of the Achaemenid Empire (550-330 BC), with particular reference to the royal Ensemble of Persepolis, founded by Darius I and built together with his son Xerxes. While Persepolis was built as an ‘intentional monument’, it also became a ‘historic monument’ already during the Achaemenid period. It maintained its symbolic significance in the following centuries even after its destruction by Alexander of Macedonia in 330 BC. The purpose of building Persepolis was to establish a symbol and a common reference for the peoples of the Empire with the Achaemenid Dynasty, transmitting significant messages such as peace, stability, grandeur and praise for the dynastic figure of the King as the protector of values and fighting falsehood.

While previous research on Achaemenid heritage has been on archaeological and art-historical aspects of Persepolis, the present work focuses on the architecture and design of Persepolis. It is supported by studies in the fields of archaeology, history, and art history, as well as by direct survey of the site. The morphological analysis of Persepolis, including the study of the proportions of the elevations, and the verification of a planning grid for the layout of the entire ensemble, demonstrate the univocal will by Darius I to plan Persepolis following a precise initial scheme. The research shows how the inscriptions, bas reliefs and the innovative architectural language together express the political message of the Achaemenid Dynasty. This symbolism is reflected in the inscriptions and bas-reliefs as well as in architecture, exhibiting influence from different lands in a new architectural language and in the plan of the entire site.

Preface ix
Acknowledgment xii
1 Introduction to the Ancient Near East
1(23)
1.1 Persians in the Ancient Near East
1(2)
1.2 Achaemenid Dynasty
3(1)
1.3 Administration and Cultural Policy
4(1)
1.4 Persian Presence in the Empire
5(1)
1.5 Religion of the Persians
6(2)
1.6 Achaemenid Art and Architecture
8(8)
1.7 Achaemenid Building Works
16(8)
2 Persepolis: Description
24(1)
2.1 Territory, Settlements and Choice of Site
24(1)
2.2 The Terrace and Its Construction
25(6)
2.3 Functional Typology
31(1)
2.4 Apadana Complex
32(20)
2.5 Hundred Column Hall (+11.5)
52(5)
2.6 Palaces and Other Structures
57(20)
2.7 The Treasury (+8.45m)
77(7)
2.8 Royal Tombs
84(4)
2.9 Complexes Outside the Terrace
88(2)
2.10 Construction Techniques
90(10)
3 Architectural Morphology and Proportions
100(1)
3.1 Morphology of Persepolitan Buildings
100(3)
3.2 Metrology
103(2)
3.3 Dimensions of the Apadana
105(3)
3.4 Reference Grid of the Terrace
108(4)
3.5 Design Scheme of Facades
112(15)
4 The Concept of Monument
127(2)
4.1 Persepolis as a Monument
129(2)
4.2 Functions of the Royal Terrace
131(2)
4.3 Concept of Kingship
133(2)
4.4 Ritual City
135(3)
5 Significance of Inscriptions
138(1)
5.1 Significance of Writing
138(4)
5.2 Form and Content
142(9)
5.3 BuildingWork
151(5)
5.4 Heritage and Continuity
156(6)
6 Significance and Symbolism
162(1)
6.1 Significance of Podium
162(2)
6.2 Significance of Square
164(2)
6.3 Significance of Design Scheme
166(1)
6.4 Significance of Sculptural Decoration
167(9)
6.5 Symbolism and Metaphor
170(2)
6.6 The Alexander Sarcophagus
172(2)
6.7 Respect for the Past and Antiquity Value
174(13)
7 Archeology and Restoration
187(1)
7.1 Oriental Historians
187(1)
7.2 European Travelers
188(3)
7.3 Early Explorations
191(2)
7.4 Hypothetical Reconstructions
193(2)
7.5 Beginning of Systematic Excavations
195(2)
7.6 Restoration and Conservation
197(4)
7.7 World Heritage
201(4)
8 Concluding Considerations
205(8)
Index 213
Mehr Azar Soheil is a conservation architect who graduated from the Faculty of Fine Arts at Tehran University. She has earned her PhD in conservation from the Sapienza University in Rome, where she lives.