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E-raamat: Contemporary Choreography: A Critical Reader 3rd edition [Taylor & Francis e-raamat]

Edited by (University of Malta, Malta), Edited by
  • Formaat: 494 pages, 1 Tables, black and white; 27 Halftones, black and white; 27 Illustrations, black and white
  • Ilmumisaeg: 30-Jan-2026
  • Kirjastus: Routledge
  • ISBN-13: 9781032645759
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  • Taylor & Francis e-raamat
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Contemporary Choreography: A Critical Reader 3rd edition
  • Formaat: 494 pages, 1 Tables, black and white; 27 Halftones, black and white; 27 Illustrations, black and white
  • Ilmumisaeg: 30-Jan-2026
  • Kirjastus: Routledge
  • ISBN-13: 9781032645759
Teised raamatud teemal:

Fully revised and updated, this third edition of Contemporary Choreography presents a range of articles covering choreographic enquiry, investigation into creative processes, and innovative challenges to understandings about dance-making.

Contributions from a global range of practitioners and researchers address a spectrum of concerns in the field, organised into six broad domains:

  • Processes of Making
  • Culture, Contexts and Intersections
  • Choreography, Politics and Power
  • Choreography and Interdisciplinary Arts Practice
  • Technology, Transmission and Immersion
  • Choreographic Environments and Interventions

Including 24 new chapters and six updated ones, Contemporary Choreography captures the essence and progress of choreography in the third decade of the twenty-first century, supporting and encouraging rigorous thinking and research for future generations of dance practitioners and scholars.



Fully revised and updated, this third edition of Contemporary Choreography presents a range of articles covering choreographic enquiry, investigation into creative processes, and innovative challenges to understandings about dance making.

General Introduction: Studying contemporary choreography

Section
1. Processes of Making

Section Introduction

1. Choreography through a Somatic Lens

2. Dancing identities: How dancers embodied knowledge underscores creative
methods in contemporary dancemaking

3. Finding the light: Curiosity, texts and contemporary ballet in Helen
Picketts The Crucible (2019)

4. If you dont keep it open, you close: Crystal Pite and Jonathon Youngs
Betroffenheit (2017) and the emotional and psychological implications of
theatre dance

5. Creating Future Memories, NOW: FORWARD DANCE COMPANY by LOFFT - DAS
THEATER and the reimagining of disability, diversity, and cultural memory

Section
2. Culture, Contexts and Intersections

Section Introduction

6. Maybe You Could Close Your Eyes While I Dance: Age, Ageing, and
in/visibility as choreographic drivers in Acting our Age

7. Recomposing Thai Dance for Todays World: Three Modes of Contemporary
Choreographic Practice

8. Gagas Aspirational Politics: Passepartout Bodies and Choreographic
Passports

9. Dancing Culture, Talking Global

10. Choreography in Ghana: evolving methods and techniques

11. Choreography as Research: Iteration, Object, Context

Section
3. Choreography, Politics and Power

Section Introduction

12. Vulnerable practice: Thinking through discomfort and precarity in Project
Os Voodoo (2017)

13. Dancing Simply together: an example transdisciplinary research in arts
and sciences

14. Prize-winning dances; choreography and the competition stage

15. Multifarious identity: Barbardian street dance on the concert stage

16. Moving into Action: change-making through dance activism

Section
4. Choreography and Interdisciplinary Arts Practice

Section Introduction

17. Choreography as a practice of border crossing: ten insights into
embracing the impossible in interdisciplinary dance practice

18. HOMECOMING

19. Beyond Dancing: The Choreographic Turn in the 2022 Taiwan Arts Biennial

20. Dance in the Museum

21. From Improvements to Care: gardening as choreographic dwelling

Section
5. Technology, Transmission and Immersion

Section Introduction

22. Unlocking Touch

23. Virtual Reality and Dance-Making: unbounding choreographic practice from
the realm of real-time performance

24. Social Media and Choreographic Practice: Tools for collaboration,
co-creation and creative practice

25. Shifts in Embodiment: Choreographic practice for Virtual Reality

Section
6. Choreographic Environments and Interventions

Section Introduction

26. Navigating Diasporic Third Spaces and (New) Borderlands through Dance
and Choreography

27. Dancing Places: Sites, Situations, and Taking-Place

28. Sensóriagrafia in Public Spaces: Dance and words as a relational sensory,
poetic intervention

29. A Reservoir of Gestures, or Choreography is Relational

30. Unlocking Liberation: Choreographing the Club State
Jo Butterworth was previously Professor of Dance Studies at the University of Malta.

Vicky Hunter is a practitioner-researcher and Visiting Research Fellow in Site Dance at Bath Spa University, UK.