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E-raamat: Corsets and Crinolines [Taylor & Francis e-raamat]

  • Formaat: 206 pages, 30 Line drawings, black and white; 40 Halftones, black and white; 47 Illustrations, black and white
  • Ilmumisaeg: 11-Sep-2017
  • Kirjastus: Routledge
  • ISBN-13: 9781315167510
  • Taylor & Francis e-raamat
  • Hind: 170,80 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 244,00 €
  • Säästad 30%
  • Formaat: 206 pages, 30 Line drawings, black and white; 40 Halftones, black and white; 47 Illustrations, black and white
  • Ilmumisaeg: 11-Sep-2017
  • Kirjastus: Routledge
  • ISBN-13: 9781315167510
In this classic book, Norah Waugh explores the changing shapes of womens dress from the 1500s to the 1920s. Simple laced bodices became corsets of cane, whalebone and steel, while padding at shoulders and hips gave way to the structures of farthingales, hoops and bustles.

Corsets and Crinolines explains the cyclical nature of these fashions, and how waists and skirts changed shape and size through three distinct eras:





The 1500s to 1670farthingales and whaleboned bodies.





1670 to 1800Stays and hooped petticoats.





1800 to 1925corsets, crinolines and bustles.

Each section describes how these garments originated, how they became popular and how they emerged as central to the fashions of the time. Extracts from diaries, journals, poems and newspapers, as well as over 100 illustrations, demonstrate the variety of these ubiquitous items of clothing throughout modern history.

Corsets and Crinolines also contains a wealth of practical notes and resources for todays costume makers and designers, including:





Scaleable patterns for the construction of 25 different bustles, crinolines, corsets, corselets, stays, pocket hoops, hooped petticoats and bodices.





Detailed appendices on the manufacture of corsets and crinolines, including farthingales, supports and hooped petticoats.





A list of further reading, including costume histories; textile and weaving histories; reconstruction of period clothing; contemporary application of foundational garments; and a list of museums and institutions with period clothing collections, for first-hand study.





A glossary of terms and materials.
List of Images
ix
Preface xiii
Acknowledgment xv
Introduction 1(10)
Judith Dolan
Chapter I Beginning Ofthe Sixteenth Centuryto 1670
11(20)
1 The Whaleboned Body
11(4)
2 The Farthingale
15(1)
3 References to Whaleboned Bodies and Farthingales from Contemporary Sources
16(15)
Chapter II 1670 To The End Of The Eighteenth Century
31(38)
1 The Stays
31(10)
2 The Hoop Petticoat
41(2)
3 References to Stays and Hoop Petticoats from Contemporary Sources
43(26)
Chapter III Beginning Of The Nineteenth Century To 1925
69(78)
1 The Corset
69(18)
2 The Crinoline and the Bustle
87(4)
3 The Corset---from Contemporary Magazines
91(23)
4 The Crinoline and the Bustle---from Contemporary Magazines
114(12)
5 References to Corsets, Crinolines and Bustles from Contemporary Sources
126(21)
Appendix I The Construction Of Corsets 147(16)
Appendix II The Construction Of Farthingales, Hoop Petticoats, Etc. 163(2)
Appendix III Supports For Corsets, Crinolines, Etc. 165(2)
Appendix IV Whalebone 167(4)
Glossary 171(4)
Bibliography 175(1)
Selected Further Reading 175(2)
Selected Museums with Costume Collections 177(2)
Index 179
Norah Waugh taught courses on historical costume at the Central School of Art and Design in London, as well as being head of the costume department at Michel Saint Denis' London Theatre Studio.

Judith Dolan is a Distinguished Professor of Design at the University of California San Diego. Her costume designs for Harold Princes production of Candide won a Tony Award in 1997.