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E-raamat: Critical Approaches to Ancient Near Eastern Art [De Gruyter e-raamatud]

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  • Formaat: 842 pages, 203 Illustrations, black and white
  • Ilmumisaeg: 15-Dec-2013
  • Kirjastus: De Gruyter
  • ISBN-13: 9781614510352
  • De Gruyter e-raamatud
  • Hind: 298,80 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Formaat: 842 pages, 203 Illustrations, black and white
  • Ilmumisaeg: 15-Dec-2013
  • Kirjastus: De Gruyter
  • ISBN-13: 9781614510352
The problem with a formerly obscure art subject becoming popular is the number of times experts are called upon to verify the status of artifacts. In the past few years this has been especially true of objects of ancient Near Eastern art, and this book helps to sort the real from the "hopeful" artifacts. The volume begins by defining the field, narrowing down the field of possible forgeries, and the centers on technologies and practices of artistic production, for example, through theories of Cypriot art through seal carving. The volume goes on to examine combinations of text and images (Assurbanioal's reliefs), social identities in such artifacts as terra-cotta figurines in Hellenistic Babylonian, religion/ritual and politics it terms of godlike kings in Mesopotamia, and making and defying space, as in Assyrian landscapes seen as ritual. Annotation ©2014 Book News, Inc., Portland, OR (booknews.com)
Acknowledgements v
Contributors xi
List of Illustrations
xix
Editors' Note xxvii
Map 1
xxviii
Map 2
xxix
Introduction 1(14)
Marian H. Feldman
I Defining the Field
Archaeology and Politics in Iraq
15(16)
Lamia al-Gailani Werr
Forgeries of Ancient Near Eastern Artifacts and Cultures
31(24)
Oscar White Muscarella
Beyond the East-West Dichotomy in Syrian and Levantine Wall Paintings
55(24)
Constance von Ruden
Orientalism and Orientalization in the Iron Age Mediterranean
79(32)
Ann C. Gunter
II Technologies and Practices of Artistic Production
The Historiography of the Concept of "Workshop" in Ancient Near Eastern Archaeology: Descriptive Models and Theoretical Approaches (Anthropology vs. Art History)
111(22)
Silvana Di Paolo
The Impact of the "Portable": Integrating "Minor Arts" into the Ancient Near Eastern Canon
133(26)
Allison Karmel Thomason
The Influence of the Physical Medium on the Decoration of a Work of Art: A Case Study of the "Phoenician" Bowls
159(26)
Francesca Onnis
Impressions of the Contest Scene: Glyptic Imagery and Sealing Practice in the Akkadian Period
185(20)
Yelena Rakic
Histories of Cypriot Art through Seal Carving
205(36)
Joanna S. Smith
III Text and Image
Relating Image and Word in Ancient Mesopotamia
241(24)
Cory D. Crawford
Pictorial Mythology and Narrative in the Ancient Near East
265(30)
Karen Sonik
Art's Role in the Origins of Writing: The Seal-Carver, the Scribe, and the Earliest Lexical Texts
295(24)
Jennifer C. Ross
Posthumous Images and the Memory of the Akkadian Kings
319(26)
Melissa Eppihimer
Styles of Pictorial Narratives in Assurbanipal's Reliefs
345(26)
Chikako E. Watanabe
IV Social Identities
Sexuality, Reproduction and Gender in Terracotta Plaques from the Late Third-Early Second Millennia BCE
371(20)
Sarah B. Graff
Images and Conceptions of Ideal Feminine Beauty in Neo-Assyrian Royal Contexts, c. 883--627 BCE
391(30)
Amy Rebecca Gansell
Uniforms and Non-Conformists: Tensions and Trends in Early Dynastic Fashion
421(30)
Aubrey Baadsgaard
Terracotta Figurines and Social Identities in Hellenistic Babylonia
451(30)
Stephanie M. Langin-Hooper
The Impressed Image: Glyptic Studies as Art and Social History
481(34)
Mark B. Garrison
Culture on Display: Representations of Ethnicity in the Art of the Late Assyrian State
515(30)
Brian A. Brown
V Religion, Ritual and Politics
Human, Divine or Both? The Uruk Vase and the Problem of Ambiguity in Early Mesopotamian Visual Arts
545(24)
Claudia E. Suter
A Silent Message: Godlike Kings in Mesopotamian Art
569(28)
Tallay Ornan
When the Subject is the Object: Relational Ontologies, the Partible Person and Images of Naram-Sin
597(22)
Anne Porter
Gods, Heroes, Rituals, and Violence: Warfare in Neo-Assyrian Art
619(26)
Paul Collins
The Tell Asmar Hoard and Rituals of Early Dynastic Sculpture
645(24)
Jean M. Evans
VI Making and Defining Space
A Feast for the Eyes: Depiction and Performance of Ritual within the Sacred Space of Middle Bronze Age Ebla
669(20)
Alice A. Petty
The Art of Building a Late Assyrian Royal Palace
689(24)
David Kertai
The Assyrian Landscape as Ritual
713(28)
Ann Shafer
Aesthetics of the Natural Environment in the Arts of the Ancient Near East: The Elamite Rock-Cut Sanctuary of Kurangun
741(32)
Javier Alvarez-Mon
Art of the Achaemenid Empire, and Art in the Achaemenid Empire
773(28)
Henry P. Colburn
Index 801
Brian A. Brown, University of California, Berkeley, USA; Marian H. Feldman, Johns Hopkins University, Baltimore, USA.