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E-raamat: Critical Perspectives on Damon Galgut [Taylor & Francis e-raamat]

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"When Damon Galgut won the Man Booker Prize for his novel The Promise in 2021, he was already an established writer. He had previously been shortlisted for the Booker Prize in 2003 and 2010, had been the author of eight novels and four plays, but before the success of The Promise he remained relatively unknown to the general public outside South Africa. This volume is an attempt to engage an international set of specialists in postcolonial stud-ies, South African literature and, in several cases, established writers themselves, in a debate devoted entirely to Galgut's novels. This publication demonstrates that Galgut's work ex-ceeds what readers tend to expect from post-apartheid white writing. Rather than offering the standard narratives of guilt, despair, and frustration, Galgut's novels, in dialogue with each other, and in dialogue with cultural and philosophical trends, propose a more intricate fabric. The writer's diagnosis of the human condition ultimately seems to transcend the con-stitutive turmoil and the crises, offering a vision of surprisingly and fascinatingly complex reality"--

This monograph is one of the first on the market that focuses entirely on Damon Galgut’s novels. The authors of the essays approach the South African writer’s work from a variety of different critical perspectives and show that Damon Galgut’s novels transcend what readers generally expect from post-apartheid white writing.



When Damon Galgut won the Man Booker Prize for his novel The Promise in 2021, he was already an established writer. He had previously been shortlisted for the Booker Prize in 2003 and 2010 and had been the author of eight novels and four plays, but before the success of The Promise, he remained relatively unknown to the general public outside South Africa. This volume is an attempt to engage an international set of specialists in postcolonial studies, South African literature, and, in several cases, established writers themselves, in a debate devoted entirely to Galgut’s novels. This publication demonstrates that Galgut’s work exceeds what readers tend to expect from post-apartheid white writing. Rather than offering the standard narratives of guilt, despair, and frustration, Galgut’s novels, in dialogue with each other, and in dialogue with cultural and philosophical trends, propose a more intricate fabric. The writer’s diagnosis of the human condition ultimately seems to transcend the constitutive turmoil and the crises, offering a vision of surprisingly and fascinatingly complex reality.

List of Contributors

Editors Preface

Zoë Wicomb Repetition and Recursivity in Two Galgut Texts

Ewa Dynarowicz Politics of (Not-)Belonging in Damon Galguts The Beautiful
Screaming of Pigs

Sawomir Maso Of Love and Murder, and Nothing: The Political Moment of
The Quarry

Marek Pawlicki The Genuine Ambivalence of Detachment: Exploring the
Socioecological Unconscious in Damon Galguts The Impostor

Robert Kusek Between Two Worlds: Dybbuks and Doppelgängers in the Works of
Deborah Levy and Damon Galgut

Mélanie Joseph-Vilain Over and done. Never over, never done: Unstable
Identities and Haunted Voices in Damon Galguts The Promise

Sarah LeFanu S/He Has No House: Shared Rooms, Displacement and Contested
Property in Damon Galguts The Good Doctor, In a Strange Room, The Impostor
and The Promise

Julia Szotysek A Literary Bromance: E. M. Forsters Rites of Passage in
Damon Galguts Arctic Summer

Zbigniew Biaas Dominion over the domestic scene? Damon Galguts The
Promise as a Forsterian plaasroman

Nedine Moonsamy First as Tragedy, Then as Farce: Humour and Disaffection in
Damon Galguts The Promise

Zbigniew Biaas in conversation with Elleke Boehmer Damon Galgut and the
Matter of South Africa

Index
Zbigniew Biaas is Professor of English in the Institute of Literary Studies at the University of Silesia in Katowice, Poland and author of five novels. He was a Humboldt Research Fellow in Germany, a Fulbright Senior Fellow in the USA and a Rockefeller Research Fellow in Italy. His academic books include Post-Tribal Ethos in African Literature (1993), Mapping Wild Gardens: The Symbolic Conquest of South Africa (1997) and The Body Wall: Somatics of Travelling and Discursive Practices (2006). His first novel, Korzeniec (2011) was awarded Silesian Literary Laurels and was turned into a successful theatrical play. Zbigniew Biaas edited/co-edited twelve academic volumes, published over sixty academic essays, and translated English, American and Nigerian literature into Polish.