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ix | |
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xii | |
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xiii | |
Acknowledgement |
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xiv | |
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PART I Constructed fields of vision |
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1 | (90) |
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3 | (5) |
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1 The problem of the image of the city: From perspectival to digital space |
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8 | (20) |
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Disruptive techniques of spatial representation |
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8 | (2) |
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Singular or narrative spaces of representation |
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10 | (3) |
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The `symbolic' intent of linear perspective geometry |
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10 | (1) |
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11 | (1) |
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Photography as the bearer of truth |
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12 | (1) |
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Fragmentary spaces of representation |
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13 | (15) |
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Anamorphosis and the reversal of logic |
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15 | (1) |
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The Vertovian image: Issues of critique, representation and form-making |
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16 | (2) |
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Filmic space/architectural space |
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18 | (1) |
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Vertov in the digital image: Envisioning the contemporary city |
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19 | (3) |
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The qualitative image and affective space |
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22 | (6) |
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2 The pixel's visual territory |
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28 | (18) |
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28 | (2) |
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Unique modes of digital assembly |
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30 | (3) |
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The discontinuous digital line |
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30 | (1) |
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Qualitative content is connected data |
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31 | (1) |
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The predictability of pixel relationships |
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32 | (1) |
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Digital geometry's intersection with optical science |
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33 | (2) |
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33 | (2) |
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The digital mediation of colour, brightness and shape |
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35 | (6) |
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35 | (1) |
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Digital colour: Unique translations of digital technology |
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36 | (2) |
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Contrast perception, luminosity and the contextual advantages of pixel geometry |
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38 | (2) |
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Form perception and the inherent imperatives of pixel geometry |
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40 | (1) |
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Representation and the pixel's `symbolic form' |
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41 | (5) |
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41 | (5) |
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3 Seeing through digital image-making technology |
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46 | (28) |
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46 | (1) |
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47 | (3) |
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The digital manipulation of colour |
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50 | (3) |
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50 | (2) |
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52 | (1) |
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New digital opportunities |
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53 | (2) |
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Non-proprietary colour and open-source code |
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53 | (1) |
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54 | (1) |
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The digital perception of brightness |
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55 | (5) |
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Shifting the register: The pictorial application of brightness |
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55 | (3) |
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Eliminating the uncontrollable: Brightness as an artefact |
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58 | (1) |
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Fraunhofer diffraction as a productive aberration |
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59 | (1) |
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Digital image legibility: Shape |
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60 | (14) |
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The human perception of shape |
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60 | (1) |
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The human visual system and scan path theory |
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61 | (4) |
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Saliency and the advantages of webcam technology |
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65 | (2) |
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The productive inclusion of digital artefacts |
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67 | (7) |
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4 The new agency of distributed digital networks |
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74 | (17) |
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Digital anamorphosis and the virtual picture plane |
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74 | (6) |
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Pre-digital anamorphic techniques |
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74 | (2) |
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The affective anamorphic network |
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76 | (1) |
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Digital anamorphic techniques |
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77 | (3) |
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80 | (11) |
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The distributed network and the multiplication of viewpoints |
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80 | (4) |
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An expanded temporal frame |
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84 | (2) |
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Responding to the digital city |
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86 | (5) |
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PART II New techniques of intervention and disruption |
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91 | (65) |
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93 | (20) |
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93 | (2) |
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95 | (3) |
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The space within the image |
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98 | (1) |
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The anamorphic potential of digital technology |
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98 | (5) |
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103 | (1) |
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103 | (3) |
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The synthesised landscape |
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106 | (4) |
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Transdisciplinary modes of activating digital colour and luminance (brightness) |
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106 | (2) |
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Colour and luminance (brightness) profiles as a generative procedure |
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108 | (2) |
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110 | (3) |
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6 The building surface as a colour modifier |
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113 | (17) |
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Design templates for the built surface |
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113 | (1) |
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114 | (1) |
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114 | (1) |
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114 | (1) |
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114 | (1) |
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115 | (1) |
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116 | (1) |
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Test part 1: Strategies of pattern hierarchy |
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117 | (5) |
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Test technical data and conditions |
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119 | (1) |
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Test analysis methodology |
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120 | (1) |
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120 | (1) |
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Test summary and conclusions |
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121 | (1) |
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Test part 2: Hierarchies of visibility - the shifting function of luminosity (brightness) |
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122 | (1) |
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122 | (1) |
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Test summary and conclusions |
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123 | (1) |
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Test part 3: The disruptive potential of additive colour |
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123 | (2) |
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Test technical data and conditions |
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124 | (1) |
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Test results and analysis |
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125 | |
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Test summary and conclusions |
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121 | (4) |
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125 | (5) |
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130 | (7) |
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130 | (2) |
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132 | (5) |
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Test technical data and conditions |
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132 | (1) |
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Test analysis methodology |
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133 | (1) |
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Test results and analysis |
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134 | (1) |
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Test summary, conclusions and the data matrix |
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135 | (2) |
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8 New readings of the city |
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137 | (10) |
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137 | (1) |
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138 | (6) |
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Test technical data and conditions |
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138 | (2) |
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Test analysis methodology |
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140 | (1) |
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Test results and analysis |
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140 | (2) |
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Test summary, conclusions and the data matrix |
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142 | (2) |
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Concluding comments on the test series and the data matrices |
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144 | (3) |
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9 `La citta ideale': Design drawings for the digital city |
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147 | (9) |
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147 | (1) |
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Preliminary digital site mapping procedures |
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148 | (1) |
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The digital Urbino Panel: A summary of visual effects |
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148 | (2) |
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150 | (1) |
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151 | (1) |
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152 | (4) |
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156 | (4) |
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The new tools and techniques of architecture |
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156 | (2) |
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158 | (2) |
Glossary |
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160 | (2) |
Bibliography |
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162 | (9) |
Index |
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171 | |