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E-raamat: Design Strategies for Reimagining the City: The Disruptive Image [Taylor & Francis e-raamat]

  • Formaat: 176 pages, 3 Tables, black and white; 20 Line drawings, black and white; 20 Illustrations, black and white
  • Sari: Routledge Research in Architecture
  • Ilmumisaeg: 24-Jun-2022
  • Kirjastus: Routledge
  • ISBN-13: 9781003133872
  • Taylor & Francis e-raamat
  • Hind: 152,33 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 217,62 €
  • Säästad 30%
  • Formaat: 176 pages, 3 Tables, black and white; 20 Line drawings, black and white; 20 Illustrations, black and white
  • Sari: Routledge Research in Architecture
  • Ilmumisaeg: 24-Jun-2022
  • Kirjastus: Routledge
  • ISBN-13: 9781003133872
"Digital Disruptors is situated between projective geometry, optical science, and architectural design. It draws together seemingly unrelated fields in a series of new digital design tools and techniques underpinned by tested prototypes. The book revealshow the relationship between architectural design and the ubiquitous urban camera can be used to question established structures of control and ownership inherent within the visual model of the Western canon. Using key moments from the broad trajectory of historical and contemporary representational mechanisms and techniques, it describes the image's impact on city form from the inception of linear perspective geometry to the digital turn. The discussion draws upon combined fields of digital geometry, the pictorial adaptation of human optical cues of colour brightness and shape, and modern image-capture technology (webcams, mobile phones, and UAVs) to demonstrate how the permeation of contemporary urban space by digital networks calls for new architectural design tools and techniques. A series of speculative drawings and architectural interventions that apply the new design tools and techniques complete the book. Aimed at researchers, academics and upper-level students in digital design and theory, it makes a timely contribution to the ongoing and broadly debated relationship between representation and architecture"--

The book reveals how the relationship between architectural design and the ubiquitous urban camera can be used to question established structures of control and ownership inherent within the visual model of the Western canon.

List of figures
ix
List of tables
xii
List of abbreviations
xiii
Acknowledgement xiv
PART I Constructed fields of vision
1(90)
Introduction
3(5)
1 The problem of the image of the city: From perspectival to digital space
8(20)
Disruptive techniques of spatial representation
8(2)
Singular or narrative spaces of representation
10(3)
The `symbolic' intent of linear perspective geometry
10(1)
The perspectival city
11(1)
Photography as the bearer of truth
12(1)
Fragmentary spaces of representation
13(15)
Anamorphosis and the reversal of logic
15(1)
The Vertovian image: Issues of critique, representation and form-making
16(2)
Filmic space/architectural space
18(1)
Vertov in the digital image: Envisioning the contemporary city
19(3)
The qualitative image and affective space
22(6)
2 The pixel's visual territory
28(18)
From analogue to digital
28(2)
Unique modes of digital assembly
30(3)
The discontinuous digital line
30(1)
Qualitative content is connected data
31(1)
The predictability of pixel relationships
32(1)
Digital geometry's intersection with optical science
33(2)
Perceptual behaviours
33(2)
The digital mediation of colour, brightness and shape
35(6)
Technological disruption
35(1)
Digital colour: Unique translations of digital technology
36(2)
Contrast perception, luminosity and the contextual advantages of pixel geometry
38(2)
Form perception and the inherent imperatives of pixel geometry
40(1)
Representation and the pixel's `symbolic form'
41(5)
Many authors
41(5)
3 Seeing through digital image-making technology
46(28)
Colour's transformation
46(1)
Colour as form
47(3)
The digital manipulation of colour
50(3)
Proprietary colour
50(2)
Colour by guesswork
52(1)
New digital opportunities
53(2)
Non-proprietary colour and open-source code
53(1)
Exploiting CFAs
54(1)
The digital perception of brightness
55(5)
Shifting the register: The pictorial application of brightness
55(3)
Eliminating the uncontrollable: Brightness as an artefact
58(1)
Fraunhofer diffraction as a productive aberration
59(1)
Digital image legibility: Shape
60(14)
The human perception of shape
60(1)
The human visual system and scan path theory
61(4)
Saliency and the advantages of webcam technology
65(2)
The productive inclusion of digital artefacts
67(7)
4 The new agency of distributed digital networks
74(17)
Digital anamorphosis and the virtual picture plane
74(6)
Pre-digital anamorphic techniques
74(2)
The affective anamorphic network
76(1)
Digital anamorphic techniques
77(3)
The expanded image
80(11)
The distributed network and the multiplication of viewpoints
80(4)
An expanded temporal frame
84(2)
Responding to the digital city
86(5)
PART II New techniques of intervention and disruption
91(65)
5 Generative techniques
93(20)
New modes of practice
93(2)
The qualitative image
95(3)
The space within the image
98(1)
The anamorphic potential of digital technology
98(5)
The dynamic image
103(1)
The image as a 3D volume
103(3)
The synthesised landscape
106(4)
Transdisciplinary modes of activating digital colour and luminance (brightness)
106(2)
Colour and luminance (brightness) profiles as a generative procedure
108(2)
Conclusion
110(3)
6 The building surface as a colour modifier
113(17)
Design templates for the built surface
113(1)
Test strategies
114(1)
Colour
114(1)
Image artefacts
114(1)
Attention tracking
114(1)
Validation methods
115(1)
Series 1 tests overview
116(1)
Test part 1: Strategies of pattern hierarchy
117(5)
Test technical data and conditions
119(1)
Test analysis methodology
120(1)
Test results
120(1)
Test summary and conclusions
121(1)
Test part 2: Hierarchies of visibility - the shifting function of luminosity (brightness)
122(1)
Test results
122(1)
Test summary and conclusions
123(1)
Test part 3: The disruptive potential of additive colour
123(2)
Test technical data and conditions
124(1)
Test results and analysis
125
Test summary and conclusions
121(4)
The data matrix
125(5)
7 Re-viewing diffraction
130(7)
Series 2 tests overview
130(2)
Patterns of disruption
132(5)
Test technical data and conditions
132(1)
Test analysis methodology
133(1)
Test results and analysis
134(1)
Test summary, conclusions and the data matrix
135(2)
8 New readings of the city
137(10)
Series 3 tests overview
137(1)
Scanning variants
138(6)
Test technical data and conditions
138(2)
Test analysis methodology
140(1)
Test results and analysis
140(2)
Test summary, conclusions and the data matrix
142(2)
Concluding comments on the test series and the data matrices
144(3)
9 `La citta ideale': Design drawings for the digital city
147(9)
The digital Urbino Panel
147(1)
Preliminary digital site mapping procedures
148(1)
The digital Urbino Panel: A summary of visual effects
148(2)
Intervention 1
150(1)
Intervention 2
151(1)
Intervention 3
152(4)
Conclusion
156(4)
The new tools and techniques of architecture
156(2)
The disciplinary shift
158(2)
Glossary 160(2)
Bibliography 162(9)
Index 171
Linda Matthews is the Co-director of the UTS Visualisation Institute and a Senior Lecturer in the School of Architecture at the University of Technology, Sydney. Her research interests draw upon the history, politics and techniques of representation to explore new architectural and urban design methodologies that utilise the optics of digital visioning systems. The research aims to use virtual urban spaces as a source of qualitative and quantitative data to generate non-traditional modes of architectural and urban form. Linda has won several significant academic awards, including the prestigious Design Medal from the NSW Chapter of the Royal Australian Institute of Architects and the University Medal from the University of Technology, Sydney.