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E-raamat: Digital Heritage [Taylor & Francis e-raamat]

Edited by Lindsay MacDonald

Formaat: 608 pages
Ilmumisaeg: 11-Apr-2006
Kirjastus: Butterworth-Heinemann Ltd
ISBN-13: 9780080455303

Teised raamatud teemal:

Archiving, preservation & digitisation

Taylor & Francis e-raamat
Hind: 161,57 €*
* hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
Tavahind: 230,81 €
Säästad 30%

Formaat: 608 pages
Ilmumisaeg: 11-Apr-2006
Kirjastus: Butterworth-Heinemann Ltd
ISBN-13: 9780080455303

Teised raamatud teemal:

Archiving, preservation & digitisation

Taylor & Francis e-raamatud

Rohkem infot Taylor & Francis e-raamatute kohta

Raamatu kodulehekülg: https://www.taylorfrancis.com/books/9780080455303

Rapid advances in the fields of digital photography and digital image processing have provided an array of new methods of extracting information from historical buildings and artefacts. Until now, the techniques, and how and when to use them have remained a mystery to many conservators and museum professionals. Digital Heritage explains these techniques, and how to get the best results from them in a variety of applications. Focusing on historic buildings, digitisation of documents, paintings and objects in museums and galleries, the book brings together international experts in the fields of conservation and digital imaging to demonstrate how these two disciplines can work together to achieve excellent results.

* Learn how to apply the latest digital techniques to your work
* Understand state-of-the-art digital photography & imaging for conservation
* With case studies to demonstrate different approaches for different items

Muu info

* Learn how to apply the latest digital techniques to your work * Utilise the knowledge of experts in the field, brought together in one volume * Includes case studies to demonstrate different approaches for different items

Preface

xiii

Foreword

xv

List of Contributors

xix

PART 1 USER REQUIREMENTS

1

(174)

Digitising Documents for Public Access

3

(30)

Neil Smith

The British Library

3

(4)

The Library's Digitisation Programme

7

(3)

Standards and Guidelines

10

(3)

Digitisation Methods

13

(2)

Case Study -- Collect Britain

15

(9)

The Users

24

(7)

References

31

(1)

Further Reading

31

(2)

Digitising Rare Books and Manuscripts

33

(36)

Czeslaw Jan Graycz

Introduction

33

(1)

Surrogates

34

(1)

Challenges

35

(4)

Passionate Commitment

39

(2)

Faithfulness

41

(5)

Completeness

46

(1)

Authenticity

47

(1)

Archival File Repositories and Derivatives

48

(2)

Experimentation

50

(4)

Identification

54

(1)

`Consumer' Demands

54

(1)

Strategies

55

(9)

The Future

64

(2)

Conclusion

66

(1)

References

66

(3)

Digitisation Programmes in the V&A

69

(24)

James Stevenson

Introduction

69

(1)

Photography of the V&A Collection

70

(1)

First Steps Towards Digitisation

71

(2)

Image Identification

73

(2)

Getting Started With Digitisation

75

(7)

Image Management

82

(5)

Imaging Applications

87

(3)

Future Plans

90

(2)

References

92

(1)

Digital Access to a Photographic Collection

93

(22)

Andrea de Polo

Sam Minelli

Introduction

93

(3)

The Alinari Photo Archive

96

(2)

Architecture of the Database System

98

(4)

Cataloguing: Populating the Database

102

(4)

Search Engine Modes

106

(1)

Software System

107

(2)

XL-Image Software

109

(2)

Image Compression

111

(2)

Conclusions

113

(1)

References

114

(1)

Web References

114

(1)

Digitisation in the Commercial Art World

115

(34)

Anthony Hamber

Introduction

115

(2)

Stakeholders and User Requirements

117

(3)

Process Flow

120

(3)

Digital Camera Selection

123

(7)

Modifying Existing Workflows

130

(2)

Colour Image Processing

132

(7)

Workflow from Photography to Print

139

(1)

Developments over the Past Decade

140

(5)

Conclusion

145

(1)

References

146

(3)

User Requirements for Metric Survey

149

(26)

Paul Bryan

Introduction

149

(1)

Non-Image-Based Survey Techniques

150

(3)

Image-Based Survey Techniques

153

(10)

3D Laser Scanning

163

(5)

Comparison of Techniques

168

(3)

Summary

171

(1)

Acknowledgements

171

(1)

References

172

(1)

Web links

172

(1)

Glossary

173

(2)

PART 2 TECHNOLOGY

175

(200)

Principles and Evolution of Digital Cameras

177

(34)

Peter Rudolf

Introduction

177

(1)

Components of a Digital Camera

178

(6)

History of Digital Cameras

184

(5)

Film Camera versus Digital Camera

189

(11)

Image Processing

200

(8)

Conclusion

208

(1)

References

209

(2)

High Resolution Imaging in the Near Infrared

211

(28)

Duilio Bertani

Luca Consolandi

Introduction

211

(1)

Infrared Reflectography of Ancient Paintings

212

(7)

Developments with CCD Technology

219

(10)

Infrared Examination of Papyri

229

(7)

Conclusion

236

(2)

Acknowledgements

238

(1)

References

238

(1)

Image Resizing -- The Limits of Image Processing

239

(20)

Alfredo Giani

Introduction

239

(1)

The Continuous Image Model

240

(3)

The Discrete Cosine Transform

243

(3)

Image Spectra and Aliasing

246

(3)

Image Resizing

249

(4)

The Fourier Transform of the Continuous Image

253

(3)

Conclusion

256

(1)

Bibliography

257

(2)

Image Databases and Access

259

(34)

Mike Stapleton

Image Databases

259

(4)

How Images are Stored and Retrieved

263

(4)

Searching

267

(2)

Delivery of Images

269

(3)

Metadata Standards

272

(3)

An Image Database in Practice

275

(5)

Image Database Architecture

280

(5)

The Image Database API

285

(5)

References

290

(3)

Colour Management in Heritage Photography

293

(34)

Phil Green

Introduction

293

(1)

Colorimetry and Colour Vision

294

(2)

Colour Appearance

296

(4)

Colour Measurement

300

(4)

Goals of Colour Encoding and Reproduction

304

(2)

Properties of Coloured Media

306

(4)

Characterisation

310

(4)

Colour Management Using ICC Profiles

314

(3)

Using Profiles in a Colour Reproduction Workflow

317

(4)

Colour Management Issues for Heritage Photography

321

(2)

Conclusions

323

(1)

References

324

(3)

Image Compression and JPEG2000

327

(24)

Thomas Zellman

Introduction

327

(1)

Image Compression Steps

328

(3)

Advantages of JPEG2000

331

(3)

Document Compression

334

(2)

Market Acceptance and Products

336

(2)

Application at Alinari Photographic Archive

338

(6)

Application at the German Resistance Memorial Centre

344

(6)

References

350

(1)

Assessing Image Quality

351

(24)

Lindsay MacDonald

Ralph Jacobson

Introduction

351

(1)

Quality in Image Reproduction

352

(5)

Image Quality Assessment

357

(5)

Dimensions of Image Quality

362

(4)

Image Quality Metrics

366

(6)

References

372

(1)

Bibliography

373

(2)

PART 3 APPLICATIONS

375

(200)

Imaging Historical Architectural Sites for Conservation

377

(34)

Nick Beckett

Barbara Schick

Keith Findlater

Introduction

377

(1)

Photographic Techniques

377

(3)

Object Characteristics

380

(1)

Photographic Equipment

381

(7)

Setting the Scene

388

(6)

The VITRA Project

394

(7)

Site Testing

401

(8)

Summary

409

(1)

Acknowledgements

409

(1)

References

409

(1)

Graphics

410

(1)

Registered Trademarks

410

(1)

Imaging of Stained Glass Windows

411

(34)

Lindsay MacDonald

Keith Findlater

Richard Tao Song

Alfredo Giani

Shanmugalingam Suganthan

Introduction

411

(1)

Survey of Stained Glass Studios

412

(2)

Photography of Stained Glass

414

(2)

Camera Characterisation

416

(4)

Removing Shadows from Images of Stained Glass

420

(11)

Image Segmentation

431

(5)

Feature Extraction

436

(1)

Image Mosaicing

437

(4)

Conclusions

441

(2)

References

443

(2)

Making Online Monuments More Accessible Through Interface Design

445

(22)

Cristiano Bianchi

Introduction to Interface Design

445

(3)

Digital Cultural Heritage

448

(2)

Audiences

450

(2)

The Experience of Digital Cultural Heritage

452

(3)

Access to Digital Cultural Heritage

455

(2)

Technology

457

(4)

Review of European Funded Projects in the Field of Digital Heritage

461

(3)

Conclusions

464

(1)

References

465

(2)

Visualisation of Panoramic Images Over the Internet

467

(22)

Francesco Aru

Pietro Zanuttigh

Guido M. Cortelazzo

Introduction

467

(3)

The Geometry of Panoramic Images

470

(2)

Rendering Panoramic Images as 3D Objects

472

(7)

Progressive Compression of Zoomable Panoramic Images

479

(5)

Conclusions

484

(2)

Acknowledgements

486

(1)

Bibliography

486

(3)

3D Virtual Restoration of Polychrome Sculpture

489

(32)

Angela Geary

Introduction

489

(1)

3D Digitisation

490

(7)

Creating the 3D Model

497

(5)

Simulating Surfaces in 3D

502

(6)

Visualising Polychrome Sculpture

508

(2)

St. Christopher

510

(6)

The Dormition

516

(2)

References

518

(3)

Digital Imaging for Easel Paintings

521

(28)

David Saunders

John Cupitt

Joseph Padfield

Introduction

521

(1)

Imaging for Technical Examination

521

(17)

Imaging for Publication and Conservation Documentation

538

(7)

Acknowledgements

545

(1)

References

545

(4)

Research Policy and Directions

549

(26)

Tom Evans

Introduction

549

(1)

Background to Research Policy for Digital Culture and Heritage

550

(5)

Case Study: The Introduction of Digital Imaging and Multimedia to a Museum

555

(8)

Attitudes and Uses: Implications for Research

563

(4)

The Future of Digital Heritage Research: The State-of-the-Art and Scenario Building

567

(5)

Picture Credits

572

(1)

References

573

(2)

Index

575

Lindsay MacDonald

Püsilink: https://www.kriso.ee/db/9780080455303_pe.html

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