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E-raamat: Documentary Photography Reconsidered: History, Theory and Practice [Taylor & Francis e-raamat]

  • Formaat: 264 pages
  • Ilmumisaeg: 31-Mar-2021
  • Kirjastus: Routledge
  • ISBN-13: 9781003103516
  • Taylor & Francis e-raamat
  • Hind: 161,57 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 230,81 €
  • Säästad 30%
  • Formaat: 264 pages
  • Ilmumisaeg: 31-Mar-2021
  • Kirjastus: Routledge
  • ISBN-13: 9781003103516
Documentary photography is undergoing an unprecedented transformation as it adapts to the impact of digital technology, social media and new distribution methods. In this book, photographer and educator Michelle Bogre contextualizes these changes by offering a historical, theoretical and practical perspective on documentary photography from its inception to the present day. Documentary Photography Reconsidered is structured around key concepts, such as the photograph as witness, as evidence, as memory, as narrative and as a vehicle for activism and social change. Chapters include in-depth interviews with some of the world's leading contemporary practitioners, demonstrating the wide variety of different working styles, techniques and topics available to new photographers entering the field. Every key concept is illustrated with work from a range of innovative, influential and often under-represented photographers, giving a flavor of the depth and range of projects from the history of this global art form. There are also creative projects designed to spark ideas and build skills, to help you conceive, develop and produce your own meaningful documentary projects. The book is supported by a companion website, which includes in-depth video interviews with featured practitioners.
Acknowledgments 9(1)
Foreword: Stephen Mayes 10(2)
Introduction 12(2)
Chapter One Reconsidering Documentary Photography
14(58)
What Is Documentary Photography?
19(9)
The Documentary Photograph As Reality
28(3)
Photographs and History
31(2)
Early Documentary
33(11)
Focus On Practice: Early Photographic Practices and Processes
44(3)
Truth and Authenticity
47(3)
Focus On Practice: Mark Woodward: Representation and Accountability
50(5)
Truth and Reality
55(5)
The Aesthetics of Reality
60(1)
Focus On Practice: The Politics of Composition
61(1)
Digital Changed Everything
62(4)
Smartphones, Social Media, And The Public Life Of A Photograph
66(2)
Back to the Future
68(3)
Assignments: Limiting Choices; Truth and Lies; Politics of Composition
71(1)
Chapter Two Documentary Photography And Memory
72(48)
Memory Is Dynamic
76(2)
Iconic Photographs: Accurate Or Flawed Memory?
78(6)
The Seen Life
84(13)
Photographic Archives And Family Albums
97(3)
Memory And War
100(2)
Focus On Practice: Jonathan Torgovnik on Truth and Subjectivity
102(2)
The Photographer As Subject
104(2)
Focus On Practice: Tomas van Houtryve on Selfie Culture
106(1)
Memory Expanded
106(2)
Focus On Practice: Conversation with Daniella Zalcman
108(6)
Focus On Practice: Misha Friedman: Memory and History
114(4)
Conclusion
118(1)
Assignment: Archives and Family Albums
119(1)
Chapter Three The Documentary Photograph As Evidence
120(34)
Covenant Of Trust
121(4)
Photographs and the State
125(5)
Photographs and the Power of Persuasion
130(6)
Archives
136(3)
Manipulation and Truth
139(1)
Focus On Practice: Conversation with Edmund Clark
140(5)
Focus On Practice: Conversation with Susan Meiselas
145(5)
Focus On Practice: Conversation with Ron Haviv
150(4)
Chapter Four The Photographer As Witness
154(48)
Ethics, Responsibility, and Accountability
158(2)
Accidental Witnesses
160(2)
Role of Witness
162(4)
Witness As Insider
166(2)
Contemporary Witness: Environment
168(4)
Digital Witness and War
172(6)
Acts of Witnessing
178(2)
Focus On Practice: Conversation with Jean-Francois Leroy
180(1)
Focus On Practice: Conversation with Brent Stirton
181(7)
Focus On Practice: Conversation with Mary Calvert
188(7)
Focus On Practice: Conversation with Nina Berman
195(6)
Focus On Practice: Alex Majoli: Artifice and Photographic Reality
201(1)
Assignments
201(1)
Chapter Five Narrative
202(37)
Collaborative Storytelling
204(1)
Shehab Uddin
204(1)
Brendan Bannon
205(2)
Storytelling With Drones and Social Media
207(1)
Tomas van Houtryve
207(2)
Focus On Practice: Drone Photography
209(1)
Installation as Narrative
209(1)
Shahidul Alam
209(3)
Laia Abril
212(5)
Baptiste Lignel
217(3)
Art and Documentary
220(1)
Txema Salvans
220(3)
Long Form Documentary Storytelling
223(1)
Laurence Geai
223(3)
Ed Kashi
226(1)
Greg Constantine
227(3)
Paul Wenham-Clarke
230(3)
Appendix: Resources
233(1)
Documentary Photographers
233(2)
Instagram Accounts
235(1)
Agencies, Collectives, and Photography Organizations
236(1)
Youtube Channels
236(1)
Websites
236(1)
Magazines
236(1)
Grants, Contests, and Residencies
236(1)
Photography Festivals
237(2)
Bibliography 239(4)
Endnotes 243(10)
List of Illustrations 253(4)
Index 257
Michelle Bogre, a Professor Emerita at Parsons School of Design, is a documentary photographer, copyright lawyer and author of Photography As Activism: Images for Social Change, and Photography 4.0: A Teaching Guide for the 21st Century, both published by Focal Press. She regularly writes about photography and law for national print and on line publications. She is working on a long-term documentary project on family farms in America.