First published in 1972, Drama and Reality is a lucid account of the forces that have shaped modern European theatre, and especially of the different conceptions of reality implied in different plays. Three major views are distinguished (the naturalistic, the subjective, the religious) and related to the choice between poetic and representational form in drama. In the second part of the book, Ronald Gaskell takes a number of plays which offer a distinctive vision—a personal modification of one of the views of the world already discussed—and shows how the form of each play expresses and defines this personal vision.
First published in 1972, Drama and Reality is a lucid account of the forces that have shaped modern European theatre, and especially of the different conceptions of reality implied in different plays.
Part 1: The world of the play
1. Shakespeare and the modern theatre
2.
The naturalistic vision
3. Subjective drama
4. The religious vision
5.
Representational and poetic form Part 2: Vision as form
6. Ibsen: Peer Gynt
7. Ibsen: Rosmersholm
8. Chekhov: The Cherry Orchard
9. Synge: Riders to the
Sea
10. Lorca: Blood Wedding
11. Pirandello: Six Characters in Search of an
Author
12. Eliot: The Family Reunion
13. Brecht: The Caucasian Chalk Circle
14. Beckett: Endgame
15. Postscript
Ronald Gaskell (19272010) was born and grew up in Glasgow where he graduated from university having studied English literature. Just after WWII he served in the British Army in Germany, lecturing to soldiers soon to be demobilised who wanted to pursue further education. After teaching in Scotland, he then worked for the Commonwealth Universities Office, London. From teaching English literature at Nottingham University, he moved on to the University of Bristol, teaching mainly Shakespeare and modern poetry, retiring as a senior lecturer after 20 years.
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