| Foreword |
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1 | (4) |
| Introduction |
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5 | (1) |
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5 | (2) |
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6 | (1) |
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7 | (5) |
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9 | (3) |
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12 | (1) |
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12 | (1) |
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13 | (2) |
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15 | (12) |
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15 | (4) |
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What's the Difference Between DVCAM and DV? |
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16 | (3) |
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19 | (7) |
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19 | (2) |
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21 | (1) |
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21 | (1) |
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21 | (2) |
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23 | (1) |
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23 | (1) |
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Recording DVCAM on consumer DV Cassettes |
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23 | (1) |
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Recording DV on DV or DVCAM Cassettes |
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23 | (1) |
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Comparison of Cassette sizes |
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24 | (1) |
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24 | (1) |
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25 | (1) |
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REC - SAVE = Record or Playback Only |
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25 | (1) |
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26 | (1) |
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26 | (1) |
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26 | (1) |
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26 | (1) |
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Choosing a DVCAM Camcorder |
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27 | (2) |
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29 | (20) |
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31 | (5) |
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36 | (2) |
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36 | (1) |
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36 | (1) |
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36 | (1) |
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37 | (1) |
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38 | (4) |
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39 | (1) |
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39 | (1) |
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39 | (1) |
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40 | (1) |
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40 | (1) |
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40 | (1) |
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41 | (1) |
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41 | (1) |
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42 | (2) |
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42 | (1) |
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Setting EXPOSURE (Aperture) |
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42 | (1) |
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43 | (1) |
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43 | (1) |
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44 | (1) |
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44 | (2) |
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44 | (1) |
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45 | (1) |
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45 | (1) |
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45 | (1) |
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45 | (1) |
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Focus, Zoom, Zebra Stripes, etc. |
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45 | (1) |
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46 | (1) |
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47 | (2) |
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48 | (1) |
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48 | (1) |
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49 | (30) |
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49 | (4) |
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50 | (1) |
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50 | (1) |
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200,000 Dot 2.5'' Color LCD Monitor |
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50 | (1) |
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180,000 Dot LCD Black & White Viewfinder |
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50 | (1) |
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DSR-PD150 --- 2 ch XLR Audio Input |
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51 | (1) |
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16-bit/12-bit PCM Digital Sound and Audio Dub Capability |
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51 | (1) |
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51 | (1) |
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51 | (1) |
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52 | (1) |
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52 | (1) |
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Digital Still Camera Functions with Memory Stick |
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52 | (1) |
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Progressive Scan Still Photos |
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52 | (1) |
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52 | (1) |
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53 | (5) |
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58 | (9) |
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58 | (1) |
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How to Detach the Battery |
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58 | (1) |
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59 | (1) |
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Set the Microphone Controls |
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60 | (1) |
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61 | (1) |
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Microphone Mounting further Aft |
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61 | (1) |
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62 | (1) |
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63 | (1) |
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External Power and Charging |
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64 | (1) |
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64 | (1) |
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65 | (1) |
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DSR-PD150 Auto-Everything Settings |
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66 | (1) |
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DSR-PD150 Manual Settings |
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66 | (1) |
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67 | (12) |
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68 | (1) |
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69 | (1) |
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Set Non Drop Frame Timecode |
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70 | (1) |
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71 | (1) |
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71 | (1) |
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72 | (1) |
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72 | (1) |
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Timecode Summary of Recommended Settings |
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72 | (1) |
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73 | (1) |
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73 | (1) |
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74 | (1) |
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74 | (1) |
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74 | (1) |
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75 | (1) |
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75 | (1) |
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75 | (1) |
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76 | (1) |
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76 | (1) |
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77 | (1) |
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77 | (1) |
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78 | (1) |
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79 | (26) |
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83 | (5) |
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88 | (10) |
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88 | (1) |
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89 | (1) |
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89 | (1) |
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Set the Microphone Controls |
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90 | (1) |
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90 | (1) |
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90 | (1) |
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91 | (1) |
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91 | (1) |
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91 | (1) |
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92 | (1) |
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92 | (1) |
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Electronic Controls for Viewfinder |
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93 | (1) |
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DSR-250 Auto-Pilot Settings |
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93 | (1) |
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94 | (1) |
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94 | (1) |
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94 | (1) |
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95 | (1) |
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96 | (1) |
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97 | (1) |
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97 | (1) |
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98 | (1) |
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98 | (7) |
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99 | (1) |
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99 | (1) |
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100 | (1) |
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100 | (1) |
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100 | (1) |
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101 | (1) |
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101 | (1) |
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101 | (1) |
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102 | (1) |
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103 | (1) |
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103 | (1) |
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103 | (2) |
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105 | (2) |
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107 | (22) |
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108 | (1) |
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Black Stretch and Compress |
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108 | (1) |
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108 | (1) |
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109 | (1) |
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109 | (2) |
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Camera Setup Files --- Eight Setup Files |
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109 | (1) |
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SetupNavi --- Camera Setup File Storage |
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109 | (1) |
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SetupLog --- Automatic Recording of Camera Data |
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109 | (1) |
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110 | (1) |
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110 | (1) |
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110 | (1) |
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110 | (1) |
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110 | (1) |
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110 | (1) |
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111 | (4) |
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115 | (14) |
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115 | (1) |
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115 | (1) |
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115 | (1) |
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116 | (1) |
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Remove Lens Cavity Cap on Camera |
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116 | (1) |
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116 | (1) |
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117 | (1) |
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Attach Viewfinder and Microphone |
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117 | (1) |
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117 | (1) |
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118 | (1) |
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118 | (1) |
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118 | (1) |
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119 | (1) |
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119 | (1) |
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Set up Lens for Follow Focus |
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120 | (1) |
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121 | (1) |
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122 | (1) |
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122 | (1) |
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122 | (1) |
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123 | (1) |
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Set 16:9 and 4:3 Framelines |
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123 | (1) |
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Move 16:9/4:3 to Basic Menu |
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123 | (1) |
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124 | (1) |
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124 | (1) |
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124 | (1) |
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125 | (1) |
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ATW Auto Tracing White Balance |
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126 | (1) |
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126 | (1) |
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126 | (1) |
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126 | (1) |
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127 | (1) |
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127 | (1) |
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127 | (1) |
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128 | (1) |
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128 | (1) |
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Common Features: All Models |
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129 | (14) |
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129 | (5) |
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129 | (1) |
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Minimum Focus and Field of View |
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130 | (1) |
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130 | (1) |
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131 | (1) |
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132 | (1) |
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132 | (1) |
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Daylight (Outdoor, 5600°K) White Balance |
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133 | (1) |
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Tungsten (Indoor, 3200°K) White Balance |
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133 | (1) |
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Zebra Stripes and Exposure |
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134 | (2) |
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Determining Effective ASA |
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135 | (1) |
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136 | (1) |
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136 | (1) |
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136 | (1) |
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137 | (1) |
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137 | (1) |
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137 | (1) |
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138 | (1) |
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139 | (1) |
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140 | (1) |
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140 | (1) |
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141 | (1) |
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142 | (1) |
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142 | (1) |
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143 | (10) |
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Progressive or Interlace Scan |
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143 | (1) |
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144 | (3) |
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144 | (1) |
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Recording Stills on Memory Stick |
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144 | (1) |
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145 | (1) |
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145 | (1) |
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Viewing Stills on Memory Stick |
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146 | (1) |
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Transferring Stills to Computer |
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147 | (2) |
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Plug camcorder into Computer |
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147 | (1) |
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147 | (2) |
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Downloading Memory Stick Photos |
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149 | (1) |
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149 | (1) |
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Touching up Your Pictures |
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150 | (3) |
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150 | (1) |
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151 | (1) |
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Screen DPI to Printer DPI |
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151 | (1) |
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152 | (1) |
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153 | (4) |
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154 | (1) |
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154 | (1) |
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155 | (1) |
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155 | (1) |
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Recording Audio Separately |
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156 | (1) |
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157 | (6) |
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Comparison of CCD Size and Film Apertures |
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157 | (2) |
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Back focus and collimation |
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157 | (1) |
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158 | (1) |
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DVCAM Lenses and 35mm Equivalents |
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158 | (1) |
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159 | (1) |
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Century Precision and OpTex |
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159 | (1) |
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159 | (1) |
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159 | (1) |
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159 | (1) |
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160 | (1) |
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Lenses for DSR-300A, 500WS |
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160 | (3) |
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Fujinon 1/2'' and 2/3'' Lenses |
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161 | (1) |
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Canon 1/2'' and 2/3'' Lenses |
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161 | (2) |
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163 | (4) |
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163 | (1) |
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164 | (1) |
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Set Camcorder to Manual Control |
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164 | (1) |
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165 | (2) |
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167 | (4) |
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168 | (1) |
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168 | (1) |
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168 | (1) |
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168 | (1) |
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169 | (1) |
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170 | (1) |
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171 | (6) |
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171 | (1) |
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172 | (1) |
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172 | (1) |
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172 | (1) |
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173 | (1) |
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173 | (1) |
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174 | (1) |
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174 | (1) |
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174 | (1) |
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175 | (1) |
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175 | (1) |
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176 | (1) |
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176 | (1) |
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176 | (1) |
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177 | (8) |
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177 | (1) |
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177 | (1) |
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178 | (1) |
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178 | (1) |
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179 | (1) |
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179 | (1) |
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180 | (1) |
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180 | (1) |
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181 | (1) |
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182 | (1) |
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182 | (1) |
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182 | (1) |
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DSR-V10 Video Walkman Recorder |
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182 | (1) |
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183 | (1) |
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DSR-70A Portable Editing Recorder |
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183 | (1) |
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Dubbing to Betacam SP UVW-1800 |
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184 | (1) |
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185 | (4) |
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187 | (1) |
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Simple Boards and Software |
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188 | (1) |
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Pinnacle Express DV, DV200 |
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188 | (1) |
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188 | (1) |
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IntroDV 2.0 and CineStream (previously EditDV) |
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188 | (1) |
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189 | (10) |
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189 | (1) |
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190 | (2) |
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192 | (2) |
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194 | (1) |
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195 | (1) |
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196 | (1) |
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196 | (1) |
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196 | (1) |
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196 | (1) |
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197 | (1) |
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How Many Hard Drives Do I Need? |
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197 | (2) |
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197 | (2) |
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199 | (12) |
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199 | (8) |
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200 | (1) |
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201 | (1) |
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201 | (1) |
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202 | (1) |
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202 | (1) |
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202 | (1) |
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202 | (1) |
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203 | (1) |
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203 | (1) |
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203 | (1) |
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204 | (1) |
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Laser Film Recorder (Printer) |
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204 | (1) |
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204 | (1) |
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204 | (1) |
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205 | (1) |
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205 | (1) |
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205 | (1) |
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Keeping DVCAM to Film in Mind |
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206 | (1) |
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207 | (2) |
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208 | (1) |
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Why DVCAM usually looks better than DV |
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209 | (1) |
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John Bailey, ASC on Anniversary Party |
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209 | (2) |
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211 | (14) |
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211 | (1) |
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Comparisons: DV, DVCAM, DVCPRO |
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211 | (1) |
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212 | (1) |
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212 | (1) |
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212 | (1) |
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212 | (1) |
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How DVCAM Camcorders Work |
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213 | (9) |
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213 | (1) |
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Three Chip Cameras (3 CCDs) |
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213 | (1) |
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Luminance and Chrominance |
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214 | (1) |
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214 | (1) |
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214 | (1) |
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DVCAM Components and Conversion |
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214 | (1) |
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214 | (1) |
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215 | (1) |
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216 | (1) |
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216 | (1) |
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216 | (1) |
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217 | (2) |
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219 | (1) |
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219 | (1) |
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219 | (1) |
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219 | (1) |
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219 | (1) |
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Comparing DVCAM with Digital Betacam |
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220 | (1) |
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Comparing DVCAM with Betacam SP |
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220 | (1) |
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220 | (1) |
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221 | (1) |
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i.Link - FireWire - IEEE 1394 |
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222 | (3) |
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223 | (1) |
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223 | (1) |
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224 | (1) |
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Data Throughput Speed Chart |
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224 | (1) |
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224 | (1) |
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225 | (1) |
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226 | (3) |
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229 | (6) |
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229 | (1) |
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229 | (1) |
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229 | (1) |
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230 | (1) |
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230 | (1) |
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230 | (1) |
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231 | (1) |
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231 | (1) |
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231 | (1) |
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232 | (1) |
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232 | (1) |
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232 | (1) |
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233 | (2) |
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233 | (1) |
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233 | (1) |
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Still Images on Memory Stick: Quantity and Quality |
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234 | (1) |
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235 | (4) |
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237 | (2) |
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237 | (1) |
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237 | (1) |
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237 | (2) |
| Index |
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239 | (8) |
| About the Author |
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247 | (2) |
| Focus Charts |
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249 | |