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E-raamat: Exhibiting Animals in Europe and America [Taylor & Francis e-raamat]

Edited by (University of Alberta, Canada), Edited by (University of Alberta, Canada.)
  • Formaat: 216 pages, 18 Halftones, color; 52 Halftones, black and white; 18 Illustrations, color; 52 Illustrations, black and white
  • Sari: Routledge Research in Art History
  • Ilmumisaeg: 29-Nov-2024
  • Kirjastus: Routledge
  • ISBN-13: 9781003459293
Teised raamatud teemal:
  • Taylor & Francis e-raamat
  • Hind: 152,33 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 217,62 €
  • Säästad 30%
Exhibiting Animals in Europe and AmericaSuurem pilt
  • Formaat: 216 pages, 18 Halftones, color; 52 Halftones, black and white; 18 Illustrations, color; 52 Illustrations, black and white
  • Sari: Routledge Research in Art History
  • Ilmumisaeg: 29-Nov-2024
  • Kirjastus: Routledge
  • ISBN-13: 9781003459293
Teised raamatud teemal:
Taylor & Francis e-raamatudRohkem infot Taylor & Francis e-raamatute kohta
Raamatu kodulehekülg: https://www.taylorfrancis.com/books/9781003459293
"This edited volume, written by historians of art and visual culture who are working with the field of animal studies, seeks to understand how our ways of positioning (and ex-positioning) animals have separated us from the other-than-human animals that are an integral part of our interconnected world. Bringing together the visual and material culture of display with recent theoretical study on human-animal relations, the book draws attention to ways in which we might rethink this history and map pathwaysfor the future. Defining the idea of exhibition and display broadly, chapters consider a diverse range of media, including paintings, anatomical sculpture, books, prints, and clothing; exhibition venues that take place in both the public and private realms; and key ideas such as looking at/looking back, seeing/being seen, and interspecies recognition. The authors cover topics that span the sixteenth through the early twentieth centuries and focus geographically on Europe and America, with significant content related to Canada, Indigenous America, and Latin America. The book will be of interest to scholars working in art history, visual studies, museum studies, animal studies, and environmental humanities"--

This edited volume, written by historians of art and visual culture who are working with the field of animal studies, seeks to understand how our ways of positioning (and ex-positioning) animals have separated us from the other-than-human animals that are an integral part of our interconnected world.



This edited volume, written by historians of art and visual culture who are working in the field of animal studies, seeks to understand how our ways of positioning (and ex-positioning) animals have separated us from the other-than-human animals that are an integral part of our interconnected world.

Bringing together the visual and material culture of display with recent theoretical study on human–animal relations, the book draws attention to ways in which we might rethink this history and map pathways for the future. Defining the idea of exhibition and display broadly, chapters consider a diverse range of media, including paintings, anatomical sculpture, books, prints, and clothing; exhibition venues that take place in both the public and private realms; and key ideas such as looking at/looking back, seeing/being seen, and interspecies recognition. The authors cover topics that span the sixteenth through the early twentieth centuries and focus geographically on Europe and America, with significant content related to Canada, Indigenous America, and Latin America.

The book will be of interest to scholars working in art history, visual studies, museum studies, animal studies, and environmental humanities.

Part 1 In Books, Prints, and Photographs
1. Anxious Shores: Early Modern
Illustrations of Marine Animals from the Magellan Strait and the Chilean
Coast
2. Capturing Animal Life in Brehms Thierleben
3. Turning the World
Inside Out: Exhibiting Animals in Nineteenth-Century Spanish Broadsheets
4.
Talking Like the Birds: Animal Speech and Embodied Imitation in Early
Colonial Mexico
5. Posing Pony: Considering Horses, Children, and Display in
Rural Lakota Photographs Part 2 In Palaces, Churches, and Ceremonial Spaces
6. Visceral Castor: Animal Presence in Indigenous Beaver-Pelt Coats and
French Tricorn Hats
7. A World Beyond the Mines: Birds in the Flower
Paintings of San Martín de Tours in Potosí, Bolivia
8. The War Stories of
Sspitaikoan
9. Coexisting Species and Imperial Networks: Displaying African
and Asian Animals in the New Kingdom of Granada
10. Winged Beasts for Charles
III Part 3 In Studios, Theatres, and Museums
11. The Corpse at the Door:
Edwin Landseer and Albert the Lion
12. Bloodhounds, Race, and Spectacle: From
Nineteenth-Century Melodrama to Breed Specific Legislation
13. Riding into
the Afterlife: A Close Reading of Honoré Fragonards Écorché of a Horse and
his Rider (17661771)
14. Fragile Fragments: Reflections on Victorian Beetle
Art in a Time of Climate Crisis Part 4 In Parks, Fairs, and Zoos
15.
Predecessors of the living: Displaying Extinct Animals at the Crystal
Palace in Sydenham
16. Twice-Stilled Animals: Control and Vulnerability in
Images of Taxidermy in the United States
17. From oceans depths and inland
streams: Fish on Display at the 1893 Columbian Exposition
18. How a Polar
Bear Lived in Canadas First National Park
M. Elizabeth Boone is professor in the History of Art, Design, and Visual Culture at the University of Alberta.

Lianne McTavish is professor in the History of Art, Design, and Visual Culture at the University of Alberta.
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