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E-raamat: Exploring Doctor Who Fandom Through Screenwriting Practice-As-Research: Otherness, Intersectionality and Fan Studies [Taylor & Francis e-raamat]

  • Taylor & Francis e-raamat
  • Hind: 189,26 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 270,37 €
  • Säästad 30%

This book explores the diversity of fans and how they form and express their identity within fandom. Readers that would be interested in this book are scholars and students of fandom theory, screenwriting practice, and those interested in the development and expression of identity as a fan.



Exploring Doctor Who Fandom Through Screenwriting Practice-As-Research: Otherness, Intersectionality and Fan Studies explores the diversity of fans and how they form and express their identity within fandom. Main themes in this book include otherness, fans with disabilities, fans within the LGBTQIA+ community, and how fandom can enrich the life of a fan.

This book asks readers how a fan develops and performs their identity, and proposes a screenwriting practice methodology. Otherness in this scenario includes people who have disabilities, are within the LGBTQIA+ spectrum, and are neurodiverse. Screenwriting methodology also allows concepts such as disability, sexuality, and otherness to be humanised through characterisation and world building as seen in screenwriting practice.

Exploring Doctor Who Fandom Through Screenwriting Practice-As-Research: Otherness, Intersectionality and Fan Studies examines world building, characterisation and story arcs that explore the development of fan identity and how otherness through fandom is expressed. It draws on the lived experience of the author as a disabled LGBTQIA+ aca-fan to add a layer of authenticity to the research. By offering a unique perspective on fandom and identity and how screenwriting methodology is a viable approach to researching these concepts it looks to spread understanding of a neglected point of view and enhance future works.

Readers that would be interested in this book are scholars and students of fandom theory, screenwriting practice, and those interested in the development and expression of identity as a fan.

Introduction
1. Screenwriting Practice Methodology and Fan Studies
2.
Fanwriting Practices: Meta, Fanfic, and Representation
3. Cosplay: Identity
Formation and Performance
4. Conventions: Locating Fandom
5. Collecting: Fan
Activity and Identity Formation
5. Otherness and Intersectionality. Conclusion
Kathryn Beaton has a doctorate in Philosophy, Media, and Communications from RMIT University and a Masters in Screenwriting from the Victorian College of the Arts.