Preface |
|
xiii | |
|
I THE PRELUDE: what's that sound |
|
|
|
|
3 | (1) |
|
|
|
4 | (2) |
|
|
|
6 | (1) |
|
|
|
7 | (2) |
|
|
|
9 | (1) |
|
|
|
10 | (2) |
|
|
|
12 | (2) |
|
|
|
14 | (1) |
|
|
Birthday Parties in the '60s |
|
|
15 | (1) |
|
|
For the Late Great Pennsylvania Station |
|
|
16 | (2) |
|
|
|
18 | (1) |
|
|
|
19 | (1) |
|
|
Trailways, August 28, 1963 |
|
|
20 | (3) |
|
|
|
23 | (2) |
|
|
|
25 | (1) |
|
|
|
26 | (3) |
|
|
II DISMANTLING: r-e-s-p-e-c-t |
|
|
|
|
29 | (2) |
|
|
Mother to Daughter (1960) |
|
|
31 | (2) |
|
|
|
33 | (1) |
|
|
|
34 | (1) |
|
|
|
35 | (1) |
|
|
|
36 | (1) |
|
|
|
37 | (1) |
|
|
|
38 | (2) |
|
|
|
40 | (3) |
|
|
|
43 | (1) |
|
|
Love Letter Postmarked Von Beethoven |
|
|
44 | (3) |
|
|
Filling the Boxes of Joseph Cornell |
|
|
47 | (6) |
|
|
|
53 | (3) |
|
|
Cesar Vallejo Died On A Rainy Night |
|
|
56 | (3) |
|
|
III ACCELERATION: the times a changing |
|
|
|
|
59 | (2) |
|
|
|
61 | (2) |
|
|
The Summer of the Cuban Missile Crisis |
|
|
63 | (5) |
|
|
California Dreaming, LA 1966 |
|
|
68 | (2) |
|
|
Public School 190, Brooklyn, 1963 |
|
|
70 | (1) |
|
|
The Industrial Diamonds of 1964 |
|
|
71 | (2) |
|
|
|
73 | (3) |
|
|
|
76 | (2) |
|
|
A Miltonic Sonnet for Mr. Johnson on His Refusal of Peter Hurd's Official Portrait |
|
|
78 | (1) |
|
|
|
79 | (1) |
|
|
The Sign in My Father's Hands |
|
|
80 | (2) |
|
|
Where She Was, Where He Was |
|
|
82 | (1) |
|
|
|
83 | (3) |
|
|
|
86 | (4) |
|
|
|
90 | (1) |
|
|
91 | (3) |
|
|
|
94 | (1) |
|
|
Optical Longings and Illusions |
|
|
95 | (1) |
|
|
|
96 | (2) |
|
|
|
98 | (2) |
|
|
|
100 | (5) |
|
|
IV ENACTMENTS: people get ready |
|
|
|
|
105 | (6) |
|
|
Teaching Uncle Toms Children |
|
|
111 | (1) |
|
|
|
112 | (2) |
|
|
|
114 | (2) |
|
|
|
116 | (2) |
|
|
|
118 | (2) |
|
|
Ain't But One Way Heaven Makes Sense; Or, Annie Pearl Smith Explains the U.S. Space Program |
|
|
120 | (1) |
|
|
|
121 | (1) |
|
|
Asking for a Heart Attack |
|
|
122 | (2) |
|
|
Late Apology to Doris Haskins |
|
|
124 | (1) |
|
|
|
125 | (3) |
|
|
|
128 | (2) |
|
|
|
130 | (3) |
|
|
|
133 | (1) |
|
|
|
134 | (5) |
|
|
V WAR PHOTOGRAPHS: there's a man with a gun over there |
|
|
|
At a March Against the Vietnam War |
|
|
139 | (1) |
|
|
|
140 | (1) |
|
|
|
141 | (2) |
|
|
|
143 | (3) |
|
|
|
146 | (1) |
|
|
|
147 | (1) |
|
|
|
148 | (1) |
|
|
|
149 | (2) |
|
|
|
151 | (1) |
|
|
|
152 | (2) |
|
|
|
154 | (1) |
|
|
|
155 | (1) |
|
|
|
156 | (2) |
|
|
|
158 | (2) |
|
|
|
160 | (2) |
|
|
|
162 | (2) |
|
|
|
164 | (2) |
|
|
|
166 | (1) |
|
|
The Day of the Failure in Saigon, Thousands in the Streets, Hundreds Killed, a Lucky Few Hanging On the Runners of Evacuating Copters |
|
|
167 | (2) |
|
|
Minus One, Minus One More |
|
|
169 | (1) |
|
|
|
170 | (3) |
|
|
|
173 | (8) |
|
|
VI SEX (EDUCATION): baby, light my fire |
|
|
|
|
181 | (2) |
|
|
Like This It Is We Think To Dance |
|
|
183 | (1) |
|
|
Saint Valentine's Day, 1967 |
|
|
184 | (3) |
|
|
|
187 | (3) |
|
|
|
190 | (3) |
|
|
|
193 | (2) |
|
|
|
195 | (2) |
|
|
In Praise of the Passion Mark |
|
|
197 | (2) |
|
|
|
199 | (2) |
|
|
|
201 | (4) |
|
|
VII DRUGS AND ROCK `N' ROLL: dance beneath the diamond sky |
|
|
|
|
205 | (2) |
|
|
|
207 | (2) |
|
|
|
209 | (1) |
|
|
Charlie's Asleep at the Wire Waiting for You to Sleep |
|
|
210 | (2) |
|
|
|
212 | (2) |
|
|
|
214 | (2) |
|
|
|
216 | (2) |
|
|
Tripping Through Life, Fantastic! |
|
|
218 | (2) |
|
|
|
220 | (1) |
|
|
|
221 | (1) |
|
|
Ravi Shankar After the Show |
|
|
222 | (1) |
|
|
|
223 | (1) |
|
|
A Momentarily Subdued Foofaraw |
|
|
224 | (3) |
|
|
|
227 | (2) |
|
|
Hike Up Av. Du Pere-Lachaise |
|
|
229 | (1) |
|
|
Christ at the Apollo, 1962 |
|
|
230 | (2) |
|
|
|
232 | (3) |
|
|
|
235 | (1) |
|
|
Jimi Hendrix, National Anthem |
|
|
236 | (1) |
|
|
The Burning of the Midnight Lamp |
|
|
237 | (6) |
|
|
VIII APTERMATH the answer, blowing in the wind |
|
|
|
The Revolution in Oakland |
|
|
243 | (2) |
|
|
|
245 | (2) |
|
|
|
247 | (2) |
|
|
|
249 | (1) |
|
|
|
250 | (3) |
|
|
|
253 | (6) |
|
|
|
259 | (1) |
|
|
Homage to Calvin Spotswood |
|
|
260 | (5) |
|
|
The Things They Taught Me |
|
|
265 | (4) |
|
|
Eight Hours in the Nixon Era |
|
|
269 | (4) |
|
|
Reading Dickinson/Summer '68 |
|
|
273 | (2) |
|
|
|
275 | (2) |
|
|
|
277 | (5) |
|
|
|
282 | (1) |
|
|
The Death of Janis Joplin |
|
|
283 | (2) |
|
|
The Dharma Kia Foundation |
|
|
285 | (3) |
|
|
|
288 | (1) |
|
|
|
289 | (2) |
|
|
|
291 | (4) |
|
|
|
295 | (2) |
|
|
Around the Time of the Moon |
|
|
297 | (1) |
|
|
"Their Hats is Always White" |
|
|
298 | (2) |
|
|
|
300 | (1) |
|
|
The Year I Was Diagnosed With a Sacrilegious Heart |
|
|
301 | (2) |
|
|
In Front of the Coke Machine |
|
|
303 | (1) |
|
|
|
304 | (1) |
|
|
|
305 | (2) |
|
About the Poets |
|
307 | (50) |
Acknowledgments |
|
357 | |