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E-raamat: Form and Meaning in Avant-Garde Collage and Montage [Taylor & Francis e-raamat]

(Indiana University Bloomington)
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Form and Meaning in Avant-Garde Collage and MontageSuurem pilt
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This book uses intermedial theories to study collage and montage, tracing the transformation of visual collage into photomontage in the early avant-garde period.

Magda Dragu distinguishes between the concepts of collage and montage, as defined across several media (fine arts, literature, music, film, photography), based on the type of artistic meaning they generate, rather than the mechanical procedures involved. The book applies theories of intermediality to collage and montage, which is crucial for understanding collage as a form of cultural production. Throughout, the author considers the political implications, as collages and montages were often used for propagandistic purposes.

This book combines research methods used in several areas of inquiry: art history, literary criticism, analytical philosophy, musicology, and aesthetics.
List of figures
x
Acknowledgments xvi
Introduction xviii
PART I Theories of intermediality: form and meaning
1(38)
1 The history
3(20)
Comparative arts, interarts studies, and intermediality
3(6)
Word and image versus word and music
9(4)
Word, music, and the image -- conceptual/a-conceptual, spatial/temporal
13(3)
Notes
16(7)
2 The theory
23(16)
Intermedial transposition or content under scrutiny
23(5)
Intermedial reference or the primacy of form
28(3)
Media combination as intermedia and mixed media
31(1)
Transmediality in the narrow sense
32(1)
Redeeming the `blind' spots of a theory: the modalities of media and beyond
33(2)
Notes
35(4)
PART II Collage
39(58)
3 A heterogeneous articulation of meaning: avant-garde visual and verbal collage
41(33)
Picasso's collages or how to "trompe l'esprit"
42(6)
Collage in the early avant-garde movements -- theme and variations
48(4)
Les romans-collages of Max Ernst or how to subvert visual narrative
52(4)
Words and images: quasi-nonsensical verbal collage (Apollinaire, Marinetti, Schwitters et al.)
56(7)
Form, heterogeneous meaning, and intermediality
63(1)
Notes
64(10)
4 "The whole shebang!": musical collage and meaning
74(23)
Formal experiments: cumulative setting and spatial arrangements in Ives
75(8)
Back in Europe: Picasso returns and a terminological conundrum (Satie and Stravinsky)
83(3)
Musical collage, intermediality, and memory
86(2)
Coda: collage -- the transmedial perspective
88(3)
Notes
91(6)
PART III From collage to montage
97(100)
5 `Transparent' replacements: visual collage and heterogeneous photomontage
99(30)
The photograph: a `transparent' medium
100(2)
A shift in vision: heterogeneous photomontage
102(2)
Looking forward: from heterogeneous to homogeneous photomontage
104(6)
New wine in (not so) old glasses: the beginnings of heterogeneous photomontage (Dada and Constructivist photomontage)
110(10)
Surrealist photomontage: `a dream come true'
120(2)
Notes
122(7)
6 Intermedial models: film montage and homogeneous photomontage
129(42)
Enter Eisenstein or Prospero's cell
129(5)
Perfected vision in Vertov's kino-eye
134(6)
Film montage and homogeneous photomontage
140(2)
The films and photomontages of Moholy-Nagy and Heartfield: a firm grip on meaning
142(12)
Klutsis, Lissitzky, and Rodchenko or when factography is not quite what it seems
154(9)
Montage -- a clear articulation of meaning
163(2)
Notes
165(6)
7 Chasing the `greased pig' of meaning: literary and musical montage
171(26)
John Dos Passos goes to the movies: D. W. Griffith, Eisenstein, and Dos Passos's montage novels (`Manhattan Transfer [ 1925] and U.S.A. trilogy [ 1930-1936]')
172(7)
What the manuscripts say: Alfred Doblin's Berlin Alexanderplatz: Die Geschichte vom Franz Biberkopf (1929) -- collage and montage in question
179(9)
Sampling, sound science, and meaning in the early musical montages of Pierre Schaeffer and Karlheinz Stockhausen
188(3)
Notes
191(6)
Conclusion 197(3)
Bibliography 200(23)
Index 223
Magda Dragu is Visiting Scholar in the Department of Comparative Literature at Indiana University Bloomington, USA.
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