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E-raamat: Gorilla Theater: A Practical Guide to Performing the New Outdoor Theater Anytime, Anywhere [Taylor & Francis e-raamat]

  • Formaat: 208 pages, 20 Illustrations, color
  • Sari: Theatre Arts Book
  • Ilmumisaeg: 18-Jul-2003
  • Kirjastus: Routledge
  • ISBN-13: 9781315059952
Teised raamatud teemal:
  • Taylor & Francis e-raamat
  • Hind: 147,72 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 211,02 €
  • Säästad 30%
  • Formaat: 208 pages, 20 Illustrations, color
  • Sari: Theatre Arts Book
  • Ilmumisaeg: 18-Jul-2003
  • Kirjastus: Routledge
  • ISBN-13: 9781315059952
Teised raamatud teemal:
On a warm evening a man is crying Howl, howl, howl as he carries in his arms the body of a young woman. This isn't urban violence, it's Gorilla Rep's production of King Lear. There are no sets. The action uses available space: a parking lot, a pedestrian mall, a field. The audience - students, theater lovers, passersby, homeless people - move along with actors, from a tree to a fountain to a bench, and the audience may follow a portion of the performance or all of it. This is one of the most radical, and yet most easily available, concepts in theater: make the world the theater, make the world the audience. Christopher Carter Sanderson is the creator of an alternative theatrical concept: live free performance in public spaces. Featured in the New York Times, the Gorilla Rep productions are praised both for their acting and for the startling ingenuity of the concept. In this new book, Sanderson explains how theater can be made to work in any free space. He provides specific and practical advice for any performer or director, and relates stories from his own Gorilla Rep experience that show what the most unorthodox of theatrical techniques can achieve - without a theater, without a stage, and without a ticket to be sold.
Foreword xiii
Martin Denton
Acknowledgments xvii
Introduction: About Gorilla Repertory Theatre Company. Inc. 1(6)
Gorilla Rep Manifesto
Concept and Location
7(14)
Inspiration
Read Plays, Shakespeare First
List Plays
Tour Sites
List Sites with Pros and Cons
Scouting
21(14)
Organizations That Can Help
Rights of Free Speech and Assembly
Working Conditions for the Actors and Personnel
Mapping the Site
Establishing Corporate Culture
35(6)
Observations
Responding to Conflicts
Running Effective Meetings
Casting
41(14)
Ideas and Ideals
Respect for Actors and Demands of the Form
Enthusiasm for the Form
Character Basics and Physical Motion
Working in Further Detail
Techniques and Scheduling
Callback Practices and Forms
Rehearsal Techniques
55(28)
Introduction: Use What You Know
How Do You See?
Respect for the Audience
Respect for the Text
The Character Meeting: Establishing Individual Communication
Scheduling Rehearsal
The Three-Phase Technique: Improvisation, Work-Through, and Staging
Run-Throughs
Adapting Indoor Techniques to Outdoor Uses
A Note
The Paratheatric Rehearsal Technique
83(24)
Brief Description
Early Experiments
Scouting and Booking
Logistics
Schedule
Blazing and Establishing Safe Practices
Improvisation Suggestions for Day One and Day Two
The Bonfire: Metaphor and Practice
Night Exercises
The Paratheatric Run
Examples of Staging Brought Back
Integrating Paratheatric Discoveries
Variations and How to Invent New Paratheatric Rehearsal Procedures
On-Site Directing and Operational Practices
107(10)
Practicing Nonconfrontational Conflict Resolution
Cut Procedure
The Role of the Director in Performance
Organizational Approaches
117(20)
Mission Statement and Incorporation
Working with Volunteers
Interns
Publicity: Homemade and Professional
Sponsorship
Permits, Contracts, and Letters of Agreement
Working with Designers
Working with an Assistant
Working with Crews
Trucks and Trucking
Notes for the Producer
Documentation Practices
137(6)
Documentarian
Photo Strategies
Video Strategies
Archiving: Print, Video, and Mailing Lists
Design Issues and Aesthetic Practice
143(10)
Lighting
Props
Sets
Stage Fighting
Indoor Environmental or Action Theatre
153(8)
Design Issues
Audience Changes and Pressures
Examples
Moving a Show
161(6)
Feel of the Show
Moving A Midsummer Night's Dream: ``Get Puck!'' and Other Stories
Notes and Observations
167(8)
Dialogue with Criticism
Relationship to Academia
Sibling Institutions
Spirituality
175(6)
Bibliography 181(2)
Index 183
Christopher Carter Sanderson is founding director of Gorilla Rep. He has taught drama at Princeton and Yale. He lives in New Haven, CT.