Muutke küpsiste eelistusi

E-raamat: Gum Printing: A Step-by-Step Manual, Highlighting Artists and Their Creative Practice [Taylor & Francis e-raamat]

(Professor of Photography at Montana State University, Bozeman)
Teised raamatud teemal:
  • Taylor & Francis e-raamat
  • Hind: 235,42 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 336,32 €
  • Säästad 30%
Teised raamatud teemal:
Gum Printing: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a two-part book on gum bichromate written by the mediums leading expert, Christina Z. Anderson. Section One provides a step-by-step description of the gum printing process. From setting up the "dimroom" (no darkroom required!) to evaluating finished prints, it walks the reader through everything that is needed to establish a firm gum practice with the simplest of setups at home. Section Two showcases contemporary artists works, illustrating the myriad ways gum is conceptualized and practiced today. The works in these pages range from monochrome to colorful and from subtle to bold, representing a variety of genres, including still lifes, portraits, nudes, landscapes, urbanscapes and more. Featuring over 80 artists and 400 full-color images, Gum Printing is the most complete overview of this dynamic and expressive medium that has yet appeared in print.

Key topics covered include:











The history of gum





Simple digital negatives for gum, platinum, and cyanotype





Preparing supplies





Making monochrome, duotone, tricolor, and quadcolor gum prints





Printing gum over cyanotype





Printing gum over platinum





Troubleshooting gum





Advice on developing a creative practice
Preface xi
Chapter 1 The History of Gum Printing
1(20)
Crash course in gum history
1(20)
Section One Gum Printing Step-by-Step
21(94)
Chapter 2 Setting Up the Gum Dimroom
23(10)
First, a word about safety
23(1)
Essential big equipment
24(1)
Essential supplies
24(1)
Optional supplies
25(1)
Chemistry supplies
25(2)
Papers
27(1)
Other papers
27(1)
Units of measurement
28(1)
Solid measurements
28(1)
Liquid measurements
28(1)
Sources
28(1)
Robert Mosher's light box plans
29(1)
Tools required
29(1)
Materials list
29(1)
Lightbox assembly instructions
30(3)
Chapter 3 Digital Negatives for Gum
33(10)
Contact printing processes
33(1)
Curve preparation
33(2)
Image preparation
35(1)
Troubleshooting the negative
36(1)
Monochrome negative
36(1)
Duotone (two) negatives
37(1)
Tricolor (three) negatives
37(1)
Quadcolor (four) negatives
38(1)
Printer settings
38(1)
Determining exposure time
39(4)
Chapter 4 Preparing Supplies
43(16)
Paper
43(1)
Paper surface
43(1)
Paper color
43(1)
Paper brand
43(1)
Cutting
44(1)
Shrinking
44(1)
Sizing
45(1)
Classic gelatin sizing
45(1)
Gelatin sizing formula
46(1)
Gum preparation
47(1)
Mixing gum from powder
47(1)
Mixing gum from lumps
47(1)
Preserving gum
47(1)
Dichromate preparation
48(1)
10% ammonium dichromate
49(1)
12% potassium dichromate
49(1)
Pigment preparation
49(1)
Choosing the best pigments
49(1)
My favorite pigments
50(1)
My next three favorites
50(2)
Other useful colors
52(2)
Mixing the pigments
54(1)
Stock pigment mixes
55(1)
Diluting stock pigment mixes
55(1)
The math behind this
55(1)
Working strength pigments
56(1)
Combining pigments
57(1)
Tricolor combinations
57(2)
Chapter 5 Making the Gum Print
59(14)
Registering gum
59(1)
Coating gum
60(1)
Exposing gum
61(1)
Developing gum
61(2)
Clearing gum
63(1)
"Pot metabi" clear
64(1)
Printing monochrome gum
64(1)
Printing through the paper back
64(1)
One-coat monochrome
65(1)
Multiple-coat monochrome
66(1)
Printing duotone gum
67(1)
Printing tricolor gum
68(1)
Printing quadcolor gum
68(1)
Layer order in gum
68(1)
Printing pseudo-color gum
68(1)
Printing watercolor gum
69(1)
Printing "autochrome" gum
69(1)
Printing gum on dark paper
70(3)
Chapter 6 Printing Gum Over Cyanotype
73(8)
A word about paper
74(1)
Cyanotype formula
74(1)
Making the cyanotype-gum print
75(1)
Troubleshooting cyanotype
76(5)
Chapter 7 Printing Gum Over Platinum
81(8)
Supplies needed
82(1)
A word about paper
82(1)
A word about brushes
82(1)
Potassium oxalate developer formula
82(1)
Clear formulas
82(1)
Coating formula
83(1)
Making the platinum print
84(1)
Using a single negative
85(1)
Using duotone negatives
86(1)
Using RGB negatives
86(1)
Using CMYK negatives
86(1)
Troubleshooting platinum
87(2)
Chapter 8 Troubleshooting Gum
89(14)
The big four
89(1)
More complex answers
90(1)
Layer washes all off
90(1)
Layer does not wash off
91(1)
Layer flakes off
92(1)
Highlights are stained
93(1)
Shadows are stained brown
94(1)
The print is grainy
95(1)
The print has contrast issues
96(1)
The print is too dark
97(1)
The print is too light
98(1)
Fisheyes
98(1)
The coating is streaky
98(1)
There is uneven exposure
99(1)
There's a dark spot
99(1)
There's a white speck or spot
99(1)
Registration is impossible
100(1)
The paper curls terribly
100(1)
Printing speed has changed
100(1)
Layer keeps bleeding
100(3)
Chapter 9 Developing a Creative Practice
103(12)
Fears about creative practice
103(1)
Personal fears
104(1)
Fears about one's work
104(1)
Fears about one's career
104(1)
Fears summary
105(1)
Reality of creative practice
105(2)
Steps to a creative practice
107(3)
Time management
110(1)
Why creative practice?
111(4)
Section Two Artists and Their Creative Practice
115(180)
Chapter 10 Contemporary Artists
117(178)
Servane Aubineau
119(2)
Kayla Bedey
121(4)
Karin Berglund
125(2)
Diana Bloomfield
127(6)
Hans de Bruijn
133(4)
Guido Ceuppens
137(4)
Alex Chater
141(4)
Sandra Davis
145(4)
Mary Donato
149(4)
Anne Eder
153(4)
Monica Englund
157(2)
Dan Estabrook
159(4)
Jesseca Ferguson
163(4)
Keith Gerling
167(4)
Tony Gonzalez
171(6)
Remko de Graaff
177(2)
Brenton Hamilton
179(2)
David Hatton
181(2)
Dan Herrera
183(4)
Jodie Hooker
187(4)
Suzanne Izzo
191(4)
Ira Khorunzhaya
195(2)
Sookang Kim
197(2)
Kerik Kouklis
199(4)
Peter Liepke
203(6)
Joli Livaudais
209(6)
Carmen Lizardo
215(2)
Chia N-Lofqvist
217(4)
Erin Mahoney
221(4)
Janet Matthews
225(4)
Marek Matusz
229(4)
Scott McMahon
233(2)
Dave Molnar
235(4)
Hillevi Nagel
239(4)
Rainer Ortlieb
243(2)
Amy Parrish
245(4)
Josh Raftery
249(2)
Ron Reeder
251(4)
Ernestine Ruben
255(4)
Tomas Sobota
259(2)
Dennis Spector
261(4)
Brian Taylor
265(6)
Lada Tazetdinova
271(4)
Sarah Van Keuren
275(6)
Melanie Walker
281(4)
Sam Wang
285(4)
Marydorsey Wanless
289(4)
Ellie Young
293(1)
Christine Zuercher
294(1)
Bibliography
295(7)
Gum monographs
295(1)
Recommended books
295(1)
Books with gum chapters
296(1)
Journals
297(2)
British Journal of Photography
299(3)
Index 302
Christina Z. Andersons work focuses on the cultural and spiritual landscape expressed in 19th century photographic techniques, primarily gum and casein bichromate. Her work has shown nationally and internationally in over 100 shows and 40 publications. She has authored several books, two of whichThe Experimental Photography Workbook and Gum Printing and Other Amazing Contact Printing Processeshave sold worldwide in 40 countries. She is co-author with Samuel Wang, S. Carl King, and Zhong Jianming of Handcrafted: The Art and Practice of the Handmade Print, now in its third printing. Anderson is Associate Professor of Photography at Montana State University, Bozeman. To see her work, visit christinaZanderson.com.