The publication of Husserliana XXIII Phantasie, Bildbewusstsein, Erinnerung in 1980 and John B. Broughs translation of it in 2005 increased interest in Edmund Husserls philosophy of depiction. This volume is the first comprehensive book collection in English that provides a systematic reading of Husserls theory of depictive image consciousness.
The book explains the meaning of various concepts in Husserls philosophy of depictionsuch as Bildobjekt, Vergegenwärtigung, Perzeption and examines the range and limits of the application of Husserls depictive image consciousness to various art practices and media, and to other mental acts, e.g., phantasy, memory. The book discusses, among other topics, empathy, symbolic presentation and the aesthetic experience of depictions. Additionally, the book compares Husserls theory of depiction with that of other philosophers, notably Franz Brentano, Jean-Paul Sartre, Maurice Merleau-Ponty, Roman Ingarden, Leopold Blaustein and Jean Baudrillard.
Husserl on Depiction will be of interest to scholars and advanced students working in phenomenology, philosophy of perception, philosophy of art, aesthetics and pictorial representation.
Introduction Regina-Nino Mion, Claudio Rozzoni, and John B. Brough Part
1: Depictive Image Consciousness
1. Husserls Phenomenology of
Image-Consciousness in the Age of the Iconic and Digital Turns Nicolas de
Warren
2. The Structure of Seeing Pictures Carmelo Calì
3. A Genetic
Phenomenological Theory of Image-Consciousness: Following Husserls Direction
More than Husserl Reiko Ijuin Part 2: Phantasy and Depiction
4. Imagination
and Phantasí Alexander Schnell
5. The Conflict Phenomenon: Perception,
Imagination, and Ficta Paolo Spinicci
6. On Higher-Order Depictive Image
Consciousness Eduard Marbach Part 3: Art, Aesthetics and Depiction
7. The
Image and the World John B. Brough
8. Husserl and the Phenomenological
Subject of Depiction Paul Crowther
9. Loin Cloths and Fig Leaves: What
Phenomenology can tell us about the Place of the Nude in Sacred Art Javier E.
Carreño Cobos
10. The Aesthetic Attitude and Still Life Paintings Regina-Nino
Mion Part 4: Media and Depiction
11. Image Consciousness in the Age of Street
Advertising: Contemporary Challenges to Husserls Reading of the Image and
its Frame Christian Ferencz-Flatz
12. The Eye and the Lens: Notes on the
Intersubjective Constitution of Photography Patrick Gerard Eldridge
13.
Seeing Beyond the Image: Husserlian Reflections on the Empathetic Experience
of Photographs Marco Cavallaro
14. Beyond Depiction? Prolegomena to a
Phenomenology of Virtual Consciousness Claudio Rozzoni Part 5: Husserl and
Other Philosophers on Depiction
15. Phenomenology or Descriptive Psychology
of Imagination? A Reexamination of Brentano and Husserl on Phantasy
Presentations Robin D. Rollinger
16. Ingardens Missed Encounter with
Husserl: Image Consciousness, Theory of the Picture, and Aesthetic Experience
Peer F. Bundgaard
17. Blausteins Aesthetics and the Question of
Intentionality: On an Early Reading of Husserls Theory of Image
Consciousness Witold Potka
18. Beyond the Mental Imagery Model:
Phenomenology and Ontology of Imagination from Husserl to Merleau-Ponty
Annabelle Dufourcq
19. Representative Matters: A Critique of Sartres
Phenomenology of Physical Images Federico Fantelli
20. "The Divine
Irreference of Images": From Husserl's Image Object to Baudrillard's
Simulacrum Natalie Pfaff
Regina-Nino Mion is a Senior Researcher at the Estonian Academy of Arts. She defended her doctoral dissertation Edmund Husserls Theory of Image Consciousness, Aesthetic Consciousness, and Art at the University of Fribourg in 2014. Her main research interests are in phenomenology, philosophy of art and aesthetics, and pictorial representation. She is the editor of the special issue Depiction: Contemporary Studies on Pictorial Representation published in the journal Kunstiteaduslikke Uurimusi/Studies on Art and Architecture, Vol 29, 34, 2020. Her articles are published in journals such as the New Yearbook for Phenomenology and Phenomenological Philosophy, Studia Phaenomenologica and Anuario Filosófico.
Claudio Rozzoni obtained his PhD in aesthetics and theory of art from the University of Palermo with a dissertation on Marcel Proust and philosophy. He was a visiting scholar at the Husserl Archive at the University of Cologne (2013) and at UCLA, Department of Film, Television and Digital Media (2015) and a visiting professor (Aesthetics) at the Sorbonne University. Between 2013 and 2021, he was a research fellow at the Institute of Philosophy of the New University of Lisbon (IFILNOVA). He is currently Associate Professor of Aesthetics at the University of Milan. His publications include The Phenomenological Image: A Husserlian Inquiry into Reality, Phantasy, and Aesthetic Experience (2023), which was granted the Italian Society of Aesthetics (SIE) Award for Original International Work in 2024.
John B. Brough is Professor of Philosophy Emeritus at Georgetown University, Washington, DC. He has written essays on the consciousness of time, memory, aesthetics, depiction, phenomenology and photography, phenomenology of film, and the relationship of art and the artworld. He has translated Husserliana Volume X, On the Phenomenology of the Consciousness of Internal Time, which includes Husserls early texts on time consciousness; and Volume XXIII, Phantasy, Image Consciousness and Memory which collects Husserls texts on memory, phantasy and image-consciousness. He is the co-editor of The Many Faces of Time.
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