The phrase “post-postmodernism” has appeared in Contemporary Literary Studies since the 20th century, but what does it mean? Scholars have defined the term in various, often contradictory ways. Existing studies also rarely centralise race – an essential component in the transition from postmodern irony to post-postmodern sincerity. Hybrid Novels analyses post-postmodernism’s only consistency and certainty: hybridity. This speaks for a broader social issue concerning the ethics of categorisation and the conflicting labels imposed on subjectivity. Hybrid Novels considers landmark American/British novels by Percival Everett, Jonathan Franzen, Zadie Smith, and David Foster Wallace, published from 1996-2001. It positions these authors at the centre of the post-postmodernism debate together for the first time. This book suggests that 2010s autofiction further develops post-postmodern tensions of irony and sincerity at the turn of the 21st century. Major American/Canadian novels by Sheila Heti, Ben Lerner, Teju Cole, and Tao Lin are discussed, published from 2010-2013.
Hybrid Novels answers long-gestating questions in Contemporary Literary Studies about how to define post-postmodernism. It suggests that hybridity is the solution to this problem. It negotiates a balance between postmodern irony and post-postmodern sincerity, which existing studies have more often placed in opposition.
Acknowledgements
Introduction: Post-postmodernism and the Year 2000
1. Erasures Paradoxes: The Post-postmodern and the Postracial
2. The Corrections and the Market Logics of Post-postmodernism
3. Association and Organisation in White Teeth
4. Infinite Jests Endnotes
Coda: Autofiction in the 2010s
Works Cited
Index
George Kowalik is a writer and researcher based in London, UK. He has a PhD in contemporary transatlantic literature from Kings College London and currently teaches at Glasgow Caledonian University. His research has appeared widely, with work published or forthcoming in academic journals including ASAP, Humanities, Journal of American Studies, The Journal of David Foster Wallace Studies, and Orbit: A Journal of American Literature. Georges interviews with prize-winning authors, including Percival Everett and Brandon Taylor, have also been published. His short stories and writing on contemporary cinema, literature, music, and television have appeared in various outlets in print and online.