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E-raamat: Instruments of Embodiment: Costuming in Contemporary Dance [Taylor & Francis e-raamat]

  • Taylor & Francis e-raamat
  • Hind: 170,80 €*
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  • Tavahind: 244,00 €
  • Säästad 30%
Instruments of Embodiment draws on fashion theory and the philosophy of embodiment to investigate costuming in contemporary dance.

It weaves together philosophical theory and artistic practice by closely analyzing acclaimed works by contemporary choreographers, considering interviews with costume designers, and engaging in practice-as-research. Topics discussed include the historical evolution of contemporary dance costuming, Merce Cunninghams innovative collaborations with Robert Rauschenberg, and costumes used in Ohad Naharins Virus (2001) and in a ground-breaking Butoh solo by Tatsumi Hijikata. The relationship between dance costuming and high fashion, wearable computing, and the role costume plays in dance reconstruction are also discussed and, along the way, an anarchist materialism is articulated which takes an egalitarian view of artistic collaboration and holds that experimental costume designs facilitate new forms of embodied experience and ways of seeing the body.

This book will be of great interest to students and scholars working in performance philosophy, philosophy of embodiment, dance and performance studies, and fashion theory.
List of Illustrations
viii
Acknowledgments ix
1 Introduction
1(25)
2 Media of Touch
26(19)
3 Anarchist Experiments
45(23)
4 Your First Costume
68(23)
5 Modern Designs and Modern Networks
91(15)
6 Dancers in High Fashion
106(17)
7 Digital Costuming
123(22)
8 Stepping Into the Past
145(27)
Index 172
Eric C. Mullis is Associate Professor of Philosophy at Queens University of Charlotte, USA. He has published essays on somaesthetics, dance technology, and dance ethics, as well as the book, Pragmatist Philosophy and Dance: Interdisciplinary Dance Research in the American South (2019).