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E-raamat: Interior Provocations: History, Theory, and Practice of Autonomous Interiors [Taylor & Francis e-raamat]

Edited by (Pratt Institute, USA), Edited by (Cooper Hewitt, Smithsonian Design Museum, USA), Edited by (Pratt Institute, USA), Edited by (Pratt Institute, USA), Edited by , Edited by (Pratt Institute, USA)
  • Formaat: 248 pages, 6 Line drawings, black and white; 95 Halftones, black and white; 101 Illustrations, black and white
  • Ilmumisaeg: 18-Dec-2020
  • Kirjastus: Routledge
  • ISBN-13: 9780367816544
  • Taylor & Francis e-raamat
  • Hind: 161,57 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 230,81 €
  • Säästad 30%
  • Formaat: 248 pages, 6 Line drawings, black and white; 95 Halftones, black and white; 101 Illustrations, black and white
  • Ilmumisaeg: 18-Dec-2020
  • Kirjastus: Routledge
  • ISBN-13: 9780367816544

Interior Provocations: History, Theory, and Practice of Autonomous Interiors addresses the broad cultural, historical, and theoretical implications of interiors beyond their conventionally defined architectural boundaries. With provocative contributions from leading and emerging historians, theorists, and design practitioners, the book is rooted in new scholarship that expands traditional relationships between architecture and interiors and that reflects the latest theoretical developments in the fields of interior design history and practice.

This collection contains diverse case studies from the late-eighteenth century to the twenty-first century including Alexander Pope’s Memorial Garden, Design Indaba and Robin Evans. It is an essential read for researchers, practitioners, and students of interior design at all levels.

List of contributors
ix
Acknowledgments xii
Introduction 1(8)
Karin Tehve
SECTION I The Compressed Interior
9(42)
1 The Uncanny Design Of The Thorne Miniature Rooms
11(19)
K.L.H. Wells
2 Salon, An Autonomous Ludic Interior
30(21)
Alan Bruton
SECTION II The Representational Interior
51(72)
3 "A Better World Through Creativity": Interiors Without Walls And Design Indaba, South Africa
53(19)
Harriet McKay
4 Furniture Thinking: Examining Robin Evans' "The Developed Surface" Through Practice
72(13)
Annie Coggan
5 The Post-Wall---Era Club Culture Of Berlin As Cultural Heritage: "Where There Was Jag, There Is Art"
85(19)
Mark Nicholas Phillips
Yuksel Pogun-Zander
6 The Immersive Interior: From Vuillard To Vr
104(19)
Cindy Kang
SECTION III The Un-Sited Interior
123(56)
7 Outdoor Rooms: Domesticated Landscapes In The Uae
125(14)
Juan Roldan Martin
8 Immanent Interiors With (In) More-Than-Human Worlds
139(20)
Virginia Black
Elsa Hoover
9 Turning Inward: Alexander Pope's Memorial Garden
159(20)
David C.C. Foley
SECTION IV The Technological Interior
179(64)
10 The Telegraphic Interior: Networking Space For Capital Flows In The 1920S
181(25)
Paula Lupkin
11 Productions, Articulations, And The Elusive
206(37)
Clay Odom
Interior Provocations: A Conclusion
233(10)
Penny Sparke
Index 243
Anca I. Lasc is Associate Professor of Design History in the History of Art and Design Department at Pratt Institute. Her published work includes Interior Decorating in Nineteenth-Century France: The Visual Culture of a New Profession (2018), Architectures of Display: Department Stores and Modern Retail, co-edited with Patricia Lara-Betancourt and Margaret Maile Petty (Routledge, 2018), Visualizing the Nineteenth-Century Home: Modern Art and the Decorative Impulse (Routledge, 2016), and Designing the French Interior: The Modern Home and Mass Media, co-edited with Georgina Downey and Mark Taylor (2015).

Deborah Schneiderman is Professor of Interior Design at Pratt Institute and principal/founder of deSc: architecture/design/research. Her praxis explores the emerging fabricated interior environment and its materiality. Schneidermans published research includes the books Inside Prefab: The Ready-Made Interior (2012), The Prefab Bathroom (2014), Textile, Technology and Design: From Interior Space to Outer Space (2016), and Interiors Beyond Architecture (2018).

Keena Suh is an Associate Professor in the Interior Design Department at Pratt Institute with over twenty years of active practice in architecture and interior design. Her interest is in developing pedagogical frameworks to foster cross-disciplinary collaborations and learning.

Karin Tehve is Associate Professor of Interior Design at Pratt Institute, where she coordinates the theory and undergraduate thesis curriculum. Her research and writing concentrates on taste, media, and identity and their intersection with the public realm. This includes teaching (and learning from) undergraduate studios examining the relationship between aesthetics and inclusivity in New York Citys INT POPS, projects exploring social media and public realm, and an in-progress book about the history of taste. Her recent publications include "Interiors for and on Display" in Interiors Beyond Architecture (editors Deborah Schneiderman and Amy Campos, Routledge, 2018), as well as "POPS: Access, Appearance and Identity," published Spring 2020 in International Journal of Interior Architecture + Spatial Design 6, parallel territories.

Alexa Griffith Winton is a design historian and educator in New York City, where she is Manager of Content+Curriculum at Cooper Hewitt, Smithsonian Design Museum. Her research addresses issues of craft in the industrial and computer ages, the role of technology in modern domestic design, and the theorization of the domestic interior. Wintons work has been published in numerous scholarly and popular publications, including the Journal of Design History, Dwell, Journal of the Archives of American Art, and the Journal of Modern Craft. She edited Textile Technology and Design: From Interior Space to Outer Space with Deborah Schneiderman (2016).

Karyn Zieve is an Adjunct Assistant Professor in the History of Art and Design Department at Pratt Institute. Her work focuses on nineteenth-century French images of the Middle East and Northern Africa, particularly those by Eugène Delacroix, and questions of Orientalism, museum history, and historiography.