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E-raamat: Introduction to the Attribution of Literature: The Re-Attribution of the British 18th and 19th Century Corpuses [Taylor & Francis e-raamat]

  • Formaat: 230 pages, 56 Line drawings, black and white; 56 Illustrations, black and white
  • Ilmumisaeg: 19-Nov-2025
  • Kirjastus: Routledge
  • ISBN-13: 9781003650256
  • Taylor & Francis e-raamat
  • Hind: 189,26 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 270,37 €
  • Säästad 30%
  • Formaat: 230 pages, 56 Line drawings, black and white; 56 Illustrations, black and white
  • Ilmumisaeg: 19-Nov-2025
  • Kirjastus: Routledge
  • ISBN-13: 9781003650256

Introduction to the Attribution of Literature describes the first unbiased and accessible authorship attribution method, and uses it to present the first accurate re-attribution of 311 canonical texts from the 18th century to only 10 ghostwriters, and 323 texts from the 19th century to 11 ghostwriters.



Introduction to the Attribution of Literature describes the first unbiased and accessible authorship attribution method, and uses it to present the first accurate re-attribution of 311 canonical texts from the 18th century to only 10 ghostwriters, and 323 texts from the 19th century to 11 ghostwriters. For example, the little-known Sir Francis Cowley Burnand is chronologically, stylometrically, and with handwriting analysis proven to be the ghostwriter behind 55 canonical tested texts, including "Emily Bronte's" Wuthering Heights, "Collins'" Woman in White, "Doyle's" Sherlock Holmes, "Kipling's" Captain Courageous, "Stoker's" Dracula, "Anthony Trollope's" American Senator, "Wells'" Island of Doctor Moreau, "Wilde's" Picture of Dorian Gray, and "Dickens'" Great Expectations. This method applies a combination of 23 to 28 different types of punctuation, parts-of-speech, and lexical linguistic tests. Parts of this book offer extensive statistical evidence in support of why this method’s findings are quantitatively reliable. If preceding attribution methods had been equally reliable; then, they would have also concluded canonical British texts have been overwhelmingly ghostwritten. A section in this book explains the methodological flaws of these preceding attribution approaches because of which they have incorrectly reaffirmed their canonically-accepted bylines. It includes definitions of central stylometric terminology, and explains how readers can apply the described strategies to their own attribution research at any academic level.

Introduction

Part I: The New Stylometric Attribution Method

Chapter
1. Anti-Assumptions as Pre-Requisites for Computational Stylometry

Chapter
2. The Steps of the Recommended Stylometric Attribution Method

Chapter
3. Selecting a Suitable Corpus

Chapter
4. Preparing Texts for Testing

Chapter
5. Reasons for the Use of Free Accessible Software

Chapter
6. Discussion of the Data in the 18th and 19th Century Corpuses

Chapter
7. A Method for the Quantitative Selection of the Most Likely
Ghostwriter in a Linguistic-Group

Part II: Experiments to Explain Weaknesses of Previous Attribution Methods

Chapter
8. Thomas Mendenhalls Visual Curve Word-Length Comparison Model
(1887)

Chapter
9. George Udny Yules Sentence-Length Ranges and Statistics Model
(1939)

Chapter
10. George Udny Yules Vocabulary Model (1944)

Chapter
11. Zhao and Zobels 634-Text Corpus (2007)

Part III: Experiments to Verify the New Methods Accessibility and Accuracy

Chapter
12. Statistical Comparison of Standard versus Newly Proposed
Stylometric Methodologies

Index
Anna Faktorovich is the Director and Founder of Anaphora Literary Press. She taught English literature and composition for over four years at colleges including the University of Texas Rio Grande Valley, Edinboro University of Pennsylvania and the Middle Georgia College. She has a Ph.D. in English Literature and Criticism. She has published Rebellion as Genre (2013), Formulas of Popular Fiction (2014), and literary and linguistic articles in periodicals such as Humanities Bulletin, Critical Survey and East-West Cultural Passage.