| Preface |
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xi | |
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Introducing digital video |
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1 | (27) |
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1 | (2) |
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3 | (2) |
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5 | (5) |
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10 | (1) |
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11 | (1) |
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Some digital video processes outlined |
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12 | (2) |
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Time compression and expansion |
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14 | (2) |
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Error correction and concealment |
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16 | (1) |
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17 | (3) |
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20 | (1) |
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20 | (2) |
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Video compression and MPEG |
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22 | (1) |
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22 | (2) |
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Rotary-head digital recorders |
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24 | (2) |
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26 | (1) |
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Digital television broadcasting |
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26 | (1) |
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26 | (2) |
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27 | (1) |
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28 | (86) |
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28 | (3) |
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31 | (2) |
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33 | (2) |
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35 | (6) |
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41 | (1) |
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42 | (1) |
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43 | (8) |
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51 | (2) |
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Colour difference signals |
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53 | (4) |
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Motion portrayal and dynamic resolution |
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57 | (1) |
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Progressive or interlaced scan? |
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58 | (2) |
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60 | (7) |
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Introduction to digital logic |
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67 | (7) |
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74 | (2) |
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76 | (1) |
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77 | (6) |
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83 | (1) |
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84 | (1) |
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84 | (4) |
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88 | (7) |
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95 | (5) |
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100 | (3) |
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103 | (1) |
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The discrete cosine transform (DCT) |
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104 | (3) |
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107 | (2) |
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109 | (2) |
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111 | (3) |
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113 | (1) |
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114 | (42) |
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Introduction to conversion |
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114 | (1) |
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114 | (4) |
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118 | (3) |
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121 | (2) |
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123 | (3) |
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126 | (2) |
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128 | (2) |
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130 | (5) |
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135 | (1) |
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Requantizing and digital dither |
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136 | (3) |
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Basic digital-to-analog conversion |
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139 | (2) |
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Basic analog-to-digital conversion |
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141 | (2) |
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143 | (6) |
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Gamma in the digital domain |
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149 | (1) |
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Colour in the digital domain |
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150 | (6) |
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154 | (2) |
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156 | (44) |
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A simple digital vision mixer |
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156 | (7) |
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163 | (4) |
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167 | (12) |
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179 | (7) |
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Applications of motion compensation |
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186 | (2) |
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Motion-compensated standards conversion |
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188 | (4) |
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192 | (6) |
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198 | (2) |
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199 | (1) |
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Video compression and MPEG |
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200 | (49) |
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Introduction to compression |
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200 | (6) |
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206 | (2) |
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Spatial and temporal redundancy in MPEG |
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208 | (7) |
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215 | (1) |
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216 | (4) |
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220 | (7) |
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227 | (4) |
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Handling interlaced pictures |
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231 | (5) |
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236 | (1) |
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237 | (1) |
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238 | (3) |
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241 | (2) |
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Processing MPEG-2 and concatenation |
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243 | (6) |
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248 | (1) |
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Digital coding principles |
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249 | (63) |
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249 | (1) |
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Types of transmission channel |
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250 | (1) |
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251 | (3) |
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Types of recording medium |
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254 | (1) |
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254 | (5) |
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Azimuth recording and rotary heads |
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259 | (1) |
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Optical and magneto-optical disks |
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260 | (2) |
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Equalization and data separation |
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262 | (2) |
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Slicing and jitter rejection |
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264 | (5) |
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269 | (2) |
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271 | (3) |
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274 | (2) |
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Randomizing and encryption |
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276 | (1) |
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277 | (6) |
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283 | (1) |
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284 | (2) |
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Concealment by interpolation |
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286 | (1) |
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287 | (2) |
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Block and convolutional codes |
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289 | (3) |
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292 | (5) |
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Introduction to the Reed-Solomon codes |
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297 | (7) |
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304 | (1) |
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305 | (2) |
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307 | (5) |
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Appendix 6.1 Calculation of Reed-Solomon generator polynomials |
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309 | (2) |
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311 | (1) |
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312 | (35) |
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312 | (2) |
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314 | (3) |
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317 | (2) |
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319 | (1) |
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320 | (3) |
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323 | (3) |
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326 | (1) |
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327 | (1) |
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328 | (1) |
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328 | (3) |
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Focus and tracking systems |
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331 | (7) |
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Structure of a DVD player |
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338 | (3) |
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341 | (1) |
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The structure of a workstation |
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341 | (2) |
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343 | (1) |
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344 | (3) |
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Introduction to the digital VTR |
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347 | (34) |
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347 | (1) |
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The rotary-head tape transport |
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348 | (2) |
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350 | (1) |
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351 | (6) |
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Operating modes of a DVTR |
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357 | (1) |
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357 | (1) |
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358 | (1) |
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358 | (1) |
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359 | (1) |
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359 | (8) |
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367 | (9) |
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376 | (1) |
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376 | (3) |
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379 | (2) |
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380 | (1) |
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381 | (56) |
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381 | (3) |
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Production-related interfaces |
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384 | (1) |
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385 | (2) |
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387 | (1) |
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388 | (1) |
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388 | (6) |
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394 | (2) |
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Digital television broadcasting |
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396 | (2) |
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MPEG packets and time stamps |
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398 | (2) |
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400 | (2) |
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Program Specific Information (PSI) |
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402 | (1) |
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Transport stream multiplexing |
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403 | (2) |
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Broadcast modulation techniques |
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405 | (4) |
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409 | (4) |
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Error correction in digital television broadcasting |
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413 | (1) |
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413 | (4) |
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417 | (5) |
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422 | (6) |
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428 | (2) |
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Broadband networks and ATM |
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430 | (7) |
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436 | (1) |
| Glossary |
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437 | (12) |
| Index |
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449 | |