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E-raamat: Korean Culture in the Global Age: K-Pop, K-Drama, K-Film, and K-Literature [Taylor & Francis e-raamat]

Edited by (Purdue University Fort Wayne, USA), Edited by (William Paterson University, USA)
  • Formaat: 346 pages, 3 Tables, black and white; 4 Halftones, black and white; 4 Illustrations, black and white
  • Sari: Routledge Studies in Cultural History
  • Ilmumisaeg: 29-Jun-2025
  • Kirjastus: Routledge
  • ISBN-13: 9781003257363
  • Taylor & Francis e-raamat
  • Hind: 161,57 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 230,81 €
  • Säästad 30%
  • Formaat: 346 pages, 3 Tables, black and white; 4 Halftones, black and white; 4 Illustrations, black and white
  • Sari: Routledge Studies in Cultural History
  • Ilmumisaeg: 29-Jun-2025
  • Kirjastus: Routledge
  • ISBN-13: 9781003257363
"Since the late 1990s, South Korean cultural products such as pop music, TV drama, and film have shaped the country's image around the world. This book explores these three internationally best-known media of the Korean Wave global phenomenon, along witha less commonly featured aspect, K-literature. Iconic images of South Korea today include stylish music groups like BTS and Blackpink, appealing dramas, and a range of films and digital comics (manhwa). Alongside associations with glitz and glamor are darker impressions: continuing political division, malaise over a war that never really ended. Korean Culture in the Global Age focuses on these and other facets of South Korea's constantly changing international image to show how it has come to command worldwide attention. In recent years, readers in a growing number of languages have discovered the talent of South Korean authors through the effort of countless translators. Showing developments in and occasional connections between themes in K-pop, K-drama, K-film, and K-literature, the book provides a more comprehensive view of contemporary South Korean culture. This volume will interest researchers and students of Korean Studies, Asian Studies, Asian-American Studies, popular music, film studies, migration and diaspora studies, and world literature"-- Provided by publisher.

Since the late 1990s, South Korean cultural products such as pop music, TV drama, and film have shaped the country’s image around the world. This book explores these three internationally best-known media of the Korean Wave global phenomenon, along with a less commonly featured aspect, K-literature.

Iconic images of South Korea today include stylish music groups like BTS and Blackpink, appealing dramas, and a range of films and digital comics (manhwa). Alongside associations with glitz and glamor are darker impressions: continuing political division, malaise over a war that never really ended. Korean Culture in the Global Age focuses on these and other facets of South Korea’s constantly changing international image to show how it has come to command worldwide attention. In recent years, readers in a growing number of languages have discovered the talent of South Korean authors through the effort of countless translators. Showing developments in and occasional connections between themes in K-pop, K-drama, K-film, and K-literature, the book provides a more comprehensive view of contemporary South Korean culture.

This volume will interest researchers and students of Korean Studies, Asian Studies, Asian-American Studies, popular music, film studies, migration and diaspora studies, and world literature.



Since the late 1990s, South Korean cultural products such as pop music, TV drama, and film have shaped the country’s image around the world. This book explores these three internationally best-known media of the Korean Wave global phenomenon, along with a less commonly featured aspect, K-literature.

Introduction: K-Culture in the Global Age and Organization Part 1: K-POP
in the Global Age
1. Shaping K-pop in the Asian Market: From Seo Taiji and
Boys to BoA
2. The Transcultural Fairy Tale in K-Pop: BTS's Mastery of
Storytelling and ARMY's Magical Assistance
3. "K-pop Trash, But Not
Koreaboo": Discursive Construction of K-Pop Fans on YouTube
4. The
Meaning-Making of the Korean Wave for Asian American College Students Part 2:
K-Drama in the Global Age
5. Empathy and Community in Misaeng and My Mister
6. Varieties of Virtuous Vengeance: Revenge and Correction in K-Drama
7. The
Diverse Experiences of Second-generation Korean Americans: A Sociological
Reading of the Netflix Show Beef Part 3: K-Film in the Global Age
8. Korean
Glocalization of the Zombie Apocalypse: The Yeon Sang-Ho Trilogy and Netflix
Dramas
9. Non-Human Judgment: Lee Soo-yeon's Surveillant Cinema
10. Seoul in
India: The Bollywoodization of Youn Je-kyuns Ode to My Father Part 4: Korean
Literature in the Global Age
11. Trauma in Korean Literature
12. Themes of
National Division and Reunification: A Common Thread in the Lives and
Literature of Hwang Sok-yong and Günter Grass
13. Global Subjectivities and
Languages in Contemporary South Korean: Transnational Migrant Labor Literature
Joanne Miyang Cho is a professor of history at William Paterson University. She has edited/coedited Transnationalism and Migration in Global Korea, Germany and China, Germany and Japan, Germany and Korea, Germany and East Asia, Gendered Encounters, Musical Entanglements, and East Asian-German Cinema.

Lee M. Roberts is a professor of German at Purdue University Fort Wayne. His recent publications include the coedited volume Transnationalism and Migration in Global Korea (2024) and chapters in The History of the Shanghai Jews: New Pathways in Research (2022) and German East Asian Encounters and Entanglements (2021).