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Level Film Studies: The Essential Introduction 3rd edition [Hardback]

, (Anglia Ruskin University, UK)
  • Format: Hardback, 504 pages, height x width: 246x174 mm, weight: 1090 g, 1 Tables, black and white; 2 Line drawings, color; 112 Halftones, color; 114 Illustrations, color
  • Series: Essentials
  • Pub. Date: 13-Feb-2020
  • Publisher: Routledge
  • ISBN-10: 0367342448
  • ISBN-13: 9780367342449
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  • Price: 205,75 €*
  • * This title is out of print. Used copies may be available, but delivery only inside Baltic States
  • This title is out of print. Used copies may be available, but delivery only inside Baltic States.
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  • Format: Hardback, 504 pages, height x width: 246x174 mm, weight: 1090 g, 1 Tables, black and white; 2 Line drawings, color; 112 Halftones, color; 114 Illustrations, color
  • Series: Essentials
  • Pub. Date: 13-Feb-2020
  • Publisher: Routledge
  • ISBN-10: 0367342448
  • ISBN-13: 9780367342449
Other books in subject:
This essential book covers the key areas for A Level Film Studies students, building confidence through a careful, step-by-step approach.

The first part of the book establishes a basic understanding of the grounding of film analysis in the various elements of film construction, mise en scène, cinematography, editing, sound and performance, developing the knowledge students have of movies whilst challenging them to consider new films and ideas. Key theoretical approaches around narrative, genre, representation, spectatorship and authorship are introduced in Part II, before we consider specific national cinemas from around the world in parts III and IV. In Part V, the book assesses a range of slightly different film experiences, looking at silent cinema, experimental films and documentaries; before, finally, Part VI shifts to evaluating creative approaches to students own filmmaking.

Specifically designed to be user-friendly, the book has an easy-to-follow design, includes more than 60 colour images and is packed with features such as:





case studies on a range of films and filmmakers; activities on such films as Sunrise: A Song of Two Humans (Murnau, 1927, USA), Vertigo (Hitchcock, 1958, USA), Do the Right Thing (Lee, 1989, USA), We Need to Talk About Kevin (Ramsay, 2011, UK) and Stories We Tell (Polley, 2012, Canada); definitions of key terms; and suggestions for further reading and website resources.

Matched to the current exam specification, A Level Film Studies: The Essential Introduction covers everything students need to study as part of the course. The book is supported by a companion website at www.alevelfilmstudies.co.uk, offering further advice and activities.
List of figures
vii
Introduction: this is film studies 1(14)
PART I Film form and analysis
15(72)
1 Mise en scene
17(14)
2 Cinematography
31(19)
3 Editing
50(13)
4 Sound
63(13)
5 Performance
76(11)
PART II Theoretical approaches and critical debates
87(112)
6 Narrative and genre
89(32)
7 Representation and ideology
121(30)
8 Spectatorship and audience studies
151(20)
9 Authorship
171(17)
10 Historical, social, and cultural contexts
188(11)
PART III Hollywood and US cinema
199(72)
11 Classic Hollywood, 1930-1960
207(25)
12 New Hollywood, 1961-1990
232(14)
13 Contemporary American cinema
246(25)
PART IV National cinemas, global cinema, and arthouse film
271(90)
14 Contemporary British cinema
282(26)
15 European film
308(26)
16 Global film
334(27)
PART V Further varieties of film experience
361(86)
17 Silent cinema
363(24)
18 Experimental film
387(23)
19 Documentary film: theory and practice
410(37)
PART VI Understanding film through creative practice
447(39)
20 Researching and constructing a short film: narrative construction
449(37)
Index 486
Sarah Casey Benyahia is Head of Film Studies at Colchester Sixth Form College. She is the author of Crime (2011), 'Between Place and Non-Place: Disrupting the Categorizations of the Past in Ida' in S. Allen and K. Møllegaard (eds), Narratives of Place in Literature and Film (2019), and co-author of Doing Film Studies (2012).

John White is the author of Westerns (2011), European Art Cinema (2017), and The Contemporary Western: An American Genre Post-9/11 (2019). He is co-editor of The Routledge Encyclopedia of Films (2014).

Freddie Gaffney is a lecturer, screenwriter, and filmmaker. He is co-author of AS Film Studies: The Essential Introduction, 2nd edn (2008) and On Screenwriting (2009).