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E-raamat: Lighting for Televised Live Events: Making Your Live Production Look Great for the Eye and the Camera [Taylor & Francis e-raamat]

(Los Angeles City College, USA),
  • Formaat: 182 pages, 4 Line drawings, color; 98 Halftones, color; 102 Illustrations, color
  • Ilmumisaeg: 31-May-2021
  • Kirjastus: Routledge
  • ISBN-13: 9780429288982
  • Taylor & Francis e-raamat
  • Hind: 161,57 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 230,81 €
  • Säästad 30%
  • Formaat: 182 pages, 4 Line drawings, color; 98 Halftones, color; 102 Illustrations, color
  • Ilmumisaeg: 31-May-2021
  • Kirjastus: Routledge
  • ISBN-13: 9780429288982
Lighting for Televised Live Events unlocks the science, art, philosophies, and language of creating lighting for live entertainment and presentations that work for the television camera as well as for the live audience.

The book explores how to retain the essence and excitement of a live production while assuring that the show looks its best on-camera for the millions of viewers that can only see it on their TV, computer, tablet, or mobile phone screen. Readers will learn how to adapt an existing stage show for the camera, as well as how to design live entertainment or events specifically for TV. Filled with real-life examples and illustrations, the book covers a wide range of topics, including:











how exposure and color work for the camera;





how angle, visual balance, and composition can make people and backgrounds look their best, while preserving theatricality;





information on camera equipment, screens, and projectors, as well as the control room environments that are found on a professional shoot;





the unique challenges of lighting for the IMAG video screens used at festivals and concerts.

Lighting for Televised Live Events is aimed at lighting design students, as well as professional designers that are considering a career or a career expansion in television. It is an essential resource for any stage lighting designer whose show may be shot for a television special or a live webcast and who will be asked by their client to collaborate with the incoming video team.
Foreword ix
Preface xi
Acknowledgments xiii
List of Contributors
xiv
Part I The Science
1(46)
Chapter 1 Introduction: Making Your Live Production Look Great for the Eye and the Camera
3(6)
Chapter 2 Exposure
9(7)
Chapter 3 Contrast in Lighting
16(6)
Chapter 4 Dynamic Range
22(6)
Chapter 5 Balance
28(5)
Chapter 6 Color and Color Temperature
33(14)
The Color Temperature Decision
38(2)
Color Correction
40(1)
Follow Spot Correction
41(2)
Automated Fixture Correction
43(1)
CRI, TM-30, CQS and TLCI
44(3)
Part II The Art
47(38)
Chapter 7 Angles in Lighting
49(20)
Chapter 8 Composition
69(6)
Chapter 9 Depth of Field
75(5)
Chapter 10 Aesthetics: Style and Taste
80(5)
Part III The Equipment
85(20)
Chapter 11 Contrast Ratios of Displays
87(3)
Chapter 12 Digital Cameras and Projectors
90(9)
4K and Beyond
91(2)
Film
93(1)
Arri Alexa
93(1)
Red Dragon
94(1)
Video Projectors
95(2)
Laser Phosphor (DIP)
97(1)
Lighting Designer Considerations
98(1)
Chapter 13 Projection Screens and LED Tiles
99(6)
Vinyl Projection Screens
100(3)
LED Tiles
103(2)
Part IV The Production
105(52)
Chapter 14 Festivals
107(8)
Chapter 15 Content Video
115(3)
Content Creators and Content Designers
116(1)
Software for Content Production and Previsualization
116(2)
Chapter 16 Adapting the Live Show: The Camera Tells the Same Story ... in a Different Way
118(17)
Talent Lighting
120(1)
Scenery, Backgrounds, and Wings
121(1)
Architectural Details
122(1)
Audience Lighting
123(3)
Color
126(1)
Screens
127(1)
Cuing
127(1)
The Age-Old Debate
128(1)
Case Histories
129(6)
Chapter 17 Made-For-TV
135(8)
Chapter 18 The Control Room and TV Truck
143(7)
Chapter 19 Theatre Production
150(3)
Chapter 20 Meetings and Special Events
153(2)
Chapter 21 Conclusion
155(2)
Bibliography 157(3)
Index 160
James L. Moody was the Head of the Technical Theatre Program, Technical Director, and Lighting Designer for The Theatre Academy at Los Angeles City College (A Professional Conservatory Program). Considered one of the founders of concert lighting, he received the first Concert Lighting Designer of the Year award from Performance magazine in 1980.

Jeff Ravitz is a lighting designer, lecturer, and writer specializing in live entertainment and events being captured for television broadcast and streaming. He was awarded the Primetime Emmy® for his lighting of Bruce Springsteen & the E Street Band: Live in New York City on HBO, and was previously nominated for Chers Extravaganza: Live at the Mirage. He has also received ten regional Emmys® and four Telly Awards for television designs, and was named a Parnelli Lighting Designer of the Year.