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E-raamat: Marcel Duchamp and the Architecture of Desire [Taylor & Francis e-raamat]

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While much has been written on Marcel Duchamp - one of the twentieth century's most beguiling artists - the subject of his flirtation with architecture seems to have been largely overlooked. Yet, in the carefully arranged plans and sections organising the blueprint of desire in the Large Glass, his numerous pieces replicating architectural fragments, and his involvement in designing exhibitions, Duchamp's fascination with architectural design is clearly evident. As his unconventional architectural influences - Niceron, Lequeu and Kiesler - and diverse legacy - Tschumi, OMA, Webb, Diller plus Scofidio and Nicholson - indicate, Duchamp was not as much interested in 'built' architecture as he was in the architecture of desire, re-constructing the imagination through drawing and testing the boundaries between reality and its aesthetic and philosophical possibilities. Marcel Duchamp and the Architecture of Desire examines the link between architectural thinking and Duchamp's work. By employing design, drawing and making - the tools of the architect - Haralambidou performs an architectural analysis of Duchamp‘s final enigmatic work Given: 1. The Waterfall, 2. The Illuminating Gas... demonstrating an innovative research methodology able to grasp meaning beyond textual analysis. This novel reading of his ideas and methods adds to, but also challenges, other art-historical interpretations. Through three main themes - allegory, visuality and desire - the book defines and theorises an alternative drawing practice positioned between art and architecture that predates and includes Duchamp.

Marcel Duchamp and the Architecture of Desire examines the link between architectural thinking and Duchamp's work. By employing design, drawing and making - the tools of the architect - Haralambidou's work performs an architectural analysis of Duchamp's final enigmatic work Given: 1. The Waterfall, 2.
List of Illustrations
ix
Acknowledgements xxvii
1 Introduction
1(22)
2 Allegory: The Fall
23(32)
3 The Blossoming of Perspective: An Architectural Analysis of Given
55(126)
4 Visuality: The Act of Looking
181(48)
5 Desire: Female Nude Drawing
229(8)
6 Defrocked Cartesians: Duchamp's Influences and Legacy
237(56)
Bibliography 293(14)
Index 307
Penelope Haralambidou is Doctoral Programmes Coordinator at the Bartlett School of Architecture, UCL, where she also teaches design Unit 24.