Muutke küpsiste eelistusi

E-raamat: Migrating Music [Taylor & Francis e-raamat]

Edited by , Edited by (The Open University, UK)
  • Formaat: 272 pages, 1 Halftones, black and white; 1 Illustrations, black and white
  • Sari: CRESC
  • Ilmumisaeg: 29-Mar-2011
  • Kirjastus: Routledge
  • ISBN-13: 9780203841754
  • Taylor & Francis e-raamat
  • Hind: 180,03 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 257,19 €
  • Säästad 30%
  • Formaat: 272 pages, 1 Halftones, black and white; 1 Illustrations, black and white
  • Sari: CRESC
  • Ilmumisaeg: 29-Mar-2011
  • Kirjastus: Routledge
  • ISBN-13: 9780203841754
Migrating Music considers the issues around music and cosmopolitanism in new ways. Whilst much of the existing literature on world music questions the apparently world-disclosing nature of this genre but says relatively little about migration and mobility diaspora studies have much to say about the latter, yet little about the significance of music.

In this context, this book affirms the centrality of music as a mode of translation and cosmopolitan mediation, whilst also pointing out the complexity of the processes at stake within it. Migrating music, it argues, represents perhaps the most salient mode of performance of otherness to mutual others, and as such its significance in socio-cultural change rivals and even exceeds literature, film, and other language and image-based cultural forms.

This book will serve as a valuable reference tool for undergraduate and postgraduate students with research interests in cultural studies, sociology of culture, music, globalization, migration, and human geography.
List of contributors
xii
Acknowledgements xv
1 Migrating music
1(18)
Jason Toynbee
Byron Dueck
PART 1 Migrants
19(52)
Introduction
21(7)
Byron Dueck
2 Migrant/migrating music and the Mediterranean
28(10)
Martin Stokes
3 `My own little Morocco at home': a biographical account of migration, mediation and music consumption
38(17)
Carolyn Landau
4 `Realness': authenticity, innovation and prestige among young danseurs afros in Paris
55(16)
Laura Steil
PART 2 Translations
71(56)
Introduction
73(5)
Jason Toynbee
5 Ridiculing rap, funlandizing Finns? Humour and parody as strategies of securing the ethnic other in popular music
78(14)
Antti-Ville Karja
6 Hip-hop Tehran: migrating styles, musical meanings, marginalized voices
92(20)
Laudan Nooshin
7 Un voyage via barquinho: global circulation, musical hybridization, and adult modernity, 1961-9
112(15)
Keir Keightley
PART 3 Media
127(68)
Introduction
129(6)
Jason Toynbee
8 What migrates and who does it? A mini case study from Fiji
135(15)
Ruth Finnegan
9 Migrating music and good-enough cosmopolitanism: encounter with Robin Denselow and Charlie Gillett
150(15)
Kevin Robins
10 Ports of Call: an ethnographic analysis of music programmes about the migration of people, musicians, genres and instruments, BBC World Service, 1994-5
165(15)
Jan Fairley
11 Music, migration and war: the BBC's interactive music broadcasting to Afghanistan and the Afghan diaspora
180(15)
John Baily
PART 4 Cities
195(56)
Introduction
197(5)
Byron Dueck
12 `New York Comes to Groningen': jazz star circuits in the Netherlands
202(16)
Kristin Mcgee
13 `Keepin' it real': Bombay Bronx, cultural producers and the Asian scene
218(17)
Helen Kim
14 Cavern journeys: music, migration and urban space
235(16)
Sara Cohen
Index 251
Jason Toynbee is Senior Lecturer in Media Studies in the Department of Sociology at The Open University. He does work on copyright and creativity, and ethnicity and the postcolonial condition. Much of his research on those issues focuses on popular music and jazz, as in his books Making Popular Music: Musicians, Institutions and Creativity (Arnold, 2000) and Bob Marley: Herald of a Postcolonial World? (Polity, 2007).



Byron Dueck is University Fellow in Music at the Open University. His work focuses on the role of musical and embodied experience in constituting public cultures. The majority of his research concerns First Nations and Métis music in western Canada; other interests include Cameroonian popular music and jazz.