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E-raamat: Music and Encounter at the Mediterranean Crossroads: A Sea of Voices [Taylor & Francis e-raamat]

Edited by (Corpus Christi College, University of Cambridge, UK), Edited by
  • Formaat: 252 pages, 2 Tables, black and white; 28 Line drawings, black and white; 4 Halftones, black and white; 32 Illustrations, black and white
  • Ilmumisaeg: 05-Nov-2021
  • Kirjastus: Routledge
  • ISBN-13: 9781003008514
  • Taylor & Francis e-raamat
  • Hind: 161,57 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 230,81 €
  • Säästad 30%
  • Formaat: 252 pages, 2 Tables, black and white; 28 Line drawings, black and white; 4 Halftones, black and white; 32 Illustrations, black and white
  • Ilmumisaeg: 05-Nov-2021
  • Kirjastus: Routledge
  • ISBN-13: 9781003008514
Music and Encounter at the Mediterranean Crossroads: A Sea of Voices explores the musical practices that circulate the Mediterranean Sea. Collectively, the authors relate this musical flow to broader transnational flows of people and power that generate complex encounters, bringing the diverse cultures of Europe, Africa, and the Middle East into new and challenging forms of contact. Individually, the chapters offer detailed ethnographic and historiographic studies of music’s multifaceted roles in such interactions. From collaborations between Moroccan migrant and Spanish Muslim convert musicians in Granada, to the incorporation of West African sonorities and Hasidic melodies in the musical liturgy of Abu Ghosh Abbey, Jerusalem, these communities sing, play, dance, listen, and record their diverse experiences of encounter at the Mediterranean crossroads.

Music and Encounter at the Mediterranean Crossroads: A Sea of Voices explores the musical practices that circulate the Mediterranean Sea, bringing the diverse cultures of Europe, Africa, and the Middle East into new and challenging forms of contact.
List of figures
ix
List of contributors
xi
Preface xiv
Introduction: A Sea of Voices 1(19)
Ruth I. Davis
Brian Oberlander
1 Voicing New Belongings: Composing Multilingual Songs in Italy's Refugee Reception Centers
20(19)
Fulvia Caruso
2 Morisco Prayer: Musical Hybridity and Historical Memory among Muslim Converts in Granada
39(18)
Brian Oberlander
3 Tan Cerca, Tan Lejos ("So Close, So Far Away"): Competence and Collaboration in Jalal Chekara's Flamenco Andalusi
57(18)
Ian Goldstein
4 Brazilian Encounters: Beirut's "Golden Age," Ziad Rahbani, and Lebanese Bossa Nova
75(16)
Gabrielle Messeder
5 Bollywood Trajectories and Audibilities of Race in Greek Popular Song
91(17)
Dafni Tragaki
6 Beyond the Borrowing Paradigm: Lessons from the Muslim-Jewish Maghrib
108(16)
Jonathan Glasser
7 Teaching Andalousian Music at Rabat's Conservatoire de Musique Marocaine: Franco-Moroccan Collaborations under Colonialism
124(27)
Jann Pasler
8 Southern Subjectivities: Contemporary Art Music from the South of the Mediterranean
151(22)
Anis Fariji
9 Dynamics of Musical Diversity: Morocco and the Southern Shore of the Mediterranean
173(14)
Miriam Rovsing Olsen
10 Ensounding Exile: Yehuda Halevi and Israeli Musical Mediterraneanism
187(17)
Michael A. Figueroa
11 Between Europe, the Middle East, and Africa: The Musical Repertoire of the French Benedictine Community of Abu Ghosh, Jerusalem
204(18)
Olivier Tourny
12 Cycles of Encountering: Revisiting Robert Lachmann's Oriental Music Project in Mandatory Palestine
222(19)
Ruth F. Davis
Index 241
Ruth F. Davis is a Life Fellow and former Director of Studies in Music at Corpus Christi College, University of Cambridge, where she is Emeritus Reader in Ethnomusicology. She also chairs the International Council for Traditional Music Study Group on Mediterranean Music Studies.

Brian Oberlander holds a PhD in Musicology from Northwestern University.